barjo-915-203229 This movie depicts "Operation Source" the Royal Navy's secret operation to destroy the Tirpitz. This is probably the best movie depicting midget submarines and chariots. Sir John Mills in fine form, and made in the mid 1950s, depicts gear, uniforms and setting not too far from the era. Plot line, it actually follows the basic facts of the real operation, and an earlier operation involving chariots. Some tense moments in the mini subs, and it says a lot for a film where a lot of drama can occur just in one set. Germans are all speaking German and don't come across as 2 dimensional which is always good - though no subtitles (they didn't get used in film before the 1960s). Only problem I would say is the film doesn't make it clear what the results of the mission were, but a minor point.

gary-444 I first saw this in the 1960's and revisited it some fifty years later.Of course it is of its time. It combines a story based on fact that is compelling and courageous, with a modest budget. The special effects are clunky, the costuming erratic, and armoury dubious, but it doesn't really matter. The story is well told, and dramatic. Submarine movies are at their best underwater where the claustrophobic drama is intense, and at their worst when that leaves them with nowhere to go. Here, fortunately the climax is on the surface, and incidental gems like a passing German patrol vessel playing music loudly also take place topside.The portrayal of toffs in charge and salt of the earth ranks grate a little now, but John Mills is a sound, reflective toff.Modern adrenaline junkies will not be impressed, but the simple heroism and determination portrayed is as impressive now as it was then.

James Hitchcock "Above us the Waves" is based upon the same formula which had proved so successful with "The Dambusters" a couple of years earlier. A small group of intrepid British servicemen, assisted by some innovative technology, set out to destroy a vital, heavily defended German target. Against the odds they succeed, but not without suffering some tragic losses. And yet "The Dambusters" is today, rightly, regarded as one of Britain's greatest war films, whereas "Above us the Waves" is little remembered.The film tells the story of "Operation Source", the attack in September 1943 by X-class midget submarines against the German battleship "Tirpitz". By 1943, in fact, the "Tirpitz" was something of a white elephant. Following the sinking of the "Bismarck" by British torpedo bombers in 1941, Hitler was reluctant to risk losing another battleship, and the "Tirpitz" remained anchored in a Norwegian fjord for most of the war, only making three sorties and never firing a shot against an enemy ship. The potential threat she posed to Allied convoys, however, meant that considerable British naval resources had to be diverted from other duties in order to counter that threat, which is why numerous attempts were made to sink her. Contrary to the impression given by this film, the "Tirpitz" was not permanently disabled by the submarine attacks, although the damage they caused took about six months to repair. She was finally sunk by RAF Lancaster bombers in November 1944.One interesting feature of the film is the way the Germans are portrayed. Many British films made during the war itself simply depicted all Germans as evil thugs; "The Day Will Dawn", also set in occupied Norway, is a good example, and Pressburger and Powell's "The Life and Death of Colonel Blimp" an honourable exception. Here some stereotypes remain; the German sailors generally communicate in a series of short, staccato shouts, in line with the common British received idea that the German language is not so much spoken as barked. (The British characters, by contrast, all speak in normal tones, even when giving orders). The Germans, however, do have their decent side; captured British sailors are greeted with mugs of schnapps and the German captain pays tribute to their bravery even after they have damaged his ship. Possibly this change reflects the fact that by 1955 West Germany was a key British ally in the Cold War.I think that one reason why "Above us the Waves" suffers in comparison with "The Dambusters" (apart from the fact that musically it has nothing to compare with Eric Coates' magnificent march) is that submarine warfare does not translate into exciting action sequences as well as aerial warfare. Or, for that matter, as well as surface naval warfare; I would rank the film behind not only "The Dambusters" but also "Sink the Bismarck!", made five years later about the sinking of "Tirpitz"'s sister ship. Most successful submarine films ("Run Silent, Run Deep", "Das Boot", "Crimson Tide", "K-19 The Widowmaker") are not so much action movies as character-driven psychological dramas. Unfortunately, the makers of "Above us the Waves" did not seem very interested in either character or psychology. There is little attempt at characterisation beyond superficial stereotyping (cheerful Cockney, cheerful Aussie, cheerful Irishman, dour Scot, etc.) and no attempt at psychological depth beyond the sort of stiff-upper-lip stoicism that was often assumed by film-makers of this period to be the habitual demeanour of the British serviceman.The leader of the raid (here called Commander Fraser) is played by John Mills, an actor who never seemed very military in bearing but spent much of his career playing members of His Majesty's Armed Forces, from the humble private in "Waterloo Road" all the way up to Field Marshal Sir Douglas Haig in "Oh! What a Lovely War!" Neither he, however, nor any of the other cast members succeeds in bringing much individuality to their roles. Some post-war British war films (and some American ones too) have become classics, but "Above us the Waves" is simply a routine, and rather dull, flagwaving tale of How We Won the War. 5/10

ian1000 Made during the austere 1950s (for us in the UK) with the usual British humour to lighten the grim events. Wonderful to see James Robertson-Justice not as a grumpy surgeon but as a grumpy admiral who manages to smile when he realises his ship has been 'attacked' by the heroes of the tale (to prove their merit). I wonder how accurate that part is? The incredible bravery of the men in the midget subs is well rendered, and one can forgive the film makers of the time - so soon after the war - for the German stereotypes on the Tirpitz, yet their Captain salutes the "brave men" who have arrived to attack his boat.A wonderful British war movie!