Advice From a Caterpillar

1999 "Missy isn't in a love triangle. She's in a love tangle!"
Advice From a Caterpillar
5.3| 1h30m| en| More Info
Released: 15 February 1999 Released
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Synopsis

When it comes to romance, Missy's attitude has always been whatever. After all, her artistic career is flourishing...her spacious New York City loft is fabulous...and her relationship with a married man is totally uncomplicated-what more could a modern girl want? But then Missy meets Brat, who's sweet, genuine and shares her fondness for 70's sitcoms. Unfortunately, he's also dating her pal Spaz. When Missy and Brat unexpectedly fall for each other, will she lose her identity...and her best friend? No matter how far you run, true love always finds you.

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xpunkadooziex Originally I had never heard of this movie until (being the broke college student that I am) one day I was in Best Buy and decided to check and see if there were any movies in the cheap section(9.99 and under) that might catch my eye. Well as soon as I saw that Cynthia Nixon and Andy Dick were starring in it, I thought how can I not buy it? Not to mention the "institution of a man" that we get to see naked, Timothy Olyphant(dont worry its not full frontal, shucks)..Well now it is somewhat of a new obsession. I watch it at least once a week with my friends. Awesome movie. I can not see how you don't consider this a comedy, there are various times in the movie were I find myself laughing histerically.. are we forgetting the whole rowboat scene, let alone numerous others.. unless I am just easily amused. Anyways, I think this was one of Andy's most endearing roles, and makes me even more of a fan. Personally I'd have to give this film the two thumbs up.
beptep As soon as Cynthia Nixon's character spies the naked Brat (Timothy Oliphant) sleeping in her gay friend's bed and her eyes betray her interest, we know that they will be together by the end of the film. That's the way movie cliches work. Missy (Nixon) a pop-fad artist, who has an amazing success showing home movies of her childhood with narration, is having an affair with a married man whose character is given in the credits as "Suit" (Jon Tenny). If there is humour in this film, I missed it. Obviously the final confrontation scene in the diner with a commenting chorus of patrons is meant to be a hoot. But it's too far-fetched and contrived even for this film. And one can't really have a "Romance" if one doesn't care about the characters involved in said romance. But I think there is a greater problem with this film. Let me explain. If films continued to depict Afro-Americans as toadying Uncle Toms, I am certain that here would be vehement cries of anger and protest. Yet this film dares to portray a gay man as the swishy, queenly creature that bigoted Americans think all gays are. Worse than that, it tells us that any bi-sexual man can be "cured" by the love of a good woman. Yet even accepting this preposterous and insulting thesis, it is inconceivable that Timothy Oliphant's character would have Andy Dick's homely, effeminate character as a regular sex-partner and/or fall in love with the irritating creature played by Cynthia Nixon. This film not only angered me. It was an insult to my intelligence.
stemicbor Why? Why did they make this movie? If Timothy Olyphant wasn't shirtless in it several times, there would be ABSOLUTELY no reason to watch this movie, ever. Um...Plot? Nope. Well-defined characters? nope. The only time I laughed was when my boyfriend made fun of the whole she-bang. P.S. Andy Dick? Nope.
rsoonsa This film concerns purportedly non-establishment types (aesthetically and sexually) who apparently cannot resist basic romantic needs. Although some excellent players take part, including Jon Tenney, Timothy Olyphant, and Cynthia Nixon, they are grounded by a puerile script which relies nearly totally upon clever dialogue; which isn't. Nixon's role possesses the best lines, but she often homes in on them too quickly, a timing flaw which must be saddled upon the director. The grotesque climax utilizes every available cliche, spent or not, and fittingly ends this drab attempt at comedy.