omendata In an age of despair and poverty why is it the film makers continue to churn out desperately sad and lugubrious movies like these I don't know!Yes the film explores what its like to be unemployed with a wife and kids losing your house and the need for some to resort to crime , I have been there myself but its not really the sort of movie I want to be watching.Maybe its just me but i want to come out of the cinema like I used to in what i call the good old days when you came out feeling enervated , uplifted and positive about life.If you are into this sort of depressing , dull and real life scenario then I guess you will enjoy it but for me its too close to home and doesn't leave the viewer with a positive outlook on life, so if you are depressed and sad or your life isn't going well I wouldn't watch this as you may be reaching for the razor!

Seth_Rogue_One First off I'd like to point out that the poster is clearly trying to make this look like a action-movie which is so far from what this is.The poster seem to try to sell it as a new 'ASSAULT ON WALLSTREET (2013)' or something, and although there are some similarities between the two (both about 2 down on their luck men that lose their job and their mental state goes on a downward spiral) the approach and resolution is completely different.Won't go into any details but yeah if you're watching it and waiting for some kick ass action to kick off you'll most likely be a bit disappointed.I can't go into details without starting to spoil stuff so I'll just say that the movie-direction is a bit 'dreamy' at times like a little vague, even though the actual plot is fairly simple.It doesn't come together 100% but the good outweighs the bad, Wes Bentley is fairly good but Jason Isaacs is probably the best actor of the film and helps carry the film back up from the ground occasionally by just delivering a natural and charismatic performance.

MovieHoliks I saw this available on Netflix a little while back, and it looked to me like one of those countless direct-to-demand B-movie releases, but this film actually turned out quite good.Wes Bentley, who I read had taken an absence from acting due to a drug habit, returns to acting as a family man and insurance claim investigator, who upon losing his job turns to a life of crime. He befriends a detective played by Jason Isaacs ("The Patriot"), who I had to look up to remind myself who he is. He is quite good in this as well- gives a very subtle performance as a flawed, yet decent man, trying to do the right thing in a world that makes that difficult.Now I will say this about this film. Possible *SPOILER*. I actually expected much greater catastrophe than what actually ends up going down, and thought that maybe the director should have went down that path a little more, but overall, I enjoyed this film. If you're expecting an action-packed thriller, this is not the film for you- it's much slower- moving and more thoughtful. And kudos for a nice return-to-acting performance from Wes Bentley- I always liked his style; especially the way he can be so powerful with the expressions in his eyes. I've noticed this about him ever since his breakout performance in the 1999 Oscar winner, "American Beauty". Vinessa Shaw and Keith Carradine co-star.

transient-2 I doubt 'After the Fall' was conceived as a sequel to 'Falling Down' but the movies do have a similar subject. Wes Bentley plays the protagonist, who begins to have money issues after losing his job. His character is completely unsympathetic, a sociopath who lies easily to his family and goes on an increasingly reckless crime spree because he's too prideful to ask for money from his father-in-law. Instead, he robs complete strangers at gunpoint with an astonishing lack of anxiety or hesitation; he moves like a career criminal with no fear of getting caught. His occasional indulgence in rants and his spontaneous petty interventions suggest a desire for social justice, but his actions are transparently hypocritical and the film has established that nothing he says can be believed. It's hard to see any arc of development at all in this character because Bentley doesn't emote. He never varies his facial expressions beyond a look of frustrated detachment - his eyes never change, his face doesn't move; he walks quietly through dry scenes set to meditative music posing with the same look in every shot, and he never experiences remorse. His wife (Vinessa Shaw) is a trophy, a prop to suggest his motivation, but she's so completely oblivious and implausibly stupid, she doesn't interact enough to actually humanize him. There are plenty of scenes of his children happily playing or asking questions. The implication is that Bentley never swallows his pride because he cares for his family - that alone should justify lying to them and sadistically hurting whoever he wants. This movie will be of special interest to you if you think your wife is useless and your children are such a burden, it could justify murder and suicide.