mtckoch All-American Murder seems to be your average college slasher/thriller, but it actually is quite entertaining. Sure, the plot is maze like, but that is what mysteries are. This managed to be dark without being suffocated, and sinister without being nasty. As I first watched this, the questions started. Why was the poor girl burned, instead of a quieter, less attention attracting death? Who hated the kid enough to frame him? How did all the blackmail, adultery, and depravity occur at a "good" college? All these were answered if not amazingly, at least well. Rather than leave us hanging, the suspense actually ramps to the climax. Which leads to my final point. The motivation of the killer actually makes sense, in a twisted way. Too many films like this seem to have someone kill for the thrill of it, and since this one doesn't, I give it serious applause. Also, the protagonist actually has some heart, always a plus. See this if you want a good, modern whodunit with a eighties- early nineties feel.

adamgutterman Listen, I've seen this movie a hundred times, showing it to friends and family as a lark. It's a hilarious buddy-movie/murder-mystery with witty, punny-yet-intelligent dialog ala Clue. No, there's nothing groundbreaking here, and the production values are what you would expect from something that, I believe, went straight to video. But why should that matter? This film is completely unpredictable, and has such classic lines as "The dean has knocked off more undergraduates than Kent State." (Hilarious, if you know some basic American history and get the double-ententre.) Most movies these days require that even simple verisimilitude fly out the window, so suspend disbelief, enter with no expectation, and enjoy. It'll keep you guessing, and laughing, until the very end.

Brian Ellis Christopher Walken: what was he doing in this movie? What was he saying? The only thing this movie succeeded in, besides making me lose faith in Anson "Potsie" Williams filmmaking career, was making me feel sleazy. Everybody in this movie looked too cleancut to be involved with all that sex and I don't think there was a "Blue Velvet" double meaning of looking beneath the surface either.

marquis de cinema All American Murder(1992) is an interesting murder mystery not because its a very good film but because it is one of the rare American film that uses many ideas from the Italian Giallo. The writer, Barry Sandler seemed to have a touch of Argentoitis when he did the screenplay. Reminds me in many ways of Four Flies on Grey Velvet(1971) in the sense that someone is playing a game of cat and mouse with the main hero. Combines the giallo with the slasher film, the rebel picture, the detective story, and the love story. Christopher Walken lifts the film from being lousy to being entertaining. Uses elements from Agatha Christie and Ed McBain novels. Its obvious that All American Murder was influenced by the films of Dario Argento and Mario Bava especially in the use of a well deguised murderer as well as the motif of the deception of human nature that Bava showed in his films. The scene where Artie thinks he witnesses the murder of Tally reminds me of similar scenes from The Bird with the Crystal Plumage(1969) and Deep Red(1975). Josie Bissett was good in the role of Tally Fuller but I wished that he played in a duel role similar to that of Marisa Mell in One on Top of the Other(1969). Another film that seems to influenced this is Brian De Palma's Body Double(1984). Has small portions of the sleeze, sex, and violence that the Italian Giallo is known for. Unfortunately, the film does not have any of the flamboyant camera movement, the explosive soundtrack, the surreal images nor the artful and stylize violence that makes Dario Argento a genius of horror pictures.