gridoon2018 "Arizona Dream" is the first, and so far only, English-language, shot-in-America film of Emir Kusturica. It was not a commercial success, and it's easy to see why: it's an unmarketable, unclassifiable film. It's about dreams, love, loss, and movies (but not necessarily in that order). It runs nearly two and a half hours, the characters are all oddballs, it switches from broad comedy to intense drama at a moment's notice, and it has a depressing ending. And yet, there is something to be said about a director who breaks the "rules" of movie-making, such as the traditional "three-act" structure. "Arizona Dream", like a dream, is more about the journey than the destination: the journey is sometimes bumpy, but often magical (there are a couple of amazing scenes, for which it is better to be unprepared); Goran Bregovic's music is extraordinarily powerful, and the entire cast is great. *** out of 4.

grantss Quirky does not necessarily mean good...A man, Axel (played by Johnny Depp), is driven from New York to Arizona by a friend to attend the wedding of his uncle (played by Jerry Lewis). This is just a ruse to get him to work in the family car dealership. He meets an older woman and they form a relationship, much to the chagrin of his and her families. Weirdness ensues... The movie is pretty much just quirkiness for quirkiness sake. Weird stuff happens for no apparent reason. Hardly any character seems remotely sane. Worse than that, the characters are, for the most part, incredibly irritating. Much repetition of dialogue, simply because it then appears more arty. In actual fact, it is just plain annoying.Has a few good moments, but these are very few and far between.Good cast - Johnny Depp, Faye Dunaway, Jerry Lewis, Lili Taylor, Vincent Gallo - but wasted on a pointless script and "look at how arty I can be" direction.Pretentious nonsense.

richard_sleboe Life can be hard work, especially when you try to make a living counting fish, like Johnny Depp's character Axel, or selling cars, like Leo Sweetie (Jerry Lewis) and Paul Leger (Vincent Gallo), or trying to fly, like Elaine Stalker (Faye Dunaway). Bishop Milton Wright once said that if God had wanted us to fly, he would have made us birds or angels. Take it from him. He was father to Wilbur and Orville after all. In "Arizona Dream", Elaine tries to take off anyway, simply because it's her dream. Emir Kusturica more or less did the same thing, trying to make an impossible movie about Eskimos, a Cadillac dealership and the Man in the Moon. "Arizona Dream" isn't exactly a polished work of art. It's more a ragbag of ideas. But then, these ideas are among the finest you will find. So it may be a ragbag, but it's a ragbag bursting with energy and passion and fine lines and acting, as good as it gets. The cast is superb. Needless to say, Johnny Depp makes a great confused youngster, with early signs of the existential paranoia seen in "Fear and Loathing". Vincent Gallo, you've never seen him so healthy-looking and clean-cut, and chances are you won't ever again. Lili Taylor has her Parker Posey moment as pretty, amazing, self-destructive Grace, and if you don't know that's a compliment, you don't know anything. Towards the end, there is a scene that's literally to die for. Riding with his dying uncle Leo, Axel looks out the back window as the ambulance speeds away from Paul and Millie, Leo's gorgeous twenty-something bride (Paulina Porizkova). Billy Idol is singing "In the Deathcar". Caught in the nowhere land between life and death, Leo mumbles: "I gotta start climbing. It's a long way, Axel. It's a long way to the moon."

Joseph Sylvers It's weird going from something as dense and epic in scope as director Emir Kusturica's "Underground", to the fairy tale tragic romance of "Arizona Dream". Weirder still is the cast of Johnny Depp, Jerry Lewis, Faye Dunaway, Lili Taylor, and Vincent Gallo.The word "dream" comes up at least a dozen times in this movie, characters recounting dreams, or the film seamlessly showing them on screen, and appropriately it begins with a ten minute dream sequence(You only know it's a dream sequence because you're told it is afterwards), of an Eskimo in the snowy wilderness, catching a strange fish with both eyes on the same side, the Eskimo later becomes sick and is nursed back to health by his wife. From there we meet the dreamer Depp, who tags fish in New York, a job he loves because, "Most people think I count fish, but I don't. I look at them. I look at their souls and read their dreams and then I let them into my dreams." Then aspiring actor cousin Vinccent Gallo shows up, and asks Depp to come back to Arizona with him for his Uncle Jerry Lewis's wedding. Depp goes back and accepts a job selling Cadillacs, his uncles dream for them, until he meets an eccentric mother/daughter pair, the suicidal turtle obsessed accordion playing Lili Taylor and her vivacious, flighty, sexually aggressive mother, the latter Depp becomes immediately enamored with. Depp and Dunaway begin a very matter of fact and all consuming relationship (he leaves his job and uncles house and refuses to leave). After hearing of Dunaway's dreams to fly as a young girl, Depp decides and spends most of the movie, attempting to build her a flying machine. Meanwhile, Lili Taylor is sabotaging the machine, and Vincent Gallo is busy practicing his acting chops (his recreation of the crop duster scene from North By Northwest is one of the best all time comedy moments anywhere).All good performances, Gallo and Taylor, outshining the others though. The writing is also really good, mostly voice over by Depp, it definitely has a Jean Piere Jeaunut vibe (all the little details and phrases) "My dad always said that work was like a hat you put on your head. And even if you didn't have pants , you didn't have to walk down the street ashamed of your ass as long as you had a hat... " or " what's the point of breathing if somebody already tells you the difference between an apple and a bicycle? If I bite a bicycle and ride an apple, then I'll know the difference." The latter quote sums of the naiveté of the main character and the flaw that makes the tragedy. Depps relationships are passionate, sincere, but essentially child like, he doesn't know what to name how he fells about Dunaway so it must be "love". While Dunaway and her daughter are more two halves of the same person, stuck in an isolated country house, both with half the maturity and vitality the other needs.For the most part the movie is all comic smiles, and surreal shots of fish flying in the sky at random, but towards the end, the film takes somber tones, as the dream/relationships end.Not as dense and surreal as I had expected, but it does capture accurately the magical sensation of first love, especially with someone significantly older (without stepping on the toes of similar films like Harold And Maud or focusing too heavily on taboo).There were a few moments of emotional disconnect where the characters actions make little if any literal sense (the Russian roulette scene), but do give a greater sense of the contradictory emotions which almost all of the characters deal with, except Gallo, whose clearly just there for fun.Arizona Dream caught me off guard, the political allegory of Underground is replaced here with a very internal story of dreamy sensations, fleeting passions, conflicting dreams, conflicting loves, growing up, and magical fish. It's not great, but I definitely connected for personal reasons. If you liked Amelie, or Emir Kusturica, or any of the actors mentioned it's worth checking out.