Balzac and the Little Chinese Seamstress

2002 "A tailor-made love story."
Balzac and the Little Chinese Seamstress
7.2| 1h56m| en| More Info
Released: 09 October 2002 Released
Producted By: Les Films de la Suane
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Synopsis

During the Cultural Revolution, two young men are sent to a remote mining village where they fall in love with the local tailor's beautiful granddaughter and discover a suitcase full of forbidden Western novels.

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Syl I haven't read the book but I have to say that this movie was almost perfect except for the ending. It's about two Chinese male teens sent to the Phoenix Mountains in China to be re-educated about Communism. There in the mountains, they meet an attractive Chinese little seamstress who they read books too like Balzac and others that are normally forbidden. It's a shame that in some parts of the world that censorship goes on but it does. In this movie, the storyline is neither simple nor too complex despite the subtitles. I found myself wanting to read the novel itself when I was done. I found the movie to be treasured and watched for years to come. I found the love story realistic and the ending was a bit vague as well. Regardless, the film showed the mountains of China during the 1970s, the hardship, the reality, and a way to escape their dreary lives.
jkujo An invaluably sad but exceptionally beautiful work of art realistically depicting instability and mutability of all things in modern life. It's inevitably fluid like nature of human evolution between one époque to another. I can feel ethereal touch of Author's filial love to his mother country china. It is easy to see that the Author was torn between his deep seated love for China and Ambition of prosperity on his chosen land (France) at the moment of his life time decision making. This is something that not many understand unless you are forced to leave from your homeland and love ones for a cause. I have left Japan , Kyoto and a noble born beloved fiancé along with almost all things I perceived exquisite at that time for an ambitious cause.Augmented by an outstanding soundtracks with his genius touch in a perfect synchronization with emotion portrayed in screenplay. Since I have played harpsichord continuo part for Haendel's tragic opera such as Alcina, Otone and Radamisto for student soprano singers during rehearsals in the past, I can readily feel Author's masterful quality of refined artistic mind in every scene.This is a second film that I bought for my collection of Dai Sijie's works. I must admit that he is a genius of screenplay when it comes to depicting moments of painful separation. Who else can reproduce so vividly on the screen with such poetic touch today? Julien Kujo, Palo Alto, California
Hunky Stud overall, this is a good movie. the scenery is very nice to look at, so out of this world. I found two mistakes. 1. both them speak with dialects. Then when one of the guy were talking to a local folksong singer, all of sudden, he started to talk in perfect mandarin which doesn't make sense. 2. At the end of the movie, the guy actually jumped into the water, and searched for the dead person's name among all those paper boats which seem to be fake. He could have just asked people about it.The markup artists are great. They were able to change those two young men into middle age men without any obvious fake decorations.I didn't think that it was necessary for those two characters to speak heavy dialects at all. If they are from the city, they should know how to speak the national language - Mandarin. It is so hard to understand those people, I had to read the English subtitles. I also like the ending which seems like a copy from Titanic. It was well done.That period of time was a tragic time. This movie could have a little more tear jerking moment, etc. It doesn't have any. And it also did not show us any dark side of the communist party, the craziness people get into.
bradleyelfman I was really moved by the portrayal of the friendship of the Little Seamstress, Ma, and Luo, and how their lives were changed by their experience in the mountains in this brief span of time. The mountains were beautiful, the re-educators were not presented as monsters, and the acting, esp Xun Zho as Little Seamstress and Ye Liu as Ma was really good. Xun Zho reminded me of the young Gong Li in Red Sorghum. Most importantly, I rediscovered how lucky I am to be able to read and watch what I want when I want, and how I am almost obligated to take advantage of my freedom to read and watch movies.For me, the filming was never as strong as the better Asian movies but once the movie got going the filming became stronger as did the movie.The character of the harshness of the cultural revolution in China in the 60's was shown thru a politically soft-focus lens, but I did not mind this as there are more than enough Chinese movies that have leaned in the other direction, and for me, this was a movie about friendship and love in a political and cultural setting, not the other way around which matches my own personal preferences.