Kirpianuscus small domestic scenes from a family's every day life. a meeting. and image of a profound crisis. a film who could have different definitions. thriller, crime, art film, psychological. but who remains admirable work for the impeccable performance of Kristin Scott Thomas and Daniel Auteuil. for the image of reality beyond the words. for a form of delicacy in define the events like a painting in water colors. a film about values and about fear to lost sense of life. a film who is really seductive not exactly for story but for details. the last scene is a good example. not different by many films with similar theme, it is really beautiful for the doses of drama and for the inspired use of silence. a film about a family. its crisis. and the hope.

Bob Taylor Altman's The Player had a similar idea: the hero receives messages from a man he believes has a grudge against him, then starts to investigate... The doctor in this film receives flowers every day, and comes to believe that they come from a woman who, he thinks, harbors some grievance. Soon he starts to slump in surgery, his supervisor orders him to take time off, and he finds he has no appetite for anything. I admired Daniel Auteuil's performance very much; he has put on some weight and his eyes have that distant look that means he can't focus on the essential things. His wife, his son and daughter-in-law have needs and he is oblivious to all of it.Kristin Scott Thomas gives one of her finest performances; she is both suspicious that Paul is cheating and sure that he isn't (not really a paradox). Her eyes are wonderfully expressive. Leila Bekhti didn't really fit in with the story: I didn't get a feeling of menace from her. Richard Berry as the man who never tires of carrying a torch is excellent.

leplatypus I watched it to complete Leila's filmography but this movie is so far her worst participation. It's not that she's bad because for one time she acts beyond her roots but this movie is just meaningless. It collects all the same, old, abused and boring clichés of French drama as it's about the hollow life of a bourgeois couple: we have their total traits: the housewife, the prestigious doctor husband, the tennis matches, the opera, the on shoulders pull, the successful kids and even if they got all this, they feel empty, they are unable to communicate and they want to add fire to their « poor » life. Sure, every body shares this spleen for a perfect life, a life when dreams come true but on the other hand, i really don't care about the bed stories of the bourgeois. It's all the more painful here that practically all the scenes are totally useless as the characters sits, walks, drives alone and in the silence ! Maybe some appreciate this but sorry I skip it

writers_reign Philippe Claudel made a stunning debut with his first feature-length film I've Loved You So Long and has retained some of the elements - not least Kristin Scott Thomas in Before The Winter Chill. In the former movie Scott Thomas played a doctor who'd been struck off the register after the mercy killing of her terminally ill small son; this time around she is the wife of a neuro-surgeon Daniel Auteuil and both are best friends with psychiatrist Richard Berry. Auteuil has contrived to postpone his mid- life crisis until well into his sixties and it takes the shape of a young waitress/whore,Lou, some forty years his junior. This is, of course, plot enough for films set in the world of today but Claudel thickens the broth by straying into David Mamet territory and investing Lou with a mysterious and sinister extra layer or two. All three principals turn in excellent performances and if it fails to eclipse or even equal I've Loved You So Long it comes pretty close.