Mihai Serban
This is an extraordinary movie. It is extremely well done from all points of view. It contains violence and gore but if you can see beyond that you will find true art in this one (not too explicit, a good part is more suggestive than visual). If it is hard for you to understand or get pass the violence you need to consider that the violence is just a metaphor for human sacrifice or human determination of something that is above everything. This movie is about love, virtue and everything that comes from those two by mistake or by human nature. This movie might be not easy to understand but it is very close to possible for anybody who wants to understand it regardless of anything that stands against that. First: it is not predictable. Second: it has a very good cinematic and, regarding the fighting scenes, there is not a single move wrongly done. I assume that some parts are cut out only to make it shorter, but, besides that, there is not a single detail that does not contain something to bring value to the movie itself. Third: it contains a deep and strong philosophy that will evolve along with the course of action. I was not able to predict the end, may be you will be, but, even in that case, you will still like the art of it.
Páiric O'Corráin
Really good Fantasy/Ronin film which qualifies as Horror given the number of limbs chopped off, 800 year old Crones and Vampiric Worms which bestow Immortality. Refreshingly the fight scenes respected the laws of gravity! Lots of crouching but not so much leaping. Made the fight scenes somewhat more realistic, though the ability of our eponymous hero hero to slay hordes perhaps detracts a tad from that verisimilitude. He revels in the name "Hundred Killer".There are many shades of Grey in this film: the opening scenes are filmed in Black and White and have the feel of early Kurosawa both in the palette of colour deployed, ebony to silver and the Warrior meeting Crone motif. All credit to Director Takashi Miike and Cinematographer Nobuyasu Kita. But other shades of Grey also influence the film, alliances are built and broken, treachery abounds, motives are not always clear.A good old style Samurai/Ronin film.
Corey James
This review of Blade of the Immortal is spoiler free**** (4/5)Japanese VETERAN WRITER/DIRECTOR Takashi Miike is a busy man. Of course with 100 films to his name you don't expect him to take a break at some point. But as anyone will tell you if you have a dream to pursue or a record to break, then go for it. The latter may be what Miike is aiming to do here, at only 57 years-old who's to say he can't make another 100 features in his future years. To be fair, nobody would blame him. His latest Blade of the Immortal he shows to have lost none of that signature madcap energy which made the frenetic action from Ichi the Killer and 13 Assassins. An adaptation of Hiroaki Samura's manga of the same name. We open with Manji (Takuya Kumira) a skilled samurai in a revenge battle after the death of his sister, after killing what seems to be an army of swordsmen he's brutally injured in comes a mysterious woman who gives him a terrible curse: Immortality. This, obviously, means he can never die, but this power comes with the ability to heal his wounds, yes, a bit like Wolverine. Though Manji doesn't heal by simply liquid adamantium running through his body, Miike's way to make him heal is more gruesome and more painful. With this curse and his skill with the sword he promises to help Hana Sugisaki's Rin, a girl who wants revenge after her parents are killed by Anotsu Kagehisa (Sôta Fukushi) the leader of a group of swordsmen.Whereas 13 Assassins was more of a classical tale with samurai fighting behind a backdrop of ancient Japan, Blade of the Immortal is a bit more comical and could essentially be seen as the mutant child between 13 Assassins, Ichi the Killer and X-Men. Unlike the clawed mutant, Manji has to kill a thousand evil men in order to regain mortality. Let the sword fighting begin! Yet, again Miike keeps up his tradition of a rising body count, blood splattering all over the ground and limbs flying everywhere. And with a runtime of 2 hours and 20 minutes that's quite a lot of bodies, good luck counting them. Indeed, Miike isn't shy to introduce new techniques during the swordfights, one particular standout is a woman wielding a kind of hand-held corn plough, and other than that standout he loses a point for lacking originality as most of the fight scenes including the long finale often feel repetitive. However what the film lacks in originality he gains the point back for the kinetic thrills and his characterization of the heroes and the villain, their performances are incredible. Despite the high body count, Blade of the Immortal is both extremely warm and funny and is perhaps one of his best films yet, it's big, it's bloody and it's brilliant. Congratulations, Miike on your centenary! VERDICT Frenetic action meets healing powers Miike's 100th film is filled with more, madcap energy and more kinetic thrills than most Hollywood actioners.
