Spuzzlightyear Amusing movie here that almost paints everyone with a broad stroke of brush. Paul Muni plays a Mexican (!!) lawyer trying to make it in law in the Mexican part of LA, but loses his first case badly, not because of his mishandling of the law , but also, as the judge states, he's got that Mexican savage blood in him! He returns to Mexico to become the second hand of a successful casino. The manager's wife (played by Bette Davis) can't stop making goo-goo eyes at him, even killing her husband to get her our of the way. Soon he falls in love, no not with Davis, but with the original client he was prosecuting against in LA, this makes Davis go insane, while the client lady is still calling Muni a "savage". This is pretty ridiculous. but it's fun wondering where on earth this is going to go next. It does take a while to get going though.

bkoganbing Although Paul Muni does go over the top a bit in Bordertown, the film remains a savage indictment of racism, concentrating as it does on the struggles of one man in a racial/ethnic minority to find a place in this society.In a biography of Paul Muni I read that he deliberately hired a Mexican driver who stayed with him for several weeks so he could copy his mannerisms and get down the proper speech pattern. He didn't do half bad as Johnny Ramirez, the disbarred attorney who turns to the dark side.The story has Muni bright and eager to start making a living as a lawyer and please his mom Soledad Jimenez who sacrificed a lot so her kid could study law. But in his first appearance in court he loses his temper and manages to get himself disbarred. Had this been a white attorney, I assure you he might have gotten a slap on the wrist and a censure, but not a disbarment. Broken in spirit, Muni ends up working for Eugene Palette at a road house as a bouncer.He also catches the eye of Palette's wife played by Bette Davis. But Muni has eyes for Margaret Lindsay, a society girl who likes to go slumming. In the end both women disillusion and betray him.Bordertown is one of the darkest films of the Thirties, the future is by no means clear for Muni. Though he does overact a bit, you will not forget the smoldering anger that he brings to the part of Johnny Ramirez. This was the second of two films in which Paul Muni played a person of Mexican background. The other was Juarez and there is 180 degree difference between the angry Ramirez and the stoic Juarez. You can hardly believe it's the same actor, but Muni had one incredible range as a player.This is a film that could probably stand a remake. I could see someone like Benjamin Bratt or Lou Diamond Phillips in an updated version as Johnny Ramirez, possibly Edward James Olmos. It was in fact made over in part by Warner Brothers in They Drive By Night. But the Mexican heritage and a great deal more was not included in that film.Until then I recommend Bordertown highly

sol1218 (There are Spoilers) Having studied for five years to get his law degree self-confident in his ability in to practice law Johnny Ramirez, Paul Muni, gets the shock of his short professional career as a small time lawyer when he ends up belting defense lawyer Brook Manville, Gavin Gordon, on his first case. Manville's client he filthy rich and beautifully bread Dale Elwell, Margaret Lindsey, was charged with drunk driving in her demolishing Johnny's friend's Manuel Deago, Arthur Stone, pick-up truck. Made to look like a fool by Manville, with his staling and double-talk tactics, Johnny realized, after clobbering the snide and condescending Manville, that law wasn't his cup of tea and checked out of town,L.A, looking for a new profession. It didn't take long for Johnny to find employment at the Silver Slipper Casino on the Mexican/US border as a bouncer and later manager of the gambling establishment.Feeling that he's worth a lot more then what his boss Charlie Roak, Eugene Palette, is paying him Johnny ends up owning 25% of the gambling joint with Charlie more then willing to give it to him. As things turn out Charlie's scheming wife Marie, Bette Davis, sees in Johnny a meal ticket and tries to make a play for him. Not falling for Marie's poor little girl, who's needs a lot of lovin', act Johnny is very keen to Marie and refuses to betray his partner Charlie in having an illicit affair with her. It may also be that Johnny wasn't all that attracted to Marie in how cheaply she handled herself as well as how unstable she was.One evening at the Silver Slipper when Charlie is dead drunk Marie drives him homes and in a flash see the golden opportunity that she's been looking for. Locking the drunk and unconscious Charlie in the garage Marie leaves the motor running which results in,from carbon monoxide poisoning, Charlie's untimely death but in reality cold blooded murder on Marie's part! With Johnny now in complete charge the Silver Slipper really takes off and eventually expands into the new and high class La Rueda nightclub. On opening night at the La Rueda Dale just happens to show up and Johnny being secretly in love with her starts to make a play for Dale. This all doesn't go too well with the jealous and spiteful Marie who, in a fit of total madness, tries to pin her husband Charlie's death on Johnny not as an accident, as the local court declared, but murder! A murder that Marie, not Johnny, committed!***SPOILERS*** Johnny was in for the fight of him life in defending himself against Marie's charges but in the end it was her not Johnny who cracked under the pressure. Completely failing apart on the witness stand Marie ended up looking like she was hit by four ten ton trucks, from different directions, as she was trying to cross a busy intersection! Now a free man and wanting to marry his one and only love Dale Johnny gets the surprise of his life. Not only isn't the blue-blooded Dale Elwell interested in the non Waspy Mexican/American johnny Ramariz she also feels that he's in no way good enough for her and the crowd that she hangs with! Finally seeing the light, this after another major shock hits him, Johnny goes back home to L.A to practice law for his own people, Mexican/Americans, who both appreciates both him and the services that he, sometimes free of charge, provides for them.

Neil Doyle PAUL MUNI with dark make-up and an Hispanic accent is a hot-blooded Mexican lawyer who turns to a different sort of life when his career as a lawyer leads nowhere. He works for EUGENE Palette in a gambling joint and is soon the jovial man's partner. On the sidelines watching him is BETTE DAVIS, in one of her early femme fatale roles, a bleached blonde whose advances toward Muni are promptly rebuffed.A sub-plot involving Muni's romance with a society girl (MARGARET LINDSEY) is really rather predictable, especially when she flirts with him from the start and then turns on him when he becomes serious, flinging words at him like "savage" and "brute" and telling him to stay with "his own tribe." The script resolves this ill-fated affair in an abrupt manner before the fade-out.The highlight of the drama is Bette Davis turning on Muni too, on the stand, declaring that he conspired with her to kill her husband, when in fact she is the guilty one. She goes to pieces on the stand, allowing us a Bette Davis moment that was an indication of the kind of actress she was on the verge of becoming.Frankly, this whole story bears a strong relationship to another tale Warners produced in '41 with Ida Lupino as the stressed out woman filled with guilt over the murder of her husband. Lupino was even more impressive in her mad moment than Davis. In fact, the whole picture was smoother and produced with more polish than this similar version using some of the same story elements.Summing up: Intense drama suffers from Muni's overacting as the Mexican lawyer and a script that doesn't develop the wife's character sufficiently to lead to her mental breakdown. A better version is THEY DRIVE BY NIGHT ('41)with George Raft and Ida Lupino and Alan Hale as the hubby she wants to get rid of.