SnoopyStyle It's 1940 Greece. Cephallonia is an island of traditions. Pelagia (Penélope Cruz) is the daughter of Dr. Iannis (John Hurt) and girlfriend to childish fisherman Mandras (Christian Bale). Fighting breaks out between Greece and Italy. Mandras goes off to war vowing to marry Pelagia upon his return. The Axis forces march onto the island with no resistance. Italian Captain Antonio Corelli (Nicolas Cage) and his men never fire a shot. Mandras returns terribly injured and then joins the partisans. Despite initial hatred, Pelagia falls for Corelli and his mandolin. Captain Günther Weber (David Morrissey) is the awkward German trying to befriend Corelli. When Italy surrenders, allegiances change.The Anglo-American lead actors strip away the Mediterranean heat. Cage is playing up the quirkiness unnecessarily. Bale can never pass for an islander. Everybody is doing an accent. There is no chemistry between anybody. Cruz is left with no worthy dance partner. There are no compelling relationships and the movie suffers. It's a warmed-up wartime period piece romance.

Andreja Zecevic I have just returned from Kefalonia. That's the only reason for marking this movie with "3". I like the Island...I simply have no idea what's wrong with John Madden. On the paper, the guy seems to know what he's doing. Seems to be able to differ good from bad (if we take that there is no right and wrong). But after letting myself finish this movie (since I seem to be a masochist when it comes to finishing everything I am watching) I have got the impression that this fellow had been directing this in a complete emotional chaos because I can not believe that his fellow citizen Louis de Bernières had anything close to this idea. Love story?! Goddammit no! Let's start with the casting. Nicolas Cage?! Let's see, his character is a profligate Italian occupier fighting along with the Nazis under Mussolini and seducing a wive of an honest Greek patriot who goes to war to prevent his home Island being occupied...On the scale of charm from 1 to 10, that actor must have been something like 15 to even having any chance to make his character acceptably nice so one could even finish watching the movie! There were only two movies in the entire career of Nicolas Cage when he reached above 5 on such scale and where he has been able to transfer some kind of emotion through his character: Leaving Las Vegas and Face Off. However, considering that something above 5 is way below required 15, I have a feeling like I have been raped after watching this movie to the end.OK, I understand. The history of art deals with probably the greatest anguish of mankind - the unpredictable ways of love. But after she (Pelagia - Penelope) was able to deceive and leave her handsome, honest, simple-minded patriot Mandras played by Bale (probably the only one partially rising to the occasion along with Penelope here) for the (above described) Cage, I believe the only honest feeling one could actually gain would be to support the angry Kefalonian inhabitants by marking her with βρώμικο πουτάνα - sporca puttana (for the ones still liking the Italian lover :) No really, even John Waters' Pink Flamingos love does not seem so repulsive anymore.OK, I could be moving on with this, but I believe I have made my point clear enough.

buiger I found it to be a good movie, well written, acted and directed. This film has wonderfully developed characters and is based on a true story (at least the historical part). I agree with James Berardinelli that John Hurt was awesome as Dr. Iannis.This film proves that a movie can have a strong impact even (or especially) without utilizing any special effects. If only more of such character-driven dramas would be produced nowadays. On a slightly negative note: it would have been much more effective if it had been filmed in the original languages (greek, Italian and German) with subtitles, ...but the box office would probably not allow it.

Karl Self I haven't read the book so I'm not anal about the movie digressing from the original plot. But it's still a horrible movie. If you want to make a schlocky love movie with Nicholas Cage affecting a risible Italian accent like out of some Little Cesar's Pizza commercial, be my guest. But please show some respect and don't base it on a real tragedy, the bloody German-Italian occupation of Greece in the Second World War and the 1943 massacre of 9000 Italian troops by the Germans.To be fair to the movie, Penelope Cruz does her usual excellent job of playing an attractive girl who painfully holds out against her romantic feelings before eventually giving in to love. The only problem is that I've seen her in this role before. Other than that, the movie is 1950ies-type of inane. The Greeks are proud archetypes (but hey, daddy's still all for emancipation and that), the Italians are jolly opera boffins, and the Germans uptight, evil maniacs. Beautiful, proud Pelagia is betrothed to a resistance fighter but has the hots for a jaunty Italian soldier. You connect the dots. That's really all there is to it.The sad thing is that the entire plot's long been done before, a million times better, and with infinitely more charme, in the 1991 Italian movie Mediterraneo. If you like the general idea of a romantic comedy about Italians occupying a Greek island, and going native in the process, you've struck gold. Captain Corelli's Mondolin, on the other hand, is trite sh*te.