ronchow This is perhaps the 3rd of 4th film I have seen by Sayles. As in the others, it was a slow one and demanded my patience.The choice of actors was great, and the use of local talent equally so. While I don't know about the accuracy of the adoption process in Mexico as depicted in the film, I find the story line and the backgrounds of the six adopting mothers creditable.This film can never be a big box office hit for the very narrow subject matter it deals with. There was no violence, no sex, no twisted plot in it. However, it is the kind that takes the viewers to different worlds - the worlds of the would-be mothers, of the poor in Mexico, of foreign adoption, and of government bureaucracy.We need more films of this nature - films that give you a new experience, films that explore human emotions, films that educate, and films that dig deep to explore. CDLB is definitely another worthwhile film by the master.

Cosmoeticadotcom There's a moment in Johns Sayles' latest film, Casa De Los Babys, that is among the most poignant ever filmed. A young maid in an unnamed Latin American country's main baby mill is engaged in a conversation with an Irish woman down to adopt. The Irish woman, Eileen (Susan Lynch, from Sayles' The Secret of Roan Inish), does not speak Spanish and gives a poignant tale about her life and desire for a child, and then the Spanish girl, Asuncion (Vanessa Martinez, from Sayles' 'Lone Star'), tells of giving a baby of hers up for adoption four years earlier, and both women touch each other, with the quiver of their voices and the emotion of their eyes. Eileen rhapsodizes about getting a child and her desires to be a good mother, as she always dreamt of, while Asuncion, understands nothing of what is said, but empathically 'gets it', because she gave up her child. She imagines the earnestness in Eileen and imagines her child is with a mother like Eileen. It's a terrific moment that uses words to show how superfluous words can be.This is why Sayles is not only the premier independent filmmaker, but flat-out one of the best around, if not in film history…. It is not the best film that John Sayles has ever made, and that may be simply that it was too short, at barely over an hour and a half- the first film since the Gwyneth Paltrow film Great Expectations, that probably could have used an extra 30-40 minutes, but it is a good one. Unfortunately there is only one Sayles around that makes these sorts of films on a consistent basis.

Brigid O Sullivan (wisewebwoman) And John Sayles does it extremely well. I had avoided this movie as many critics had trashed it and for no good reason that I could ascertain.The story features six very different American women who have come to Mexico in the hope of adopting children due to their own inability (and in one case lack of desire)to conceive. The lawyer in charge of these adoptions and the owner of the resort where they stay are brother and sister and in it for the money, of course. Rita Moreno, whom I haven't seen in years and years plays the sister running the hotel.The movie is not so much about the stories of the women but about the layering of multiple stories in Mexico. Mexico is never specified but the town portrayed is Acapulco. The homeless beggar children of the street are shown, the maids of the resort coming to work from the mountains every day, a fifteen year old on the verge of giving up her child for adoption, an educated engineer who can't seem to find work anywhere and dreams of Philadelphia.Over the few months or so that the women have to stay in the resort they begin to bond with one another. John Sayles gets amazing performances out of the actresses, Mary Steenbergen, Darryl Hannah, Susan Lynch, Marca Gay Harden, Maggie Gyllenhall and Lili Taylor. He throws a compassionate eye over the whole process of the adopting of children from one country who sometimes have to abandon their genetic, tribal and cultural origins in their new home.It begs the question of how a country such as Canada or the U.S. would react if Mexicans came here to adopt our unwanted children."Casa de los Babys" is a refreshing take on a very difficult subject and brings honesty and compassion to a heartbreaking topic. 8 out of 10.

kal-17 Desperate American women, unable to bear children, wait for months at a hotel in Mexico, in order to adopt babies. Meanwhile, homeless and apparently parent less or unwanted children sleep in cardboard shelters and roam the streets, stealing and washing windows for survival, while one young woman reminisces about the baby she gave up, and another, pregnant and 15 years old, is on the path to giving up her baby.This is a very affecting movie. It presents the situation, prompts us to ask the questions, but there are no answers.The characters were interesting, and the performances are compelling. Rita Moreno, especially, was wonderful as the hotel owner.