gavin6942 Mark Cahill is a good family man with a loving wife and two wonderful children. Mark also happens to be a hit man who is haunted by his last victim, a blonde, who keeps appearing in his bedroom at the worst of times.Not to say this is a bad movie, as it has some good themes about overworking and the whole hit-man aspect is cool, even if not necessarily realistic. But it seems as though the film was made specifically for the purpose of putting in explicit sex scenes. They go well beyond what was needed and more than you typically see in a movie.There is also the overuse of a song (I will call it "Too Much Pride")... the film would have been better served with more of a score and less of that song on the soundtrack.

jpduroche I agree with Kakueke,And I Quote "Decent entertainment for an evening, with today's standard themes of business conflicts, greed, betrayal, and murder, and, of course, Shannon Tweed cheating on her husband with two different affairs. I thought Baldwin's performance was the best among the men, tho maybe because his character was the least distasteful, but it at least added a little humor and elan to the generally sordid overtones. Cross was somewhat stiff, and his character was a little hard to swallow. (A hit man with later moral conflicts brought about by a ghost?) The ghost of the murdered woman was OK, but this had no blend with the main plot. In any event, male watchers are treated to steamy scenes with Shannon Tweed, even one with whipped cream, and there will be few objections to these". My only Problem was the First Meeting with "The Gohst" you see the Bullett Holes in her Upper Chest when Ben Opens up her Blouse, After that all the Other Times she shows up Naked there are no Holes!!

Kakueke Decent entertainment for an evening, with today's standard themes of business conflicts, greed, betrayal, and murder, and, of course, Shannon Tweed cheating on her husband with two different affairs. I thought Baldwin's performance was the best among the men, tho maybe because his character was the least distasteful, but it at least added a little humor and elan to the generally sordid overtones. Cross was somewhat stiff, and his character was a little hard to swallow. (A hit man with later moral conflicts brought about by a ghost?) The ghost of the murdered woman was OK, but this had no blend with the main plot. In any event, male watchers are treated to steamy scenes with Shannon Tweed, even one with whipped cream, and there will be few objections to these.

DOMENICADG THIS IS A SEXY FILM WITH A CAST OF UNSCRUPULOUS CHARACTERS. IT DEPICTS CORRUPTION, DECEIT, AND REMORSE. YOU KNOW THE CHARACTERS ARE CRUEL WHEN THE ONE WITH THE MOST SINCERITY IS THE "HITMAN". BEN CROSS NAILS HIS ROLE AS A HITMAN, LADEN WITH GUILT OVER A HIT GONE WRONG, THROWN INTO ANOTHER HIT INVOLVING A CORRUPT BUSINESSMAN, HIS EQUALLY NASTY PARTNER AND THE WIFE WHO IS INVOLVED WITH BOTH MEN. CROSS'S PERFORMANCE SHOWS RANGE AS THE COOL CALM OF A HIRED, PROFESSIONAL KILLER, THE ORDINARY FAMILY MAN WITH ORDINARY MARITAL PROBLEMS, AND GUILT RIDDEN MURDERER AS HE DEALS WITH THE REALIZATION THAT PEOPLE ARE NASTY, AND SOMETIMES THE INNOCENT GET HURT.