ell_wu
This movie has a lot of heart. It really tried. You can tell this movie is really trying to develop their characters more thoroughly and more dramatically. It tries to send a nice message about what it means to really try and believe in something. But there are some elements that kind of detract from it. Pros: a) despite her somewhat odd temper, I really like Heather Graham's character. Graham's acting aside, Jo by virtue of being the lead, has received the most development and change throughout the movie. And you know what, she's actually kind of likable, if a little hard to empathize with at times. Might be me, but I always found innocence in characters to be a fresh breath of air in our current day society where everybody is as cynical and sarcastic as I am.b) scene framing was fantastic. The scenes were visually very well done. Maybe it's the lens or something, I don't know. I'm no expert in this sort of thing. but the cinematography in the desert area yielded itself to a sort of surreal semi-dream sequence quality to it, which I felt was very appropriate for this movie. The camera work in the NY set pieces felt rather insular though. Maybe that is what the director was trying to get across, I'm not sure.Cons:a) there are too many subplots We have things like the whole incestuous love subplot which to me made no sense what so ever and served no purpose in the story. The same kind of went with Visnjic. So what if he's interested in her? Where is this going? Does he provide something that Luke Wilson's character does not? What about the lesbian couple that Affleck was sleeping with? Frankly, I felt that a lot of the characters could have been better fleshed out, or cut out entirely to devote more time to the main characters.b) some of the character feels rather artificial and forced This is particularly true of Luke Wilson's character. I mean, why the hell were they even married in the first place? The guy is clearly this wishy-washy, passive-aggressive, indecisive, self-centered man who quite frankly doesn't seem all that emotionally invested in ANY of his relationships in this movie until it is convenient for him. I don't care how much people change, there is only so much suspension of disbelief I can handle before my mind just thinks "bad caricature". The same goes for Visnjic. He's persistent, has a foreign accent, is rugged-looking, has a sensual touch, etc, etc, etc. He's basically your trash-romance novel fantasy stereotype, except REALLY REALLY creepy. What's even weirder is that Graham's character actually ENJOYS this. c) some of characterizations are actually kind of a turn off. Again, this has to do with how the movie presents their characters. Carl feels basically sub-human in his characterization and has no redeemable qualities. (Which, once again, begs the question why the hell did she marry him in the first place.) Visnjic has got creepy written all over him that it's almost comedic. (it's like Fabio with stalker tendencies) Carmen's reaction towards all the crap that has gone wrong in her life is... very understated too. Oh yeah, and I'm still not sure what purpose does Ruffalo's character serve towards the narrative other than play up the redneck stereotype. (which, depending upon how you look at it, can be pretty offensive)So, in summing, not bad, not great. If you can ignore some of the more egregious issues, it's not too bad. But you kind of have to keep up your suspension of disbelief a little.
jhclues
Some people drift through life, moving from one thing or one person to the next without batting an eye; others latch on to a cause, another person or a principle and remain adamant, committed to whatever it is-- and figuratively or literally they give their word and stand by it. But we're all different, `Made of different clay,' as one of the characters in this film puts it, which is what makes life so interesting. Some people are just plain crazy, though-- and maybe that's the way you have to be to live among the masses. Who knows? Who knows what it takes to make things-- life-- work? Writer/director Lisa Krueger takes a shot at it, using a light approach to examine that thin line between being committed-- and how one `gets' committed-- and obsession, in `Committed,' starring Heather Graham as a young woman who is adamant, committed, obsessive and maybe just a little bit crazy, too. Her name is Joline, and this is her story. Admittedly, Joline has always been a committed person; in work, relationships, in life in general. She's a woman of her word who sticks by it no matter what. And when she marries Carl (Luke Wilson), it's forever. The only problem is, someone forgot to tell Carl-- and 597 days into the marriage, he's gone; off to `find' himself and figure it all out. When Joline realizes he's not coming back, she refuses to give up on him, or their marriage. Maybe it's because of that `clay' she's made of. Regardless, she leaves their home in New York City and sets off to find him, which she does-- in El Paso, Texas, of all places. But once she knows where he is, she keeps her distance, giving him his `space' and not even letting him know she's there. She considers Carl as being in a `spiritual coma,' and it's her job to keep a `spiritual vigil' over him until he comes to his senses. And while she watches and waits, her life is anything but dull, as she encounters a young woman named Carmen (Patricia Velazquez), a waitress at one of the local eateries; Carmen's `Grampy,' (Alfonso Arau), who is something of a mystic; T-Bo (Mark Ruffalo), a truck driver who has issues concerning Carl; and Neil (Goran Visnjic) an artist who makes pinatas and takes a fancy to her. For Joline, it's a journey of discovery, during which she learns a lot about Carl, but even more about herself. There's a touch of humor, a touch of romance, and some insights into human nature in this quirky film that is more about characterization and character than plot. And Krueger presents it all extremely well, delivering a film that is engaging and entertaining. Her characters are very real people, with all the wants, needs and imperfections that make up the human condition; a rich and eclectic bunch through which she tells her story. We see it from Joline's point-of-view, as Krueger makes us privy to Joline's thoughts and therefore her motivations, which puts a decided perspective on the events as they unfold. That, along with the deliberate pace she sets that allows you to soak up the atmosphere and the ambiance she creates, makes for a very effective piece of storytelling. There's an underlying seriousness to this subject matter, but Krueger chooses to avoid anything heavy-handed or too deep and concentrates instead on the natural humor that evolves from the people and situations that Joline encounters. And the result is a well textured, affecting and upbeat look at that thing we call life. Heather Graham takes hold of this role from the first frame of the film to make Joline a character totally of her own creation. She immerses herself in the part and gives a performance that is convincing and believable, adding the little personal traits and nuance that makes all the difference between a portrayal that is a mere representation of a person, and one that is real. And for this film to work, it was imperative that Joline be viable and believable-- and Graham succeeds on all fronts. Her screen presence has never been more alluring, and her vibrant personality or even just the way she uses her eyes, is enough to draw you in entirely. it's all a part of the character she creates; there's an appeal to Joline that exudes from her entire countenance, who she is inside and out. She's a likable, agreeable person, and because you've shared her innermost thoughts, you know who she is. It's a good job all the way around, beginning with the way the character was written, to the way Graham brings her so vibrantly to life. As Carmen, Patricia Velazquez is totally engaging, as well. Her performance is very natural and straightforward, and she uses her instincts to effectively create her character. She has a charismatic presence, but is less than flamboyant, and it gives her an aspect that is attractively down-to-earth. She is refreshingly open and up-front; you get the impression that Carmen is not one to hold anything back, but is totally honest on all fronts, and that, too, is part of her appeal. And, as with Joline, this character is well written, and Velazquez brings her convincingly to life. Overall, there is a number of notable performances that are the heart and soul of this film, including those of Luke Wilson, Casey Affleck (as Joline's brother, Jay), Goran Visnjic, Alfonso Arau and especially Mark Ruffalo as T-Bo, who, with very little actual screen time, manages to create a memorable character. The supporting cast includes Kim Dickens (Jenny), Clea Du Vall (Mimi), Summer Phoenix (Meg), Art Alexakis (New York Car Thief), Dylan Baker (Carl's Editor), and Mary Kay Place (Psychiatrist). A film that says something about the value of stepping back to consider The Big Picture-- reflecting upon who we are, where we're going and what we really need-- `Committed' is an enjoyable experience; a ride definitely worth taking. 8/10.
