Dimensions of Dialogue

1982
8.1| 0h12m| en| More Info
Released: 01 January 1982 Released
Producted By: Krátký film Praha – Studio Jiřího Trnky
Country: Czechoslovakia
Budget: 0
Revenue: 0
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Synopsis

A three-part depiction of various forms of communication.

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Krátký film Praha – Studio Jiřího Trnky

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Reviews

icu2r4me Dimensions of Dialogue, directed by Jan Svankmajer is a very interesting and amazing film. It is so creative and I can only imagine the hours it took to set up each frame. It is created during the year's right after WWII, an era where a director had to be very careful of the content of his or her film because it could cost them their life. The film is comprised of three different shorts each depicting a form of communication to be interpreted by the viewer as to their thoughts and feelings. I am not sure how I interpret the fist one, which shows fruit devouring and regurgitating fruit turning into kitchen utensils doing the same thing and ending with writing paraphernalia repeating the process. My original thoughts were of progression; things that do not last very long, the fruit, to things that can be around for a time, but eventually rust or break, the utensils, to the written word, which if allowed to, can be around for hundreds of years.The second short probably touched me more than the other two because of the way I interpreted it. It shows two clay figures, man and woman, and how at first are reluctant or hesitant of each other and then become passionate. As a consequence of this passion a third thing is created and how they deal or don't deal with it is so true of many humans today. The thought is not always there of the outcome nor having the mind to rule the will of desire strong enough to accept what has happened. The third depiction was in my opinion, a play on politics where you had these two heads more or less competing to see who could out maneuver the other. At first things seemed to be interchangeable but it became apparent that each had its' own individuality. Over all it was a very interesting concept with just the score and the pictures as the dialogue and each viewer to interpret as they will.
filmhistorycritc These short films were very visually appealing, as you watch pieces of food and clay be formed to the audiences own interpretation. It must of taken days to create a film purely made up of objects, which in every detail you can see in it's impressive flow to the animation of the film. I really enjoyed the interaction between the two clay humans and the message they were trying to make through the interaction of both because it can be taken in many different ways, which is the purpose of art; to make one think outside of the box. Jan Svankmajer's "Dimensions of Dialogue" was created in 1982, and was composed of three short films in which were purely animation. I liked how different it was to many other films in the 1980s and it really set itself apart from many of the other films out there at that moment in time.
Galina "Moznosti dialogu" (1982) aka "Dimensions of Dialogue" (or it could be translated as "Possibilities of Dialogue" is one of my very favorite Svankmajer's short films. It consists of three parts, "Eternal Dialog", "Passionate Dialog", and "Exhausting Dialog". When I watched it, I was thinking about Tennessee Williams' words, "All of us are locked in our loneliness like in the cage". Complete loneliness, inability to communicate, impossibility of dialog and understanding - this is quite a dark opinion of the humanity but how masterfully and wickedly funny it was presented. How incredibly unique and marvelous Svankmajer's vision is. Among many spectacular images, the clay lovemaking scene in the "Passionate Dialog" was perhaps one of the most sensual I've ever seen in the movies. As any genuine work of Art, Svankmajer's little gem fascinates a viewer on many levels. You can try to explain the images and their deep meaning or you can simply sit back and let the fantasy, Art and imagination take you to the amazing world which you will never be able to forget
tedg Spoilers herein.Svankmejer's work is a rather brutal battle between his stupid ideas about society and his incredibly rich visual imagination. Here that battle is its most obvious. The `moral' is childish. The visuals are terrific. If you can stand the former, the latter is quite worth your time.Ted's Evaluation -- 2 of 4: Has some interesting elements.