Don't Knock Twice

2017 "Pray she doesn't answer."
Don't Knock Twice
5.1| 1h33m| R| en| More Info
Released: 03 February 2017 Released
Producted By: Red & Black Films
Country: United Kingdom
Budget: 0
Revenue: 0
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Synopsis

A mother desperate to reconnect with her troubled daughter becomes embroiled in the urban legend of a demonic witch.

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dogancantosun If the sequel comes soon ill give it 9. But nice mobie
Leofwine_draca DON'T KNOCK TWICE is a familiar Welsh horror film that tells an acceptable story of revenge from beyond the grave. It suffers from an unlikeable pair of lead characters and a general seen-it-all-before feel, but other than that it's okay. The story is about a house cursed by the suicide of the female occupant; brave souls can knock twice on the door if they wish to find themselves haunted by her spirit. I quite liked the back story here, although the ghost itself is a direct copy of the one found in THE GRUDGE and not nearly as scary.
BA_Harrison Imagine a plane of existence where all ghost movies made in the past twenty years didn't exist. In such a place, Don't Knock Twice might be heralded as groundbreaking. In this world, however, it's just another ho-hum cookie cutter creep-fest, inspired by the likes of Ringu and The Grudge, featuring a malevolent supernatural entity with long straggly hair. Put simply, we've seen it all before (and done much better).Katee Sackhoff plays troubled artist Jess, whose daughter Chloe (Lucy Boynton) has spent much of her life in care thanks to her mother's drug problems. Now, happily married and drug-free, Jess is at long last attempting to reconnect with her daughter, but finds doing so just a little difficult due to an angry ghost/demon that is hellbent on killing Chloe because she had the temerity to knock on the door of a haunted house.To start with, director Caradog W. James is content to churn out the expected brooding atmospherics and mechanical scares, but when the script delves into the whys and wherefores of the unwanted supernatural occurrences, which revolve around the unsolved disappearance of a young boy, matters become extremely convoluted, culminating in a daft twist ending (clue: never trust an Eastern European).
Moneko Jung I have to admit that, although I gratuitously have it a 7-star rating, this movie is far from original. Some stuff is quite predictable, though the ending is at the very least more refreshing than what you see in your typical horror flick. I liked the camera work and the photography, and the actors were quite good too, though I feel they could have done better at times.