Employee of the Month

2004
Employee of the Month
6.1| 1h38m| R| en| More Info
Released: 17 January 2004 Released
Producted By: Bull's Eye Entertainment
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

"Employee of the Month" is about a guy whose day spirals from bad to worse when he gets fired from his dream job at the bank and is dumped by his fiancée Sara. David's best friend Jack tries to convince him it's for the best, but the opposite occurs when bank robberies and millions of dollars become part of his day from hell.

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Reviews

Michael Ledo First I must give kudos to Steve Zahn and Christina Applegate for their incredible performances. Christina has shown remarkable maturity from early roles and I predict one day may get an Oscar. This dark comedy starts out with our Bank manager or former bank manager riding a bus. After a boring monologue, and sorry attempt at crude humor, the story flashes back 36 hours. David (Matt Dillon) is engaged to Christina. She is clearly out of his league. Steve Zahn is best buddy, a coroner who robs people and hates the establishment. At times he is our voice of reason in this dark comedy. After losing his job and girlfriend in the same day, David is depressed. Steve takes him to a strip club and tells him he needs to start enjoying life. David responds (paraphrase), "You are going to give a bracket that you stole off a corpse to an 18 year old stripper and have sex in the parking lot while snorting crank off a Bowie knife." To which Steve responds, "And your point is?"The most comical scene is at a restaurant where Christina is breaking up with Matt. Her parents (Dad is a preacher) are there. She reads a letter about the break-up and discusses in some detail, their sex life while mom and dad listen.The movie ends up with multiple twists at the end which appears eerily similar the opening bank robbery scene in the "The Dark Knight." For those of you who enjoyed the twists and intellect of this movie I would recommend "The Brothers Bloom."
metallipowerman5000 I borrowed the movie from a buddy at work. He kept telling me the movie was "alright"So i figured, what the hell.Wow, what i great movie. It's got kind of a satisfying feeling about it when the ending gets close. But it's basically about how someone who has been working hard at their job for years, suddenly gets fired, and now he's sort of out for revenge. But has a twist of Karma thrown in the mix too....and has a lesson to be learned. (obviously as the movie description states)But it's got that revenge kind of "feel" to it, just like "Office Space". But this movie isn't as soft and funny. It's a little cruel but STILL VERY FUNNY at the same time. Kind of a weird mixture of the two.And it does have a few sex scenes or sexually explicit stuff.It seems like these kinds of movies are always swept under the rug when they first come out....just because they involve "sensitive issues", like Workplace Violence and things like that.....But it IS a good movie, regardless.
kushka53 This is a crummy film, a pretender to a genre of surprise ending movies. And a genre that has been done so much better before. The plot limps along, with a predictable ending. (Yawn) The characters are unlikeable, and some are so unlikeable they are almost unwatchable. Matt Dillon, a fine, intense actor is totally miscast here and is stiff and mannered. The others are forgettable. Much of the dialog is sophomoric, again a pretender trying to be witty. I wouldn't hire the screenwriter to write my grocery list. Yes, it's that bad, veering from misogynistic to just plain gross, as in beyond frat-house gross. With so much real talent out there, I'm really surprised this movie ever got made. It shows the total lack of imagination of the office suits...
zephypyre Beyond that point, it's Wild Things.This is a fantastic flick with incredible acting on all fronts. . .for the first hour and 28 minutes. Beyond that, it's an all-out race to the bottom. From a tale of a man breaking down in the style of Falling Down - with an acting prowess nearly equal to that of Michael Douglas - it becomes a tale of who can screw who the most. Within the span of three minutes, these characters change themselves from tortured souls dealing with life's unfairness into caricatures of every gang-crime movie that had the bad sense to be put on film. Either the writer for the first ninety five percent of the film was fired, or suffered a psychotic breakdown. We placed this movie on our Netflix queue by mistake (meant to request the more recent Dane Cook flick - never you mind what that says about our cinematic tastes) and were pleasantly surprised. . .right up until the end.