avalonjoyous The movie is about a bunch of random people experiencing supernatural terror aboard a flight headed to Tokyo .Of course the movie had some cliché jump scares some surprisingly that scared me a bit .This movie also had a few unlike able characters as is normal for most horror films .The special effects were so so at best and could have been done a lot better .The scares are similar to The Grudge and there is only one instance of somewhat graphic violence but nothing extreme .The acting was fine for what it was and they all did their best with the material they were given.The twist at the end I have seen more then once in other movies but it was still sad and surprising because I didn't see it coming .SPOILER AHEAD TURN BACK NOW IF YOU Don't WANT TO KNOW OR HAVE NOT SEEN THIS MOVIE !!!!!!!!!!!!SPOILER!!!!! The twist at the end of course is that they were all dead due to a leak in the oxygen masks which did not protect them from the gas floating around inside of the plane SPOILER!!!!!! There was also another twist that made no sense and was merely set up to give the audience one final jump scare.I'd never buy this movie and I'm glad I never saw this in theaters either but for what it was it wasn't bad and I surprisingly liked it a little bit .As my summary states this film was not bad but it wasn't great either by any means .One of the actresses also Scout Taylor Compton was virtually unrecognizable in this film .

jonathanclegg Absolute shambles of a movie from start to finish. Such dreadful writing from the 'so called 'director of the Grudge. This film had no scare in it whatsoever, and was slow and boring. The worst part about it was the fact that it didn't make any sense at all. I think whoever wrote this must have been drunk out of their minds. The whole script needs changing, and quite clearly those responsible should go back to the drawing board. There are no other words to describe this film other than shocking!!. The acting was also woeful. Don't waste your time.

Daneris Fuentes Berrios If you're looking for a horror movie that will terrify you, go watch something else. In the horror department, the movie was no good. There aren't many horrifying things going on. There's no monsters nor serial killers, just a bunch of people on a plane.However, it's great if you're into plot twists and unexpected surprises. The movie starts off kinda slow, and rather generic. I almost gave up on this movie 15 minutes into it because of it's slow start. I'm glad I didn't. Little by little, the movie starts getting interesting and it starts luring you in. For me, I thought I had the movie figured out, and then I had to throw everything out of the window because I wasn't even close to what was really going on. There are many things you don't expect, which I think it's a great element to add to things. Overall, I wouldn't consider it to be a horror movie, but it's worth watching. Some of the acting could've been a lot better, but it's not the worse I've watched. You might need to watch it a second time to truly understand exactly what's going on.

James J. Dominguez (DexX) Oh dear.Takashi Shimizu has proved he's a capable director with the iconic Ju-On films, and the inferior but still entertaining American remakes.I honestly can't explain how 7500 manages to be so irredeemably terrible.It has a good cast, though nobody puts in anywhere near their best performance, probably due to the utterly idiotic script. The interpersonal stuff is actually decent: the couple stuck on holiday together after breaking up due to repeated miscarriages have some real pathos to them, and the two featured flight attendants have interesting personal lives that invite you to care about them.On a technical level, the film gets almost nothing right. We seem to have two flight attendants looking after an entire 747 full of passengers, a paramedic who gives up CPR after about thirty seconds, and a pilot who decides not to turn back and make an emergency landing but instead to proceed with the remainder of an eight hour flight after a passenger dies after only an hour in the air. The whole film is packed with this kind of idiocy. Oh, and low pressure? It makes plastic bottles POP, not SQUASH, you IDIOTS.All the technical errors in the world could be forgiven, though, if 7500 simply worked as a horror film. This is its greatest failure. The scares are either out of nowhere cheap shocks or built-up moments of supposed terror that provoke a sigh and an eye-roll instead of a scream.Then there's that ending. Oh god, the ending...Okay, from here on there be SPOILERS.......Still reading? Okay, the SPOILERS begin now...On what planet is that "they were dead all along" twist still even remotely original or appropriate? Memo for you, Hollywood: Carnival of Souls was made FIFTY YEARS AGO. This is not a shocking revelation any more. STOP USING IT.The only way to make this ending work is to do something new and clever and daring with it, like Shyamalan did with Sixth Sense. Rewatch Sixth Sense and you will see that it is littered with clues, and even knowing the twist there is a wealth of cool details to discover.7500, in contrast, has nothing. There are literally no clues to the twist ending. It literally comes out of nowhere. Even the attempts to insert some logic into the random string of deaths makes no sense.We're told the shinigami will come for prematurely dead souls after they have let go of whatever is holding them on earth. Appropriately, then, two different characters are seen giving up something important to them, and then dying soon after. If this was carried through the film, giving it some structure and sense, then it would have been a much better movie.But no - most of the characters die for no apparent reason.Oh, and the revelation of the big "they've been dead all along" ending is also delivered without any thought or sense. For most of the film they can't see all their own corpses, then suddenly they can. Why? I have no idea. It's like a large chunk of story was edited out.What a bad, bad film, and a terrible waste of a group of actors I have seen do much better work, made by a director whose best work is in the rear view mirror and shrinking fast.