wildbillharding I'm a western nut who's been watching horse-operas since the '50s and somehow I'd never heard of this before a TV showing here in England. The cast is superb, including Oscar-winner Walter Brennan in a more restrained performance than usual. Each of the four bank robbers has his own little quirks and it's fun to see Jay Silverheels in a more lively part than his legendary Tonto act, which was often so wooden you'd pick up splinters just from watching it. There's a familiar face playing the tiny role of the town barber - Paul Brinegar, who found TV fame five years later as trail-cook Wishbone on Rawhide.Richard Carlson's direction is surprisingly effective. It's a darn shame he didn't do much else, though his 1964 low-budget Kid Rodelo was nowhere near as nifty a job as Four Guns, which must be filed as "underrated and worth a look." Both movies came from Louis L'Amour stories.

LeonLouisRicci Distinguished by its overt, out in the open, relationships between Men and Women circa 1885 in the Old West. It is that Story flirtation that makes this one a bit different than most of the Westerns of the 1950's.Behind the Women taming the wild Men of the Old West is a gang of bank robbers led by Rory Calhoun with John McEntire, and Jay Silverheels. They encounter Walter Brennan and his coming of age Daughter in tow and from the very first scenes this one sets itself up as a steamy, sexy Western."Didn't anyone tell you not to scratch yourself in front of other people? Dad Brennan asks the curvaceous and cute "Lolly" (Colleen Miller) as she awakens.She is doused with water as Her blouse clings and the camera lingers from below on Her upper half. You'd better sew up that dress," He tells the oblivious Gal after a roll around with Calhoun. And there's more. She is Flirtatious with a Candy Cane and a Bottle of Sarsaparilla.She goes out in a nighttime rainstorm in Her bed clothes and meets soaking wet with Calhoun in the barn.There is dialog, once the gang gets to town about Men being hogtied by Women and Calhoun's ex-Lover is now His former Friend's Wife and She breaks up a fistfight by literally pulling a buggy whip on both of them. This kind of Adults at play stuff was not available on The Tube and by 1954 it was obvious Movies had to offer something a bit different to get Folks off the couch.The good Cast, color Photography, and the sexual stuff make this one stand out as an above average Entry in the crowded field of the Western Movies of that Decade.

classicsoncall I've always been a Walter Brennan fan, ever since first seeing him as Grandpa McCoy in the late Fifties popular TV series. Based on that, one can easily assume his characters would be the stereotypically 'aw shucks' good old country boy types, but catching him in his earlier Westerns shows a surprisingly different side. In "Four Guns to the Border", Brennan's Simon Bhumer is an aging former gunfighter who's still pretty handy with a six-gun, evidenced by his quick pull on outlaw Bronco (George Nader) in that scene at Greasy's cabin. He'd still be doing the same thing as Will Sonnett a decade later in another of his many TV series roles.For a Fifties Western, this one actually gets pretty racy in scenes between star Rory Calhoun and Brennan's screen daughter Colleen Miller. Not exactly beautiful, she has a way of steaming things up with Calhoun in the barn following a rough liplock earlier to set things in motion. Various states of undress and getting soaked in the rain has a way of doing wonders for her figure as well.The story itself finds Ray Cully (Calhoun) and his gang planning a bank robbery with Cully providing the distraction for his men by facing off against a former friend and partner, now the sheriff of Cholla (Charles Drake). I'll be adding their one on one to my list of best Western movie brawls, as they really mix it up with the town folk uniquely positioned around them so as not to miss any of the action. I would have liked the story to more clearly define their prior relationship; did they have their falling out over Mrs. Flannery (Maggie Foch) or his having become a lawman? All you knew was Cully had a grudge against Jim Flannery and he was itching to get it out of his system.Inevitably, the outlaws and the Bhumers cross paths more than once; Lolly (Miller) wasn't going to let her man get away. During the Apache attack, keep an eye on the Indian Cully shoots at the top of a rocky outcrop; he gives a slightly noticeable push with his legs as he goes over the cliff. Heading for the finale, I thought sure Cully would ditch Miss Lolly, but she won out in the final showdown when Sheriff Flannery showed up one last time.Rounding out the cast are Cully's sidekicks Dutch (John McIntire), Bronco (George Nader) and the always reliable Jay Silverheels as tracker Yaqui. Silverheels is a lot more colorful here than his better known character Tonto. Adding to his persona was an amusing attempt at using a Spanish accent, which sounded different every time he spoke. Too bad though, none of the gang made it to the end of the picture.

Carolyn Paetow This dull shoot-'em-up, a typical run-of-the-mill, cowboys 'n' Indians, robbers vs.posse oater, has one remarkably fascinating aspect: a bare-bones plot punctuated by surprisingly sexual imagery, much of which can be interpreted as homoerotic. Some scenes are steamingly obvious in their depiction of passion, and others are so gratuitously injected that they can only be seen as surreptitiously symbolic. (There's even a totally irrelevant pussycat with kittens). The creators must have had a bang-up good time foisting such a naughty piece on mid-fifties audiences, and modern viewers should have just as much fun ferreting out each and every nuance! Fans who favor peeking below the Production Code will have a ball!