Frank & Lola

2016 "Love, obsession, betrayal, revenge."
5.9| 1h28m| NR| en| More Info
Released: 09 December 2016 Released
Producted By: Killer Films
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://www.frankandlolamovie.com/
Synopsis

A talented Las Vegas chef falls in love with an aspiring fashion designer but turns violently jealous when he realizes that she's hiding dark secrets.

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v-ley The writing and the plot are simple in terms of understanding. The movie can be a tad slow sometimes but has you thinking and feeling everything at any one time. I think this couple's idea of what they both have together( and obviously don't)is a good motivator for what ultimately transpires. The "older" male partner is more than honest and trusting..to a point. This should be a life lesson to all younger women A/O girls out there stringing people along just because they can, they really cannot get away with whatever they'd like simply because they have youth and looks. Michael Shannon and Imogen are perfectly matched and I see the "thriller" in this movie and liked it very much.
Gordon-11 This film tells the story of a Las Vegas chef, who has a beautiful girlfriend. One day, he discovers that she is cheating on him. She explains the unfortunate truth, and he decides to sell revenge from the perpetrator."Frank & Lola" shows interesting characters who are real and relevant to daily lives. Frank wants to protect his girlfriend from harm, and would do anything to achieve that. The girlfriend Lola, on the other hard, appears to be vulnerable and victimised. As the story goes on, more truth is unveiled, but viewers are left to wonder what exactly is the truth. I sympathise with Frank, but don't understand him.
bjarias ..it's not a box-office 'must-see' by any stretch.. but being a fan of both Imogen Poots, and Michael Nyqvist, it pretty much was an easy choice... she's one of those individuals that a decade will add little age to her appearance.. at 27, she has been acting for the past thirteen years, and she'll have a very long career should she so choose.. the story is nothing new, but all the leads, and the entire ensemble for that matter, are well cast, and their portrayals are true.. and there are a couple of scenes where you see just how good at their craft they all are.. it's not one that 'must-be'.. but it can be viewed again with some measure of pleasure
David Ferguson Greetings again from the darkness. Michael Shannon continues to be one of the most interesting actors working today. In this first feature from writer/director Matthew Ross, Mr. Shannon is the titular Frank, and his pained facial expressions elevate this neo-noir into a dark and intriguing exposition on male obsession and sexual jealousy.The abrupt opening scene finds Frank and Lola (Imogen Poots) frolicking in bed after obviously just meeting for the first time that evening. We (and Lola) know we are in for something a bit different when Frank slams on the breaks and states, "Maybe we should wait until next time." Lola is taken aback, and we are soon watching this relationship develop … while simultaneously noting the subtle signs of troubled pasts for each of them.Frank is a talented French chef and Lola is just starting her career as a fashion designer. His dark side flashes a bit more often, but before Lola ever comes clean, we realize there is unhappiness in her past. They seem to be two tortured souls in a jinxed relationship.Filmmaker Ross keeps us (and Frank) on our toes as the script seems to continually offer yet another deeply held secret or mysterious character. Justin Long plays Lola's new employer, while the rarely-seen-these-days Rosanna Arquette plays Lola's name-dropping mother. However, it's Michael Nyquist (so great in The Girl with the Dragon Tattoo) as the suave Frenchman with ties to Lola's past and present that really makes things interesting … and somehow even darker. His wife is played by the terrific French actress Emmanuelle Devos. Her screen time is limited, yet crucial.The film was well received at Sundance, and it shares the creepiness of such films as Basic Instinct, Body Heat and Night Moves. Rarely do contemporary movies go as deep into the male psyche of obsession as this one, and the throw-back atmosphere is a perfect fit for the tone. Not many actors simmer like Michael Shannon, and the story offers him the perfect vehicle to remind us that everyone longs to be loved - even when we aren't sure we deserve it.