FANatic-10 In this lurid early 60's melodrama, Gina Lollobrigida plays a high-class call girl who meets Anthony Franciosca, the son of millionaire construction magnate Ernest Borgnine, a self-made Greek immigrant whose forceful personality and wealth dominates everyone around him. Franciosca has just gotten out of the service and is "finding himself". Franciosca is at first ignorant of Lollobrigida's calling in life, but soon gets wise and also learns that his father and seemingly half the male population in town has used her services.This is a fairly big budget, lushly made film, set in what looked like possibly San Francisco (?) with a side trip to Acapulco. I'm kind of a sucker for films from this era, their look and style, so it was enjoyable enough though certainly nothing great. Borgnine gives the best performance, though even his character showed a lot of inconsistency - at times, he was quite likable then you wanted to beat him over the head. Gina is voluptuous and sexy, but Franciosca, playing the weakest character, could not overcome the deficiencies of the writing. The biggest problem with the film is the inherent double standard of the time, making the sexually free woman the victim who must pay for her "sins". I'm certainly happy that things have changed in that regard.

BERGDORF I saw this movie twenty years ago when my self-esteem was not strong, and when I saw Go Naked into the World....I was devastated when Gina Lollabridga's character committed suicide. I wanted to shout at the television "Just hold on honey, he is coming for you, he is in love with you!" And that taught me that even when your chance at love feels hopelessly doomed, just give it one more day. Then that day will turn into another, and so on. If your heart really wants it, it will be yours. The title was so aptly titled, because all of us at point in our lives, will have to go out into the world - reluctantly, feeling exposed by whatever your tribulation may be. But it gets easier as your "armour" gets stronger. Go ahead, go naked into the world, just never give up.

Sheila_Beers I liked this film, which struck me as "Camille" in a modern setting with beautiful scenery and wardrobe in color and expressive music in the soundtrack.The main similarity with "Camille" is the theme of "Redemption and Forgiveness" or the lack thereof with tragic results. Like Armand Duval in "Camille," the young man (portrayed by Anthony Franciosa) idealizes the exquisite young woman with whom he has fallen in love. To him, she is beautiful and innocent, and he wants a future with her. Then his father (Ernest Borgnine) reveals the ugly truth, that Giulietta is a high-priced call girl and that he and his middle-aged friends have been her clients.The young man is confused, but he wants to forgive Giulietta for her past and help her make a new start by marrying her. They go away on holiday, but former clients (who are self righteous and who have an unforgiving attitude) come out of the woodwork and refuse to let Giulietta forget her past. As in Camille, the end is tragic, leaving the male characters to consider the parts (good or bad) they played in Giulietta's life.

Ralph I caught this on TCM running movies with Mr. Bourgnine, and based on the votes wasn't expecting much; killing time on a business trip afternoon. Maybe I'm hot for Italian women(OK I am). Franciosa and Borgnine seemed very believable to me. All the main characters are very flawed in this one and thats what makes it so interesting. Major conflicts develop in this one and Julie (Gina) is a dagger in the heart. Interesting thing, the hotel detective sniffs the cigarette to see if its pot! All the characters are dealing with their head problems, maybe to the point that it looses credibility, but I really enjoyed this one nonetheless.