Leofwine_draca I keep watching Hong Sang-soo movies in the hope that I'll find one I like, but I keep being disappointed. HAHAHA is no exception to that rule. It's an interminable work about drinking and socialising, just like the rest of the movies I've seen by him, and the characters are completely dull and alienate the viewer from the outset.I love Korean cinema and think they're at the top of their game in various genres: from electrifying action thrillers to the art-house dramas of Kim Ki-duk, I'm a real fan. But Hong Sang-soo seems to keep making the same movie over and over again; he clearly has little to say as a writer and instead prefers to return to familiar themes that are so obviously his comfort zone.I found zero distinguishing characters in HAHAHA, just a lot of light humour which wasn't funny, plus the soppy romance stuff that I avoid like the plague wherever I see it. Yeah, I'm still not a fan.

xpf3838 I am a hopeless Woody Allen fan. This movie is a must-see for them. Simple story in anyone's life but convoluted confused mind shows funny but somber.The actors are not funny but they end up making mistakes being trapped by own stupidity. Anybody's story but well developed in sophistication.This drama comedy shows the high level of story telling and character development. The actors/actress are not familiar faces in other Korean movies but they are better than most Asian actors. Highly recommended.

eraserdead Hahaha is very similar to the only other film of the director's I've seen, The Day He Arrives. The editing is sparse, the takes long but full of life and the performances spectacular. The acting is so fluent and natural that all the relationships in the film seem real and for a film based purely on human emotion and relationship - another similarity with Arrives - that's very hard to achieve. For the filmmakers in South Korea, however, this comes ever so naturally to them. Sang-soo Hong and Ki-duk Kim are both exquisite at this and, while this is only the second film of Hong's I've seen, I think it's safe for me to put them both on the same pedestal - bear in mind I've seen 11 of Kim's films. Like Arrives there is narration but this time it's more frequent, and in similarly unique fashion, there are two narrators. One would think that having two narrators wouldn't work, but their narration is merely a conversation between the two that is spliced in at the end of pivotal scenes and spoken over a still photograph of the two characters speaking. The two friends tell each other their stories and what makes it special is that various characters intertwine without either friend realizing. Again, like Arrives, there is repetition of places and faces - the characters intertwining with each other is another example of the repetition - this undoubtedly helps the viewer to get used to the visuals which are plain but, as I mentioned before, full of life. The characters' emotions are laid out flat on the table and we see each and every one of them go through just about each and every emotion which is a feat in itself and just showcases the excellent acting on display. The dialogue, like the acting, flows brilliantly and the cinematography, again like Arrives, is perfect - never static, never frantic and full of Hong's trademark zoom technique. At first I was irritated by this technique but after seeing it used in both of his films I'm used to it - it helps the viewer focus on what we should be focusing on in the scenes where it is used. The structure is very unlinear and I'm a huge fan of films that use such a structure, and Hahaha uses it to it's advantage. The title is very interesting too, the characters laugh and cry but overall they are generally happy, laughing and joking with each other but in all honesty the film could've easily been called the crying equivalent. Hahaha is another great film from Sang-soo Hong and I can only expect his films to get better.http://destroyallcinema.wordpress.com/

pulp_post As Hahaha was the first Sang-soo Hong movie I saw, I found it unusual, and certainly different from the Korean movies and directors I am already acquainted with. Far from the raw beauty of Hwal and the dark mysteries of Janghwa, Hongryeon, Hahaha's main virtue seems to be the equilibrium found in the different sides of the same story, almost like a documentary made of fiction. In this sense, Hahaha is not a deep film in itself, even though it is quite intellectual in its approach and structure. The final result is a lighthearted, refreshing and very entertaining movie, with a nice camera work and interesting settings.The narrative is a bit tricky now and then, and probably it is a good idea to see this film at least twice to untie some secondary knots, even though the story gets clear enough from the first viewing.All in all, a nice movie that certainly deserves to be watched.