cinswan
Spoiler Alert!Henry's Crime seems to be a thespian's contrivance once Chekhov gets woven into the plot. But it bears fruit in time. Reeves' Henry gets hijacked by Eddie Vibes (Fisher Stevens), the kind of friend who writes smarmy stuff in yearbooks. Henry's toll booth drudgery becomes prison purgatory. He becomes friends with cellmate Max Saltzman, played with gruff sweetness by James Caan. With Saltzman's bizarre joke of "if you did the time, you might as well do the crime" still on Henry's mind after seeing an old newspaper clipping about a bank heist -- from the same bank – he starts thinking. But not enough to avoid getting hit by a car while crossing the street. Who hits him? The leading lady in a local production of "The Cherry Orchard" – Julie Ivanova (Vera Farmiga) brings crafty smarts to the role.Saltzman gets released on parole, the newly inspired Henry tells him about the bank plan. Con man Saltzman insinuates them into the theater company by thrusting Henry into a suddenly open role. Novice actor Henry falls for Julia, and tells her about the plan. Rehearsals evolve while the tunnel is dug. The Chekhovian romance plays out in real life. Heist night is opening night. Henry has to leave. Julie is furious. Henry lets love sway his plan, runs back to the theater, and stops the play. What transpires is a funny Chekhovian improv as Henry declares his love. The audience supports him. Julie gives in and gets the last word - - brassy, sassy, juicy and foul.Isabeau Vollhardt, author, The Casebook of Elisha Grey series
vchimpanzee
Henry has a boring job in the Buffalo area as a toll collector. We never see exactly what road he is on, but it appears there is lots more traffic in the background than there is on his road.One morning he comes home and gets to spend some time with wife Debbie, a nurse. Their marriage seems okay. Then Henry's friends, including Eddie, come over and say they need him to play in an important softball game. But they need to make a stop at the Buffalo Savings Bank first. All four men are wearing uniforms, but Henry has to stay in the van. The other three put on masks and rob the bank. Only Henry is caught, and since he won't rat on his friends, he gets sent up the river.Fortunately, Henry's cellmate is a really nice man named Max. Max is a lifer who likes prison and has no desire to get out. Henry doesn't seem to despise prison, but he would like to leave. And his time is over pretty quickly. His wife has left him, and he needs to figure out what to do with his life. Henry finds out about a tunnel built between the bank and what is now Orpheum Theater, used for a speakeasy during Prohibition. He did the time, so why not rob the bank anyway? In the process of investigating Henry meets Julie, an actress best known for lottery commercials who is acting in a Chekhov play at the theater, but wants to be a real actress. As a cover, Henry decides to join the play, and he's actually pretty good. And he and Julie seem to like each other. He later gets more help when Max gets out on parole and continues his previous life as a "confidence man" (he hates the term "con man"). And the cop who caught Henry wants to help too, because he's not appreciated.One possible problem: Eddie and his friends want in on the action.Can Henry get away with it? This is the type of movie where we want him to succeed, like in "Ocean's Eleven".In a better movie, James Caan would have been nominated for an Oscar for his excellent portrayal of Max. He is the standout performer here.Vera Farmiga is quite good as Julie, who is better than this sorry role. And yet she gives it her all. What she does on stage and in rehearsals is worthy of being seen on the Tonys.Keanu Reeves is okay. Not bad. Not great. He's better in the Chekhov play.Fisher Stevens does a very good job. I'm used to seeing him as a basically nice guy who is sleazy, but here is is just bad. Not bad in that sense. He's very good at being bad.There's no clear ending. I will say that much. So I'm not quite sure what happens. But the climactic scene is pretty amazing.It's really worth seeing.
dunmore_ego
He did the time for a bank robbery he didn't commit. Now that he's out, he's really gonna rob that bank. Nice Concept. Might look implausible if the actors don't tread delicately with utmost conviction. Or unless you can find an actor that stands outside the field of acting altogether and can retain a blank poker face through it all. Enter Keanu Reeves.He's Henry, a shiftless toll booth operator in Buffalo, suckered into being accessory to a bank robbery and imprisoned, whereupon his cellmates (led by James Caan as Max) urge him to exact recompense for the injustice of his incarceration: when he gets out, commit a real crime to make up for the time he already did unjustly.Though a comedy caper movie, HENRY'S CRIME is not flashy or frenetic; it's indie all the way (written by David White, Stephen Hamel and Sacha Gervasi - who may be the love-child of Sacha Baron Cohen and Ricky Gervais). With lean, expedient direction by Malcolm Venville, initially funded by Keanu himself, the movie plods along bemusedly and interestingly, much like its lead character, who takes everything with equanimity. He is, after all, The One.Henry never bats an eyelid when he is arrested; or when his girlfriend (insipid Judy Greer) visits him in jail to tell him she has fallen in love; even when he is victim of a violent Meet Cute, as he is run down in the street by aspiring theater actress Julie (the stunning Vera Farmiga, in an uncharacteristically shrikey role). Nothing seems to reach this guy's nerve endings. Usually I would laugh and/or complain about the lack of acting from Keanu, but in this context, his demeanor fits perfectly. One would have to be quite inured to emotion existing each day in the suburban rut we find him in, and then to endure jail time. Yet his determination (or whatever you'd call that somnambulistic pseudo-ambition) to lash out and grab life by the baby-makers, to rob the very bank he was convicted of robbing indicates SOME kind of moral outrage at the least.Didn't Morpheus tell us The One would bring balance? Henry needs Max to help him pull the heist, so he convinces Max to take his parole. Up 'til now, Max - a lifer who loves prison for its regularity - has dialed the Crazy up to 8 every time he sat in front of the parole board. He'd rather be called a "confidence man" than "con-man" (too pedestrian); perpetrating a crime is not even about the money, but the thrill of the chase, and getting caught for that crime will only land him back in jail - which he loves - so it's all win-win for him.Henry and Julie must necessarily bonk, she must necessarily figure in the plot (by rehearsing in a theater right next door to the bank - a theater which once had a tunnel connecting it to the bank vault - oh, heavens to plot convenience!), Max necessarily provides comic sidekick relief, and Henry must necessarily become an unwitting hero during the heist... What ISN'T so necessary is Peter Stormare going above and beyond as eccentric Euro director of the play, Darek Millodragovic, whose overacting and over-accent is so hilarious, Keanu almost snapped out of his jet lag.To infiltrate the theater complex, Henry must join the theater company... and so flowers the greatest irony in this movie: this guy who Can't Actually Act (in real life or in this movie role) must act at being an Actor.It's a fine line this movie treads in making Henry an anti-hero (read as criminal) and allowing him to commit a crime that is not morally reprehensible, so he doesn't lose the audience. In that sense, Keanu's underplaying-to-the-point-of-chloroform performance is exemplary, selling us a character who bemusedly decides that his only post-prison option is to actually do what the confidence man suggested.Amusing resolution, though gutless, as Henry has to somehow pay for his crime, no matter how innocuous it was, and no matter that he was already convicted mistakenly. Damn you MPAA, and your obnoxious, hypocritical meddling in otherwise interesting movies! If the MPAA had any sense - which they don't - they would make the people who incarcerated Henry incorrectly pay for THAT injustice. But that's too complicated for a society weaned on seeing "crime" as low-level, easily-defeated, punch-em-up tropes. The jejune surrender to good screen writing by making Henry get busted again - simply for trying to even the score against The Man - THAT... is the movie's real crime.--Poffy The Cucumber
