Hirokin: The Last Samurai

2012
3.3| 1h45m| R| en| More Info
Released: 06 November 2012 Released
Producted By: Hirokin Productions
Country:
Budget: 0
Revenue: 0
Official Website: http://www.hirokin.com/
Synopsis

In a planet where humans must scavenge the post-apocalyptic barren wasteland, Hirokin – a reluctant warrior with a dark past – sets off on mission to fulfill his destiny. Having fought to the death to save his wife and son from the planets evil dictator – Griffin – and his elite army of hunters, the lone warrior is left for dead in the vast desert. Armed with his samurai blade, Hirokin is forced to choose between avenging the murder of his family and fighting for the freedom his people. In a twist of fate and with a small rebellion by his side Hirokin s vision finally becomes clear.

... View More
Stream Online

Stream with Prime Video

Director

Producted By

Hirokin Productions

Trailers & Images

Reviews

Leofwine_draca Another day, another B-movie, and in the case of HIROKIN: THE LAST SAMURAI, a B-movie content to copy bits and pieces of earlier films like GLADIATOR rather than coming up with anything original. This one was shot on a couple of desert locations and features a slumming-it Wes Bentley as the titular hero, fighter of evil, champion of the oppressed, who gets captured by a warlord and proceeds to start a revolt. The film has plenty of action sequences, but they're directed in a choppy way where you never see anything, obviously by people with no idea of proper fight choreography or how to shoot even a semi-successful fight scene. The cast is peppered with familiar faces, from PIRANHA 3D's Jessica Szohr to BRAVEHEART's Angus Macfadyen, and of course it's almost inevitable that Julian Sands plays the villain. But this is pitiful stuff indeed and barely worthy of your time.
Stacy Keeter With a little editing, this could become a cult classic. Good actors, great landscape, a little hokey hover craft. Wes Bentley did a great job with a heavy dose of on-screen close-ups. Scenery was majestic.The beginning written explanation of the situation is difficult to read, too long and goes by a little fast. The music needs to be lowered so that the dialog can be heard. Voices echoed at puzzling times. Some of the scenes need to be shortened, especially the ones roaming the desert. Costumes were well done. The one-sheet is great. Reviewers are a little too serious. This film has elements that are interesting and attractive. It should do well internationally.
ian-richard-jones People are comparing this to some big $50 million dollar studio films which it is simply not. It had an extremely small budget, but looks absolutely nothing like a low-budget movie. The fact that it's confusing people into thinking it was a studio movie is technically a really good thing.Think about it, the cinematography, the quality of the film it was shot on, the posters, the CGI, the sound effects and the score, everything about the movie is able to compete with big budget studio movies-that's impressive. Some of the actors aren't the best and the story isn't groundbreaking, but that's not unusual for indie movies especially when there are hundreds of movies with an entire cast of terrible actors (Hirokin had Wes Bentley as the lead) much worse than in Hirokin. It even has some surprising side-characters. The two stoner-buddy smugglers are extremely funny.When you think about it like this, Hirokin is an achievement. An independent sci-fi action film is unheard of and extremely ambitious these days. Most indie movies involve characters sitting in an apartment or storefront and talking about hyper-specific culturally sensitive idiosyncratic topics and ideas for extremely niche audiences while Hirokin has SFX, an orchestral score, and looks like it was shot on another planet. Also Hirokin can travel internationally just fine.Hirokin is not a 'studio blunder' like John Carter-it is a new breed of indie film that is able to confuse you into thinking it was a studio level movie.
Cinema Cid This absurdly poor creation shamelessly steals from the likes of Gladiator, Star Wars, Cyborg 2, Dune, Power Rangers, Braveheart, Mad Max 3, and ends up feeling like a lengthy montage sequence narrated by a drug addict going through withdrawal. Hirokin's hair is the craziest part of the film. It's like a crow's nest. His first girl is kinda rough in the face because the movie doesn't want us to care for her too much. Enter the smart-mouthed, wily, buxom blonde and her pretty eyes. The bad guy is laughable, he wears a man-corset; his henchmen are laughable, they wear full body armor in the desert; his woman is a venomous snake with a heart of venomous gold that just craves to be desired and bedded properly. Did they have but one stock cgi hovercraft desertmobile to spare for the entire army of evil? You bet! Oh, the mentor figure for Hirokin is some crazy plump desert samurai that talks like a homeless person. Oh I get it 'Arids'='Arabs'. Cute. I get the feeling the author of this scenario doesn't speak English as his first language, or even broken English for that matter. The entire film is riddled with moonspeak. And everybody gets to become samurai in the end. Which is brilliant. Hirokin even has a signature move - he takes his pitiful blade, holds it like a throwing spear and then he throws it, impales the target instantly, and then snaps the blade black into his girly hands.Here's a splice from the dialogue: "I have seen you in the.. battlefield of my.. mind Hirokin, you will unite the tribes, my friend, change the world, my friend. My friend. Hirokin replies: No, thank you." and promptly walks away. Thank you Hirokin. I have learned a lot today. You have changed my life. (Btw, his name means 'Sword for the downtrodden', but it's okay if you just call him Hiro)