vincentlynch-moonoi I have mixed feelings about this film. As an Abbott & Costello outing, it's darned good. As funny as probably any of their films, with one of my favorite bits -- the math problem. It gets sorta silly toward the end, but that's what Abbott & Costello are supposed to be.So what are my reservations? The use here of Dick Powell. Powell here is relegated to an almost minor supporting actor. Yes, he has a couple of decent songs, but his screen time is pretty brief overall. I would have rewritten the script substantially to eliminate Powell all together, and utilize Dick Foran, who was a good enough singer to handle the songs here. If I had been Powell, I would have been pretty unhappy about this casting.So for Abbott & Costello0 fans, you'll be quite pleased with this film...and in that regard, so am I. If you're a Dick Powell fan, you're not going to be a happy camper.Getting better treatment are the Andrews Sisters, who have several good numbers, and Patty is Lou Costello's love interest here. They shine.In general, this is a fairly standard service comedy. Lots of silly hi-jinks on a ship, including a very funny dream action sequence which nearly sunk the Navy's cooperation in making the film.As usual, Lou Costello carries the comedy here, with Bud Abbott pretty much just providing the straight lines, although Abbott is very good in the shell game sequence.One of the better Abbott & Costello efforts.

Dalbert Pringle Released in 1941 - "In the Navy" was one of the top 5 most popular films of that year. And Abbott & Costello got a lot more screen-time to perform some of their most clever comedy routines, like the hilarious "Lemon Bit", a crooked, sleight-of-hand shell game, and the equally priceless math routine where Abbott proves to Costello that 7 times 13 equals 28.Just like "Buck Privates", "In The Navy" was also a WW2 service comedy, clearly intended to encourage American men to enlist in the US Armed Forces. And also, like "Buck Privates", this film contains a number of well-staged song & dance numbers, featuring the talents of The Andrews Sisters and crooner, Dick Powell.Bud and Lou play characters, Smokey Adams and Pomeroy Watson (respectively), a pair of rascally, bottom-of-the-rung, gopher gobs stationed on the US battleship, Alabama.As one could only expect from Bud & Lou, our navy boys never fail to get themselves into a whole lot of wacky trouble with a whole lot of their fellow shipmates.I think that it's interesting to note that before "In The Navy" could be released into theaters it was first screened for officers of the actual US Navy.When offence was found in the sequence where Pomeroy Watson (Costello) impersonates a captain and puts the battleship through a series of madcap maneuvers, it was ordered to be deleted from the picture.Since this sequence was the film's climax, it couldn't be removed and so Universal Studios solved the officers' complaints by making this sequence Pomeroy's dream. And, with that, everybody was happy.

Spondonman I saw this first when young so maybe my rose-tinted specs are kicking in, but I still really like this film. Just as Britain's box office no. 1 George Formby was enlisted by the movie industry to help the War effort with a string of "service comedies" so were Abbott & Costello, America's no. 1 cinema attraction at the time. And same as Formby, keeping the same formula but with varying results. Universal were also cashing in on the previous hit Buck Privates – for speed and cheapness most of this film was shot in front of a back projection of stock footage and on a handful of sets. Hold That Ghost had already been finished but had to wait while In The Navy had its day in the Sun first.Bud and Lou are a pair of ordinary gobs, Dick Powell is an idolised crooner who wants to escape the attention to become an ordinary gob but is hounded by Claire Dodd ace reporter, while Dick Foran had his gob shut for most of the picture. Powell might have considered himself a "Forgotten Man" in 1941 but he still got equal billing with the boys. The farcical but at the time controversial nautical climax (without it being only a dream) was lifted from Jack Ahoy with Jack Hulbert from 1934, but I've no doubt it was lifted for him as well. The songs by Don Raye and Gene de Paul were hit and miss, the best being the lovely Starlight, Starbright (for Powell) well up their usual lustrous Wartime Universal mark, and the peppy Gimme Some Skin and Hula Ba Luau (both for the Andrews Sisters). Patti must have been standing in for Martha Raye – who came back for Keep 'Em Flying one year later. Foran for all of his fine singing voice was slightly in the way here and only got to do a bit of A Sailor's Life For Me. Favourite bits: The Condos Brothers dance routine – I feel my ankles cracking just recalling it; Find the submarine; genuine fun with the Sons of Neptune initiation ceremony; Powell's efforts to thwart the photographer; There's a second chance a few years later to check it out in Little Giant but no matter which way you look at it – 7 x 13 = 28!Not quite up to Buck Privates, but still with that unique Universal atmosphere pervading and thus one of my favourites from the boys.

jimtinder The duo's second service comedy of 1941 is also one of their best films. The humor abounds, especially in the sequence where Costello tries to impress the Andrews Sisters by captaining the ship. The comic highlights of the film are the "Lemon Bit" (watch as the boys try to keep a straight face) and Costello's efforts to get into a hammock.The romantic subplot isn't bad, either, as the always excellent Dick Powell croons his way into Claire Dodd's heart. One may find themself wrapped up in this plotline, unlike most romantic subplots in A&C's films.Funny material, the Andrews Sisters, a decent plot and an appearance by the one and only Shemp Howard make "In The Navy" an A&C treat. 8 out of 10.