WVfilmfem Sets the record straight about the danger of the sport, and brain injury. In that respect, it is an "anti-boxing" film. The story is heartbreaking, but so visceral and real. Paddy Considine's performance is award-worthy. Well worth the watch. Edit: I do wonder if such an injury would be able to recover.

George Davies It started about 20 minutes into the film. It then reoccurred every 10 minutes or so for the remainder of the duration. I've not cried like that at a film for I don't know how long. Like an emotional dementor Paddy Considine's second picture as a director takes so much, and give it back in equal measure.I could say it was a like a punch to the face. A knockout of a film. It took me the full 12 rounds. It had me up against the ropes and... I could say these things. But they'd be naff -especially when describing this bruiser of a film.It follows Matty Burton, an ageing boxer who knows his times spent and is ready to take his last steps into the ring before hanging up the gloves. But fate has another idea. Sounds familiar right? That's what I thought. Benefitting from having not seen the trailer, which I'd strongly advise avoiding if possible, I was of course shocked at the tale that followed. Matty revives an injury which alters the course of his life. The film is really about how it affects not just him but those around him, namely his two friends and most of all his devoted wife, portrayed by Doctor Who's Jodie Whitaker, in a career best role. It's a boxing film but more than that it's a film about those we love and who care for us. It's about identity in some ways, fight in others, but love in every way. Set mainly in the family home of Matty, his wife and their baby daughter Mia, the film is, for the most part, a domestic tale about a man recovering from a traumatic injury and a family recovering from the fallout of it. When I say domestic I mean in the sense that the action is all contained within the confines of the house; not the ring. As a director Considine creates tension from the most ordinary of sights and sounds, a crying baby, the call of a name. He also crafts more than a couple of shocking moments, also within the house. These really shock. They're sudden, viscous and yet they create no feelings of anger, only anguish and desperation for our two leads. Considine proved himself as a more than competent director with Tyrannosaur, and also a capable writer with Shane Meadows' Dead Mans Shoes. Here he goes beyond that. The original score is used when necessary and removed entirely at just the right moments, a certain phone call scene is one of the films standouts. It never tips into the melodramatic or pandering which I was very worried it would. However above all this directorial talent which produces and almost insist on such incredible emotional response, it's the acting of Considine and Whitaker which truly blew me away. Considine is utterly convincing, scarily so at times. Whitaker more than matches him too in what is a very different but no less enthralling portrayal. Being a small British film (small only in the sense of it not getting a wide release) I don't expect any awards to come raining down. But I also don't think I'll see another pair on screen this year who put as dynamic and heartfelt a performance as these two. Absolutely stellar.Yes it is a knockout. It did hit me with an emotional guy punch. And yet it's so much more than the cliches thrown its way would have you believe. See it.

Drumcheeny This is a beautiful film - peppered with moments of humour and breathtaking moments of shock. The use of music is inspiring (Nick Cave amongst the most wrenching) and Considine is a thoughtful and innovative director. I was fortunate enough to be at the screening where he attended for a Q&A and he spoke about the set being the actors' house and how they all feel comfortable and safe. And it shows. Jodie Whittaker is striking in her performance and all the supporting cast shine rather than simply be there. It is a shame that Paddy doesn't get the recognition he deserves. He spoke about turning up for films where he was disappointed in his part and the people he was working with - he is "in films for five pages" whilst we get the Hiddlestons and Redmaynes shoved at us. We should focus on the Paddy Considines and Stephen Grahams a lot more. A lovely, thoughtful and ultimately very moving story beautifully played out by craftsmen.

gricey_sandgrounder Boxing is a very well decorated sports sub-genre. You can list off a number of high-quality films from this category that have received high praise from the audience and been given a number of major awards. Two of them have even won Best Picture at the Oscars, Rocky and Million Dollar Baby. But nowadays, I think it's tough to make a really good one now. I feel it as a bit of a worn-out genre. There's not much else you can do different with it.Now that I've seen Paddy Considine make and star in his own Boxing drama, the story certainly concentrates outside of the ring rather than in it. That's definitely a root that might refresh this genre.But I felt to be really torn with this one in the end. It starts off with some potential. But I think the pacing of it and general look to it made it look pretty ordinary and dare I say more of a TV drama.The second half does get better and by the end of it it was a heart-wrenching finale and that was all thanks to Considine.Paddy Considine was great. It's hard to know what to think of his performance at first. But by the turn of the second half, that's when he truly shines and we get a couple of really emotional moments that did not have a dry eye in the house by the end of it.Jodie Whittaker was a solid support and had great chemistry with Considine. But sadly, like with a lot of this film, her performance felt better suited to TV.I've briefly mentioned this already, but the major problem I had with this film was that none of it felt cinematic. It felt more like an excellent one-off TV drama that would win many National TV awards. The story does fall into the trap of a what you expect in a TV movie, the forced themes and melodramatic presentation.It is a real shame, because Considine's performance comes out really strong by the end of it and enhances everything around him.Despite the high praise for his acting, there was very little exceptional content outside of that I'm afraid to say. After his incredibly powerful directing in Tyrannosaur, it pains me to say that this did feel disappointing. It's certainly made with good intentions and I think it is still worth seeing for Considine's acting. But maybe wait until you can access it from your home, as that seems to be where you get the best viewing experience.Rating: 7/10