Lee Eisenberg Typical racist cartoon from back in the days when it was acceptable to portray Africa as people dancing around in loincloths. As it is, I got the feeling that "Jungle Jitters" was one of the cartoons that they made as a place holder in between the really good cartoons (1938 also saw the release of "Daffy Duck in Hollywood").So, while the offensive material is the most obvious thing, the other point is that there is one clever scene: the merry-go-round (to the tune of "Merry-Go-Round Broke Down"). And there's the common situation of a cultural reference that people won't get nowadays; I'd certainly never heard of Elmer Burt.So, I recommend this one as a historical reference.

F Gwynplaine MacIntyre I'd heard no end of horror stories about how 'Jungle Jitters' is allegedly so mind-bogglingly racist that it has been banned from polite society for all eternity. It turns out that this cartoon's major crime is that it isn't very funny. The single most racist gag involves a black man who looks like Stepin Fetchit but with enormous lips. He eats a persimmon, and his lips pucker until they're normal size. Elsewhere there are moronic gags involving African natives (all male) with nose rings and metal bands elongating their necks. (Apparently the gang at Termite Terrace have got African men confused with Burmese women.) I was surprised that there weren't any plate-lip gags ... but, really, most of this toon is just so stupid and unfunny that it's not worth the credibility of being called racist. Some other Hollywood toons from this same period are far more racist, maliciously so. Step forward, Chuck Jones's Inki.After the initial gags, we get two interesting examples of Dorgan's Syndrome, a term I invented. Dorgan's Syndrome (named for comic-strip artist Tad Dorgan) is when a comic-strip character or cartoon character (almost invariably male) is drawn to look like an exaggerated human (fully clothed), but very minor details -- such as floppy spaniel ears or a black button nose -- indicate that he's actually a humanised animal, nearly always a dog. (Tad Dorgan drew comic-strip dogs who were so completely anthropomorphised, you have to look carefully to see they aren't comic-strip humans.) Into this cartoon jungle comes a commercial traveller who appears to be a white man, except that he has a dog's nose. The African natives (who are clearly human beings, at least by cartoon standards) want to put him in a big cauldron and eat him. Before anybody cries 'cannibalism', how can they be cannibals if they're humans eating a dog? The talking dog's flesh tones resemble a caucasian human's, so I guess he's 'white'.Now we veer into H. Rider Haggard territory, as it turns out that all these black men are ruled by a white queen ... a very old queen, in fact, wearing Mammy Yokum high-button shoes. She too appears to suffer from Dorgan's Syndrome, as she looks nominally human but her mouth and nose are drawn to resemble a chicken's beak. (An old biddy?) She takes one look at the dog and starts screeching 'A man!'. She's surrounded by black men, but apparently she's been waiting for a talking dog with caucasian flesh tones. While the dog is talking, the hen imagines him morphing into Clark Gable (very unpleasantly drawn) and Robert Taylor. It shows how defeatist the makers of this Warner Brothers cartoon were, that they had to invoke two MGM contract actors as examples of male sex appeal. Couldn't they have used Warners actors Cagney, Raft ... even Dick Powell?This whole toon is too dumb to bear much scrutiny. When the African men look at the dog, he morphs into a fried chicken. But their queen IS a chicken, so why don't they eat HER?A previous IMDb reviewer, Randy H Farb, observes that the travelling salesman in this cartoon is a parody of a radio character named Elmer Blurt. He's correct, but Mr Farb has misspelt the name of the radio actor who invented the character: that would be Al Pearce, not Pierce. Al Pearce's radio character Elmer Blurt was nicknamed 'the Low Pressure Salesman'. As Farb notes, quite a few Warners toons featured parodies of radio or movie actors. Which brings me to the one good thing about this cartoon: the dog character (an imitation of Blurt) is actually fairly interesting in his own right, and could have been quite effective in a funnier cartoon. It's a shame that Warners never used him again. Maybe he'll show up in a Tiny Toon. I'll rate 'Jungle Jitters' just 2 out of 10. That's all, folks.

haildevilman Putting the 'banned' label on this will bring it attention it doesn't really deserve.The main reason for the controversy was the depiction of south seas' blacks as cannibals. That was a regular occurrence in these cartoons.The humor is so dated that I truly believe anyone who sees it today won't get most of the jokes. It may belong in a time capsule, but it's only place is in history.Did anyone notice the native guard suddenly talking like a Chinaman? Typical 30's cartoon. Filled with spot gags so it never gets boring, but it never takes off either.The final line is the best. If you can find it, see for yourself.

Randy H. Farb This film isn't all that bad. After all, when the Queen made an appearance in "Who Framed Roger Rabbit?", those who remembered her howled with laughter. The animation is clever in spoofing Elmer as Clark Gable and Robert Taylor as seen by the queen; to the cannibals, he looks like fried chicken. Elmer, the shy salesman is a parody of the radio comedian Al Pierce's character, Elmer Blurt. The characteristic knock on the door, the stammer, "I Hope, I hope, I hope.", are all part of what became Warner's biggest trademark--parodies of radio comedians. After all, every time someone would pick up the telephone, Daffy might say, "Oh, is that you Myrt?", which came from "Fibber McGee and Molly." Also, how many times have Jack Benny and Rochester, not to mention Eddie Cantor, been used to good advantage?This film starts slow, but does pick up speed when Elmer makes his entrance. He also has a great closing line, something the writers of some of these cartoons desperately needed. I recommend this film for students of old radio.