Kid Vengeance

1977 "He watched them massacre his father... Shame his mother... Take his sister. They made him..."
Kid Vengeance
4.9| 1h30m| R| en| More Info
Released: 01 August 1977 Released
Producted By: The Irwin Yablans Company
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

One of Cannon Films' two 1976 Italian-Israeli co-productions starring Lee Van Cleef and Leif Garrett (Gianfranco Parolini's Pistola di Dio was the other), this spaghetti western was actually shot in the Middle East by American director Joseph Manduke. Pop star Garrett plays Tom, a teenager who teams with a black gunfighter named Isaac (Jim Brown) to avenge his family. The culprit was McClain (Van Cleef), a sadistic outlaw who carried out the brutal rape-massacre, but his role is minor, as most of the film deals with Tom's maturation and coming to terms with his feelings. Omnipresent 1970s character actors Glynnis O'Connor and John Marley co-star. If there is anything remarkable about Kid Vengeance, it is Francesco Masi's fine musical score, but the film is otherwise anemic.

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mharah Leif Garrett did this film a year after God's Gun (aka Diamante Lobo). In the previous film, Garrett was quite good in a challenging (for several reasons) role, but his performance felt a bit tentative (also for several reasons). In this film, just one year later and for the same infamous producers, he was confident, sure-footed and turned in a very fine performance. The film was his to carry, and he did so quite well. Garrett was one of Hollywood's most promising young actors at the time, when too many child actors were, at best, barely adequate. True, it was a low budget, cranked out film, but Leif was a class act. Lee Van Cleef had played similar roles before - many times. He could have phoned this one in, and sometimes it looked as though he did. Jim Brown, following up a legendary professional football career with a number of turns as a film actor, handled his assignment competently. The only other actors with anything significant to do were Glynnis O'Connor, who sometimes overacted and wasn't as good as in some of her later roles; John Marley, good as always in the sort of role he has played many times; and David Menachem, an Israeli child actor who did several other American films but somehow didn't catch on. He should have; he was quite good. The production values were much better than God's Gun. The script was much more coherent, the dialogue more speakable, the direction more fluid. At least part of it was shot in New Mexico (the rest in Israel). Being in the US meant that the production was controlled by a SAG contract, always an advantage. Kid Vengeance (also available at one time or another under several other titles: Vengeance, Vendetta, Take Another Hard Ride) gave Garrett the chance to launch a serious career as an actor. He demonstrated that he was up to the challenge. But then the music producers came along. Too bad.
Scott LeBrun The story of vengeance here is pretty standard stuff, as a stubborn protagonist determines to get back at the scummy outlaws who raped / murdered his mom, murdered his dad, and made off with his sister. The twist here is that the protagonist is a young teen, Tom Thurston (Leif Garrett). Tom actually does a pretty good, and needless to say, very amusing job on his own, but ultimately he will team up with a gunslinger named Isaac (Jim Brown), a man with a highly coveted stash of gold, in order to save his sibling. Not only do they have to contend with the main outlaws, led by a truly devilish Lee Van Cleef, playing McClain (and sporting a bandanna instead of a hat), but a bumbling secondary group, including characters like Grover (Matt Clark) and Ned (Timothy Scott). Reasonably enjoyable but also forgettable, "Kid Vengeance" is just offbeat and surreal - and humorous - enough to give it entertainment value, in addition to the solid cast. Confusing at times, as if there might be a scene or two missing, and it also plods a little too much. An early production for Menahem Golan and Yoram Globus, before they formed the Cannon Group that cranked out many great genre movies of the 1980's, it's not as exploitative as one might think, and in fact it has some good moments where the feisty sister, Lisa (Glynnis O'Connor) tries to stand up to McClain. Van Cleef clearly has fun with his part, and John Marley is likewise a total hoot as his accomplice Jesus. Brown plays a role of quiet strength and does it well, and Garrett isn't bad as the kid. Clark and Scott are funny in the comedy roles. However, the tone of this movie is mostly serious (the opening scene actually looks believable), with a rather dark ending, and Garrett's Tom, who's been taught the difference between hunting and killing by his dad, figures out which of the two he's doing by following and eliminating the villains. The movie is mainly worth watching to see the commanding performances by Van Cleef and Brown, who'd also done "Take a Hard Ride" and "The Condor" together. They give it an extra point, along with the typically fine music by Francesco De Masi. While not without interest, it's not likely to stick in the mind for long after it's over. Six out of 10.
FightingWesterner Young Leif Garrett watches helplessly while his parents are murdered and his sister taken by a savage band of grimy cutthroats led by Van Cleef, who looks like a hippie with full facial growth, earring, long hair, and headband (probably holding the hair extensions in place), and Robert Morley. (best remembered for waking up next to a horse head in The Godfather)Garrett tracks the bandits and begins to slay them one by one before teaming up with gold miner Jim Brown to finish them off.Not a spaghetti western, this was an Isreali production made in Isreal by Golan-Globus, who did a better job (Van Cleef too) with God's Gun.Most people agree that Lee Van Cleef's career in westerns ended with a whimper, but I thought it was okay. Too bad that in the following twelve years nobody got him back in the saddle with a six-shooter. It would have been great having seen Lee Van Cleef on a horse in the action packed eighties.
merklekranz Seek this one out if you are looking for a different kind of Lee Van Cleef "spaghetti-type western". Definitely on a par with his lesser westerns like "Death Rides a Horse", but inferior to "The Big Gundown", this revenge story has quite a few unusual aspects. The surviving massacred family member is a young boy, who proves quite resourceful in his vendetta against Van Cleef and his gang. Lee is definitely not a sympathetic character, and his evil presence is perhaps only surpassed by "Angel Eyes" in "The Good, the Bad, and the Ugly". The quality of the DVD is inferior, with the sound badly out of sync. Nevertheless, I enjoyed this unique "pseudo-spaghetti western". - MERK