Kit Carson

1940 "A MIGHTY SAGA OF PIONEER COURAGE...that gave the nation a new empire!"
Kit Carson
6.3| 1h37m| NR| en| More Info
Released: 30 August 1940 Released
Producted By: Edward Small Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Frontiersman Kit Carson fights off Indian attacks on the trail to California.

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Director

Producted By

Edward Small Productions

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Reviews

GManfred It's really rewarding when you can find a gem where you weren't expecting to. I watched "Kit Carson" because it was raining and golf was cancelled, and I wanted to kill some time. What a surprise to see Jon Hall, of all people, in an action-packed story better than many with higher ratings. I figure it must have been the second feature paired with a more expensive picture, but this one held its own. It moves along at a good clip with some good second unit work on several fight scenes between the settlers and the Cavalry troop, led by Capt. Dana Andrews, chief scout Jon Hall and sidekick Ward Bond. One of the settlers wagons is driven by Clayton Moore - you can close your eyes when he talks and he becomes the Lone Ranger. Close your eyes again, and Jon Hall sounds like Randolph Scott, soft drawl and all.See it when it's on again if you like surprises and action westerns, and overlook the plot holes. It's one of those pictures that is better the younger you are. I found it was nice to be young again.Star rating is in the heading. The website no longer prints mine.
weezeralfalfa This is a semi-historical western adventure film, featuring the historic Kit Carson(Jon Hall) and J.C. Fremont(Dana Andrews) as the leaders of the American expedition to establish a wagon trail from Ft. Bridger, in SW Wyoming, to central California, across much barren land and the Sierras. Carson refused Fremont's request that he serve as his scout. However, he was convinced to act as wagon master for the wagon train that became attached to Fremont's cavalry unit. This split command offered more opportunities for disagreements on routes, policies, and romance. They are pursued relentlessly by Shoshone all along their route, until they have crossed the Sierras.(Historically, the Shoshone were probably more important in attacking wagons and settlements along the Oregon Trail, although they did range from western Wyoming through Utah and Nevada, as indicated in this film.Once over the Sierras, their enemy became General Castro's Mexican forces. He had supplied the Shoshone with rifles, in their attacks on the Americans.(General Castro is an appropriate historical name). Castro doesn't cause trouble on the trip to Monterrey, on the coast. A celebration is held at the Murphy hacienda. Murphy is a rich man by California standards. His daughter, Dolores(Lynn Bari) was a member of the wagon train(why?). She developed some romantic attachment to both Carson and Fremont during their long trip. She prefers Carson at this point, but he mysteriously leaves for the plains and some beaver traps. Dolores assumes she will never see him again. However, Kit's plans change when he learns of Castro's plan to destroy the Murphy Hacienda. Kit returns to the hacienda to lead it's defense, and take an important part in the movement by the small American community to wrest California from the Mexicans.Throughout, until near the end, Kit has 2 partners in Ape(Ward Bond) and Lopez(Harold Huber). The 3 were the only survivors of a sizable party of trappers who were attacked by Shoshone in the Ft. Bridger area, losing all their beaver pelts....Raymond Hatton plays Bridger, whom we meet at his fort, where the principle characters first meet....It's nice to see Lynn Bari in a leading role. Usually, she was relegated to a supporting role, often 'the other woman'.Much of this was shot in Monument Valley, as was often clear in the background. This was just a year after John Ford discovered this spectacular area for "Stagecoach" and several subsequent films. Unfortunately, neither film was shot in color.As a rather muddled historical adventure, the film isn't bad. Lots of action, and cursory romance between. See it in B&W at YouTube.
MartinHafer Aside from the novelty of seeing Jon Hall and Harold Huber in a western (as neither were the type to usually do westerns), there isn't a whole lot distinctive about this western. It's one of a billion (give or take 5) that are completely fictional stories about real life westerners. In this case, it's Kit Carson--an interesting guy but also someone where about 98% of what you read and see in movies about his is complete fiction. In this case, it's pretty much more of the same.Kit (Jon Hall) and his friends (Harold Huber and Ward Bond) have just finished an adventure which includes the hilarious pastime of killing Indians and scalping them. So, when the cavalry officer (Dana Andrews) asks them to guide a wagon train west to California, Kit is not interested. However, when Kit gets a gander at a feisty lady, he completely changes his mind and leads the settlers. The problem is that an evil Spanish megalomaniac is planning on turning California into is own little fiefdom and plans on wiping out the settlers. Can Kit and the cavalry stop this nut-job and make America safe for more white folks wanting Indian scalps? Bad history but somewhat entertaining. Not a great film but a decent one if you adore the genre. Not much more I want to say about this rather forgettable film.
mark.waltz Something tells me that there are a lot of facts missing from this story of Kit Carson, the Indian Scout who helped the army protect a wagon train across the wild west. With the tribe in cahoots with the Mexican government to prevent the wagon train to make it through (lead by evil Mexican general C. Henry Gordon), my eyebrows raised when the Indian leaders revealed that Kit was guilty of various crimes against native Americans, yet the film makes him out to be a hero. Of course, there is the obligatory romantic between Kit (Jon Hall), the beautiful Lynn Bari and Army officer Dana Andrews which dominates most of the movie when there aren't battle scenes with the Indians. In spite of the motivation of the Native Americans to attack the wagon trains, they are presented rather one dimensionally, manipulated by the stereotypical Mexicans who are mearly using them for their own agenda against the whites (to keep control of California), which made me ask, what made the settlers think they had the right to take over it anyway?In spite of those misgivings concerning this film, I still found it entertaining, and extremely well photographed with a depth of perception of the outdoor scenes usually flat in dimension in most westerns. I must add that I saw a computer colorized version of this film which was actually fine for the outdoor settings but not for the facial features of the actors who look like they are suffering from jaundice.