lambarker Leonard can write lyrics, but he sure can't sing. Nor has he had an original idea in his life, just a floater. From the looks of this nasty little puff piece (note that his publishers, McClelland and Stewart were involved in the production), he didn't know how to live, either. The woman he loves is only mentioned in passing and no woman is allowed to speak in this nonsensical advertisement. While Irving Layton was given a credit, the other poet interviewed, Earle Birney, was to remain nameless. I come from the generation just after Cohen, where all the boys seemed to idolize him. His lack of commitment was probably just calling to them. I hadn't realized what a disappointing poseur he was back then. I was willing to give him the benefit of the doubt because of his age.Whiny, little rich prince, and not one memorable line in his oeuvre. No dedication to social change, outside of the sexual arena.You don't speak for my generation, Lennie, and not for my gender. Go back to the monastery and stay off the screen.As for my local public broadcaster, I will let them know what I think of them wasting my time on this guy. Not a has-been, a never was...

karl_consiglio From what I gather in this documentary he was not even a renowned singer and musician yet by which the world knows him today and yet he was already a star. Here we got Cohen the novelist and poet and ever wanderer like a little boy, although he already had his share of admirers. I love this guy very much. He is a living genius. The soul can always relate to Cohen. He is fit enough to write an extension to the Bible. Cohen is my guardian angel and teacher, guru and mentor, there is something of an oracle in his voice. What makes him so great is his honesty. That is also what drives the ladies mad about him too. cohen's work however is not just simply romantic. It reaches certain depths which in the modern day love song is nowhere to be found.

lemmy caution Jazzy portrait of the artist as a young poet, it's fascinating to see this glimpse of the pre-pop singer Cohen. Whether he's self-effacing, full of himself, or both is up for debate, and we can't gather much of why he's in the poetry biz besides for the purpose of meeting girls. (There's a wonderful CanCon moment where, on some stereotypical CBC panel discussion program, Pierre Burton grills him on this point, and Cohen refuses to play along).While it is a nice time capsule of Montreal in the early '60s, whether or not you enjoy this depends on how you feel about L.C., and about the possibility of poetry embiggining the human spirit. Myself, I'm a bit of a sucker for it.Black and white, 44 minutes. Rating: 5 out of 10 (average).

zetes This documentary is somewhat lame. It is very worshipful towards Leonard Cohen. There are scenes in Canadian lecture halls where people laugh at his every word, and I wasn't even sure half the time that he was joking. You can tell Cohen doesn't really care. In fact, he speaks in silly little poetic quips that become awfully annoying very quickly. In fact, after the documentary part of the movie is done, there is an interview with Cohen after he has just watched the film. A piece of film that was recorded and not included in the actual documentary is very telling: it shows Cohen writing "CAVEAT EMPTOR" on the wall above a bathtub while he is bathing. Yes, the buyer should beware in this case.Oh, and speaking of buying, you can buy this on VHS or DVD if you really want it. Just go to Amazon.com and search for it. The DVD has a few supplemental short films which are actually more interesting than the feature. There is a goofy music video for "I'm Your Man," and a couple of really marvelous video montages coupled with Cohen's poetry.6/10