VimalaNowlis It is not only nonsense, it's very silly nonsense. But rather pretty visually mainly because of Heddy Lamar and Robert Taylor.It's a typical Hollywood fantasy of the "Orient". The city was supposed to be Saigon but the background, the temple, and the dancers were of Bangkok. And her clothes were not even Asian, they were Moroccan and some outlandish Hollywood creation. But, for Hollywood, anything beyond the white world are interchangeable and we frequently see Vietnamese play Chinese and Chinese play Japanese and vice versa or white people play Asian. Even Marlon Brando couldn't escape such ridiculousness. Time has not changed Hollywood much. Now it's black people popping up everywhere no matter what the story, the genre, or the time and place to continue the silly ridiculous nonsense. Nominated for 1 "Oscar"? The standard must be very low back then.

spotted-owl "Lady of the Tropics" (1939) is a romantic melodrama set in Indochina (now Vietnam). Hedy Lamarr gives a sensitive and moving performance as Manon de Vargnes. Lamarr's beautiful face expresses her emotions. Themes include love, racism, power, revenge and personal sacrifice. This is an underrated film.Manon is a biracial temple dancer whose father was French, and mother was Indochinese. She wants a passport to Paris, but the racist laws do not allow passports to be given to "half-castes." Biracial people are treated as second-class citizens in Indochina, which was a French colony in the 1930s.Manon is beautiful, sensitive and mysterious, with a Mona Lisa smile. She has a tendency to tell lies to avoid conflicts with men. Manon is romantically pursued by the powerful and unscrupulous businessman Pierre Delaroche (Joseph Schildkraut), who is also biracial. A king in the Angkor Wat jungle wants to add Manon to his harem of wives. However, Manon falls in love with Bill Carey (Robert Taylor), a handsome, kind, and impoverished American.Pierre Delaroche proposes marriage to Manon, and she lies and says yes. Manon probably lied to avoid offending the very powerful man with a blunt rejection. However, this lie is her fatal flaw. When Pierre finds out that Manon has married Bill, he wants revenge, and prevents Manon from obtaining a passport. Bill is unable to find work, and they struggle to make ends meet.Manon realizes that the only way to make Bill happy and obtain a passport is to make a deal with with the devious Pierre. She attends Puccini's opera "Manon Lescaut" with Pierre. (The opera is about a woman named Manon, who becomes the mistress of a rich older man, but is forgiven by the man she truly loves.) It is strongly implied that Manon sacrificed her virtue to Pierre. After doing so, Bill is given a job and Manon has her passport. However, Bill finds out about the terrible sacrifice Manon has made for him. The ending is poignant.The sets and costumes are lavish. The scenes at Angkor Wat are especially beautiful, with the huge lotus bud shaped towers in the background. Temple dancers perform. Manon looks like a goddess in a glittery Indochinese costume. (See a link to this costume in the message board.) Hedy Lamarr's costumes, designed by Adrian, are gorgeous. She wears beautiful dresses with native embroidery, and veils with beads.Nina (Gloria Franklin) sings a heartbreaking torch song in the local nightclub.The film received an Oscar nomination for best black and white cinematography."Lady of the Tropics" (1939) has a good storyline, excellent acting, exotic tropical sets, beautiful costumes, and superb cinematography. This is an underrated film, and it should be released on DVD. Highly recommended.Hedy Lamarr starred in another film with a similar concept, titled "A Lady without Passport" (1950). The 1950 movie is a good film noir. I prefer "Lady of the Tropics" (1939) because it is visually beautiful, romantic, and emotionally poignant.

Martha Wilcox You would have thought that with such a good cast this would be a good film. It is actually a poorly scripted film with poor direction. The performances are good, but the characters aren't believable. Hedy Lamarr may have a convincing French accent, but I don't believe that she is half- Chinese. She doesn't look or sound Chinese in any way. If anything, she looks and sounds French. The film fails to explore the whole issue of inter-racial relationships. Instead, it focuses on citizenship and how you can marry to gain citizenship in America. This is a theme that Lamarr would explore more convincingly in 'Come Live With Me' with James Stewart. However, this film comes nowhere near the quality of 'Come Live With Me'.

Neil Doyle With a script by Ben Hecht, LADY OF THE TROPICS is a film that recalled another Hedy Lamarr film--at least the title does--called "A Lady Without Passport"--a wretched film she made in 1950. Here too, she's a lady without passport and that's what triggers the entire plot. But it must be said that the comparison between the two films ends with the title.This is strictly old-fashioned melodrama reeking of either "Manon Lescaut" or "Madame Butterfly", with Hedy as the ill-fated heroine who allows herself to be "used" by Joseph SCHILDKRAUT while hiding her indiscretions from her smitten American admirer (ROBERT TAYLOR), who meets her in French Indochina (Saigon) before WWII and immediately falls in love with her. When Schildkraut gets revenge by planting false evidence of his association with Lamarr to open Taylor's eyes to the truth, the consequences turn tragic.Hedy has never been more beautiful and gives a sensitive performance as Manon (yes, that's her name!), a "lady of the tropics" with a sultry beauty enhanced by her MGM transformation into a stunning star who is always ready for her close-ups. Attired in an equally stunning Adrian wardrobe, she's a glittering testament to the power of Golden Age films to give stars glamor with a capital "G". Taylor, attired in white linen suits and Panama hats must have made female hearts flutter as the romantic hero willing to sacrifice all for his yen for Manon.It's a better film than I expected. Joseph SCHILDKRAUT makes a perfect villain, the kind you like to hiss, with his Oriental make-up and oily manner oozing menace at every quiet inflection of his voice. The B&W photography of some artfully designed sets is soothing to the eye and so, of course, is the teaming of Lamarr and Taylor--two of the most photogenic stars on the MGM lot.The script by Ben Hecht helps sustain interest in the storyline, even if it does get a bit too weepy toward the end. Lamarr shows evidence that she could be a very sympathetic heroine if given half a chance.