SimonJack William Powell was a master of the double take. I can't think of any actor who used it more often or better for comic effect. In "Lawyer Man," he must have done a dozen or more double takes. They range from the obvious scene stoppers of a knowing look on his face and turn of the head, to more subtle light pauses with a stern or amusing look as if to catch a breath. We see the first big one in the opening scene when he is stepping out of his office building onto an open market street on New York's East Side. An iceman is delivering a block of ice and is entering the building with it over his shoulder. Powell's character, Anton Adam, says, "Good morning, Jake. How's the ice business?" Iceman, "Not so hot." Powell pauses a second and turns his head toward the iceman who has passed him in the doorway. There's no way the audience could miss the humor of the dialog with Powell's double take that allows just enough time for it to sink in. One might say the double take multiplies (doubles) the comedy of the lines. This movie isn't billed as a comedy, and one can see why. It's one of the earliest films about city machine politics and corruption, and shady aspects of a political justice system. But, this drama and crime movie has a good dose of comedy. It's mostly in Powell's character, rather than situations. This is the story about a New York East Side (of the 1930s) lawyer who makes good and moves up to Park Avenue. Adam has been in the East Side defending the poor and the down and out for some years. He is well known and liked in the neighborhood, and by the cops and by others in his profession. He then tackles a case that beats the political machinery. That starts him on a rise and track of prominence. After a double-cross by the machine connections, his reputation is hurt among the high-class set. So, he starts over defending low-life criminals and others. But now he takes some shady cases and charges them accordingly. He has become a shyster, in his own words. There's nothing in the film that indicates he did anything illegal himself, but that he was defending a lot of people who were shady operators and getting them off. He wins and builds himself back up. When he gets appointed assistant district attorney, he comments about being back on the right side of the law. Indeed, Anton Adam's character seems to have high ideals about justice. In a very early scene, he turns down a case from a man who he says must come to justice. When the man leaves and Adam's secretary comes into the office, Adam says of the guy, "Just a small-time mouse trying to be a big time rat."Joan Blondell is Olga Michaels, Adam's long-time and faithful secretary and confidant. She's crazy in love with the guy, but keeps her composure, and he doesn't know it until toward the end of the film. Adam has one weakness, which we see in his glances at pretty women. It's likely more in his head than in practice, though, because when he gets with an attractive stage performer, he is shy and awkward. Olga knows his weakness, and some of the humor of the film is when she brings him up short for it. An exchange between the two sums up the situation. Olga, "I worked for a successful man once, and you know why he was a success?" Anton, "Sure, because you worked for him." Olga, "No! 'Cause he left the dames alone." After the double- cross, Olga says to Anton, "That's what happens when a smart lawyer gets mixed up with a dumb blonde."The supporting cast in "Lawyer Man" are all very good. David Landau is especially good as John Gilmurry who runs the local political machine. Alan Dinehart plays Granville Bentley, the Park Avenue attorney whom Adam beats in a big case and who then invites Adam to be his partner. Claire Dodd is very good as Virginia St. Johns and Allen Jenkins plays a usual heavy or hooligan role as Izzy Levine. This is a very good film that most adults should enjoy. Here are a couple more favorite lines from the movie. Olga, "Who's gonna take your case?" Anton, "I am. I know. I have a sap for a client."Olga, "Remember, I told you about taking these cases against those big uptown lawyers. They got too much pull." Anton, "Yeah, well I got a lot of push."On a historical note for younger generations, the iceman was a common site in America before the mid-20th century. In the years before electric refrigerators, the iceman delivered blocks of ice to homes that had iceboxes. The lady of the house would use an ice pick to chip the ice block into pieces to fit in the top of the icebox. The term "icebox" continued to be used for decades, referring to the refrigerator. More than a few early crime movies had murders committed with ice picks. I doubt if one could be found in a 21st century home.

utgard14 William Powell plays an ambitious bush league lawyer who goes to work for a high-class law firm, taking along his trusted secretary Joan Blondell. It isn't long before Powell's clashing with a corrupt political boss and getting involved with the wrong women. When things come crashing down for him, Powell vows to become successful no matter what tactics he has to use.Enjoyable Pre-Coder from Warner Bros with nice work from Powell and the always dynamite Joan Blondell. She's great here, throwing in one snappy rejoinder after another. Kinda hard to believe anybody would look twice at another woman if they had sexy young Blondell as an option, but perhaps that's more my personal taste. The supporting cast is nice. The script is fun, though nothing groundbreaking. It's all pretty simple and familiar stuff but well-done and entertaining.

blanche-2 That song, mentioned above, played throughout the film. William Powell is "Lawyer Man" in this 1932 film also starring Joan Blondell, Allen Jenkins, Helen Vinson, and Claire Dodd.Powell plays Anton "Tony" Adam, a lower east side attorney with a small practice. He comes to the notice of a higher-priced attorney who invites him to become a partner. His secretary (Joan Blondell) of course goes with him. But Adam runs into trouble almost immediately when he takes a breach of promise case. The case is merely a setup by the corrupt political machine to frame him. Adam is thrown out of the partnership. On the face of it, he decides that if he can't beat 'em, join 'em. Actually, he has something else in mind.Powell is very good, but he's too uptown to be a lower east side lawyer. The role was more suited for other contract players, such as Jimmy Cagney or Humphrey Bogart. Blondell is great as a secretary who's smarter than her boss, in love with him, and can see his mistakes before he even makes them.William Powell is worth seeing in anything, even something he's not quite right for, and Joan Blondell is always a delight. This was probably a B film as it's pretty short.

kidboots Tony (William Powell) is a lawyer of the people with an eye for the ladies. Olga (Joan Blondell) is his secretary and conscience. Granville Bentley (Allan Dinehart), a corporation lawyer, sees him in action and offers him a partnership. Babs (Helen Vinson) Granville's sister is also interested. Gilmurry the D.A. (David Landau) wants Tony to come into his organization as well.Ginny (Claire Dodd) needs help - "that's what happens when a smart lawyer gets mixed up with a dumb blonde" - she has love letters from a certain doctor - she wants to bring a breach of promise suit against him or at least sue him for thousands of dollars or does she???? Of course she calls on Tony and plays him for a sap. Bentley, meanwhile urges him to leave it alone and dissolves the partnership, Babs refuses to see him and Gilmurry thinks he's a "washout". He is determined to prove them wrong - he is going to play "dirty" - no job will be too demeaning. "a small time mouse planning to be a big time rat"!!!An elderly man comes to see him - he has a case against Gilmurry but no lawyer will take it. Tony does and wins a settlement out of court. Gilmurry is impressed and makes him Assistant District Attorney. Tony then gets some information on the doctor - he has been defrauding the city. The end of the movie sees Tony going back to where he started - to the little people that need his help.Helen Vinson was on hand as Babs Bentley, the sister of corporation lawyer Granville Bentley. She was always at her best in brittle, society "bad girl" roles - occasionally she would play a warm hearted "good girl" like Helen in "I Was a Fugitive From a Chain Gang" and proved she could handle these roles easily as well.Claire Dodd, in my opinion, was the most memorable bad girl of the 30s. She started out as a showgirl in films such as "Our Blushing Brides" (1930) and "Whoopee" (1930). For me her two stand out films are "Footlight Parade" (1933) where she plays Joan Blondell's old "friend" and "Roberta" (1934) as Randolph Scott's snooty fiancée. Both films have some classic one liners. In "Lawyer Man" she plays Ginny. Sterling Holloway also has a small scene as Olga's bar buddy who tells her exactly how things are. Allen Jenkins and Jack La Rue play two of Gilmurry's henchman who can be bribed with cream cake!!!!The music is nice too, including hits of the day - "Say It Isn't So", "I Guess I'll Have to Change My Plans", "If I Could Be With You" and "You've Got That Thing".Recommended.