Little Odessa

1995 "Brothers in blood. Partners in crime."
Little Odessa
6.7| 1h38m| R| en| More Info
Released: 19 May 1995 Released
Producted By: Fine Line Features
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Long separated from his Russian family, hitman Joshua returns to Brighton Beach for a contract killing for the Russian Mafia. His abusive father, Arkady, banned him from returning after Joshua committed his first murder. He takes up residence in a hotel, and soon everyone knows he has returned. He goes home to visit his dying mother, Irina, and prepares for the assassination, getting drawn back into the criminal community he left behind.

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jeeap This story lacks a primary source of knowledge. The director is trying to tell you something he doesn't know well himself. As a son of immigrants from the USSR he is obviously interested in his roots but he doesn't bother to learn about them before speading the news. As a result you will see an imaginary community of Brighton Beach that exists only in director's mind.You will see some popular actors in this movie but not exactly a good acting from them.
fabergelover According to the IMDb, James Gray's grandparents were "Russian immigrants." This movie was his vision and I strongly disagree with his warped view of immigrants. Years ago when I was in a wealthy suburban town far from Brighton Beach, I was asked whether I saw the film. I was also asked whether I was ever involved in the Russian mafia. I answered "no" to both questions. It was true I had never seen the film, nor had I ever been involved with Russian organized crime. I was a first-generation American, who because of my parents and grandparents was able to speak Russian, and my family's hopes of achieving the "American Dream" rested firmly on my shoulders. The man who had asked me these questions was an accomplished educator, who had even once been invited to the Oval Office. He was always borderline derisive of me and I felt that he had seen me as a stereotypical "Russian mobster in the making." It was years later when I finally watched the film and I was fuming. I want to convey several issues to Americans about this film. The most important issue is that crime exists everywhere, but Brighton Beach is not controlled by the Russian Mafia. There is barely any presence of Russian organized crime, and most residents have vaguely heard or interacted with these elements. The protagonist of the film, a Russian Jewish hit-man who fled Brighton Beach to evade the ire of the Russian Mafia, was a plot-driven character who did not even slightly resemble any of the young immigrants who arrived to Brighton Beach during the 1970's and 1980's. Joshua Shapira was as realistic as Peter Pan. Second, the elderly generation was poorly portrayed in this film. It was filmed in 1993 and Jacob's 80-year-old grandmother was James Gray's idea of an "off-the-boat" immigrant. I almost laughed at how the grandmother only spoke Yiddish and was an "old world" zombie. That is absolute nonsense. It is true that that generation could speak Yiddish, but they in fact spoke Russian much more frequently and were quite cognizant of history, politics, and current events. That generation, my grandparents, attended English courses for immigrants and were able to converse in basic English. I will admit that not all could do this. Some still had to work, while others had to babysit their grandchildren. My point is that the grandmother in this film, an "Old World" Yiddish-only zombie, was not in any way, shape, or form similar to the grandparents of the Soviet Jewish immigration. My grandfather, who recently passed away, spoke Yiddish, Russian, and rudimentary English (because he worked in this country for many years). He also was always mindful of American and world politics. The portrayal of grandparents in this movie was ridiculous and unrealistic. For example, on my way to the Brighton Beach library I remember overhearing two World War 2 generation Soviet immigrants discussing Hillary Clinton's first international tour as Secretary of State in 2009. The baby boomers, who are grandparents today on Brighton Beach, can speak English proficiently and are quite Americanized. Third, the mother suffering from cancer at home and implicitly unable to get medical care because she is an immigrant is absurd. The United States fully provided medical care and support to the underprivileged. If the Shapiro family were in fact as poor as the family portrays, she would had been able to receive Medicaid/Medicare benefits and the government would have paid for her treatments. It was a sinister exaggeration that the poor immigrant suffering from cancer had to die at home and implicitly the reason was because of her "impoverished immigrant status." Absolutely bogus. She would have been provided full medical benefits and not suffer at home like portrayed in the film. Fourth, the father in the film was the stereotypical "Soviet dictator" parent who was domineering, abusive, and emotionless. The character was just a plot-driven element of the film not remotely similar to any of the Soviet Jewish immigrants who had supported their children, who were either born in the USA or arrived as young children. He was clearly the antagonist of the film, and when the accomplished educator I had mentioned earlier spoke to me about Brighton Beach, I distinctly remember him asking what my father was like. I can assure you that 99% of the Soviet Jewish parents were not Stalin-like brutes. They, in fact, were completely supportive because they wanted their kids to be successful Americans. The father in this film, who dressed like they did at the turn of the century and not the 1990's and stood on Brighton Beach at night with others drinking Vodka with prostitutes, was nowhere close to any reasonable behavior or individual I have encountered on Brighton Beach. The father was an absurd character created by a warped view of what a Soviet immigrant patriarch would be like. I won't spoil the ending for those who haven't seen it, but as the entire movie suggests Brighton Beach is a dark world full of crime, sadness, and tragedy. False. False. False. New Yorkers from all five boroughs travel to the beach and boardwalk during the warmer months, and Brighton Beach is full of restaurants, Sushi bars, and Russian nightclubs. I cannot explain to you how ridiculous it was when Joshua in the end sat in his car alone thinking about all the tragic events during the film. Even when this was filmed in 1993, the movie was a terrible and inaccurate portrayal of Brighton Beach and the Soviet Jewish immigrants who inhabit it. I can tell you that the Soviet Jewish immigrants who arrived when they were young and first-generation Americans who were born here did not live in "Little Odessa" and were not inclined to a life of crime. Education, hard work, and successful careers are the attributes of those who inhabit Brighton Beach and this movie was complete fiction in its portrayal of the older immigrants, younger immigrants, and first-generation Americans.
sydneyswesternsuburbs Director and writer James Gray has created a gem in Little Odessa.Starring Tim Roth who has also been in other classic flicks, The Musketeer 2001, Gridlock'd 1997, No Way Home 1996, Pulp Fiction 1994, Reservoir Dogs 1992, The Cook the Thief His Wife & Her Lover 1989, Meantime 1984 and Made in Britain 1982.Also starring Edward Furlong who has also been in other classic flicks, American History X 1998 and Terminator 2: Judgement Day 1991.Also starring Moira Kelly.Also starring Vanessa Redgrave who has also been in another classic flick, The Devils 1971.Also starring Maximillian Schell who has also been in other classic flicks, Vampires 1998 and Cross of Iron 1977.I enjoyed the violence.If you enjoyed this as much as I did then check out other classic Russian crime flicks, The Mechanik 2005, Mute Witness 1994, Command Performance 2009, Running Scared 2006 and Driven to Kill 2009.
bampf this film totally transcends its derivative storyline and machismo-charged genre. avoiding predictable characterisation (which some of the previous commentators seem to desire)and melodrama, the film may seem (and is at least visually) cold, but its warmth is built through nuance, not cliche. Great soundtrack too, with Arvo Part.