Dalbert Pringle (*Favourite movie quote*) - "The pictures come to me as in a dream."The agony of one man's life.... Vincent Van Gogh painted the way other men breathe.After Rembrandt, Van Gogh is considered to be the greatest of all the Dutch painters. His obsession with painting, combined with serious mental illness, propelled him through a life full of failures and unrewarding relationships.Throughout his life, Van Gogh managed to earn some respect from his fellow painters, especially that of Paul Gauguin, but he never, ever got along with any of these men. Surprisingly enough, in his entire lifetime Van Gogh only managed to sell just one of his paintings.Released in 1956 - "Lust For Life" is a really fine movie-production. Many of the locations used for filming were actual places that Van Gogh had visited during his short life. Actor, Kirk Douglas puts in a dynamite performance as the archetypical tortured artist-genius.

JLRVancouver Based on Irving Stone's fine biographical novel of the same name, "Lust for Life" follows self-tortured artist Vincent van Gogh from his failure as a clergyman to his eventual suicide. Kirk Douglas, who has a passing resemblance to the artist, is generally very good (other than an occasional bit of overacting, especially in scenes where van Gogh seems to be suffering from seizures). The film, which focuses on van Gogh and his brother, is a bit less of a 'who's-who's' of impressionist/post-impressionist artists than the book and some interesting events are left out (such as the delivery of his severed ear to a women). Anthony Quinn is very good as Paul Gauguin and the two actors/artists play off each other very well. The movie painstakingly takes the viewer to the sites where van Gogh painted and showcases much of his work (it is interesting to speculate how much the paintings that are shown stored in his brother's home towards the end of the movie would be worth now – billions of dollars?). All in all: a great film depiction of a fascinating and tragic life. A perfect evening: invite some friends over, open a bottle of absinthe, hide the razors, and watch the film.

braddugg Kirk Douglas becomes Vincent Gogh and is terrific in this film. Just watch it for the portrayal.Vincent Gogh lived a very complicated film, as shown in the film perhaps. But to adapt to the complications and portray them without any compromise would have been the most challenging part. Kirk Douglas, the fine actor he is has done this effortlessly. Kudos to the great man for his acting itself.Expectedly, the art direction is wonderful, as this is a film about painter, his paintings in itself would make the shots beautiful. The cinematography was adequate if not great. The lines were good and the editing was fine. But mind you, this is a biopic so it would take some liberties in terms of length in showing few important aspects of the life of Vincent Gogh.Vincent Minnelli was one of the most celebrated directors of his time and he did this film with a great grand vision as his earlier films. But, he somewhere lost his vision in the making. He made a clichéd biopic that is definitely good but must not great. I suppose that the script did little justice to the emotions which Kirk Douglas portrayed and also what Vincent Gogh could have gone through emotionally. This is good for a one time watch just for acting. A 3/5 for a good film and of these, 2 stars only to Kirk Douglas and the remaining star for the film overall. It's a good film but tests our patience at times.

Steffi_P Biopics are tricky things to get right. That is one of the reasons why so many classic Hollywood versions of true stories are so liberal with the facts – storifying history in order to bring out the spirit or the legend of the subject. There have also been more recent productions which, in their devotion to historical accuracy, suck all the life out of the picture. It is a rare thing indeed then to find a biopic that sticks to the truth but also really brings us a vivid character in an engaging story.Lust for Life begins with Vincent's journey in mid-flow, with a brief episode in which he worked as a preacher in a dirty mining town. It is as if we are observing the man from a distance, and indeed director Vincente Minnelli actually keeps his camera well back from the subject for the first fifteen minutes or so. Van Gogh's talent for painting is not referenced verbally, but sketches gradually begin to appear in the background. It's a very tentative introduction to the man, but it gives us his character and background through example rather than direct statement, and rather than highlighting his turning to art shows it as an almost incidental extension of his way of life. Screenwriter Norman Corwin (who normally worked in radio) draws from Vincent's letters to his brother Theo for a gentle and unobtrusive narrative, and the production makes extensive use of actual locations and colour prints of van Gogh's paintings, all the better for his work to speak for itself.Director Vincente Minnelli was himself a painter, albeit one of a rather different style to van Gogh, but his painterly instinct for space and colour helps very much in creating the harmonious look of Lust of Life. He was one of the few directors from this early stage of widescreen who knew what to do with the Cinemascope aspect ratio. His technique is to soften the width by composing in depth. Take set-ups like Mauve's studio or the little flat Vincent shares with Christine, in which the furniture and canvasses create many layers in depth, giving real definition to the space and making the wide shape of the screen seem more natural. Often the screen seems loosely divided into two parts, with foreground business on one side and a distant vanishing point on the other, and Minnelli uses this to create smaller frames for different actors on the screen or to highlight one person or another. This in turn minimises the need for cuts to opposing angles or close-ups, which tend to look awkward in Cinemascope.In the lead role, Kirk Douglas not only bears a passable resemblance to van Gogh, he really immerses himself in the character to the extent that you forget the familiarity of the actor and see only the painter. Vincent may be the archetypal tortured artist but Douglas resists the temptation to become wild or hysterical, more often showing emotional turmoil in tense body language and silent screams. In lighter moments he displays a kind of boyish enthusiasm which really helps to make a likable character out of van Gogh. In contrast Anthony Quinn's supporting role as Paul Gauguin is exaggerated and theatrical where Douglas is subtle and realistic, but it highlights the difference between the two men and helps to make Quinn's short but crucial part in the story lively and memorable.Above I feel what really makes Lust for Life work is that it understands it subject matter. There is a clear respect for van Gogh's work from writer, director and star, and an intention to allow the audience to share in this appreciation. The effort that has gone into comparing real scenes to finished paintings, and the dialogue that touches upon art theory show how his approach to painting dovetails into his highly emotional and philanthropic character. It is this that lends a sense of meaning and poignancy to the depiction of his tragic life.