Gordon-11 This short film is about the minutes that an opera singer preparing for a performance."Maestro" is funny and entertaining. It features a cute chicken like opera singer, preparing for a performance with the help of an automated arm device. The angle is constantly shifting, so it gives the viewers different perspective every second. The music is nice, the opera singing is convincing. The end twist is unexpected and funny, and it certainly made me laugh. However, as a stand alone animation, I think it is a rather forgettable effort. It gives a laugh, and nothing else. I can't say it is particularly artistic or groundbreaking.

Robert Reynolds This short was nominated for the Academy Award, Animated Short category. It's difficult to discuss a five minute cartoon without giving away details, so consider this your spoiler warning: The visuals in this are very good, with the character design particularly-the detail is fascinating. As is to be expected with a five minute short, there is a slender plot here and the timing is key to this working. It's a one-joke premise and the director builds to it magnificently, with the image of a pampered superstar carefully created in a surprisingly short space, with the ending coming as a surprise, at least to me.The trouble is, while most excellent shorts merit repeated viewings (there are animated shorts I've seen dozens of times and they always seem alive and fascinating however often I see them), each time I watch this one, it impresses me a little less than it did before. Knowing the payoff has a lot to do with this (though I've seen Balance at least a dozen times and even knowing the ending makes no difference, as I still get chills every time I watch).The only thing I can figure is that, if you're telling a joke (and that's what Maestro is, ultimately-a visual joke), knowing the ending often reduces the humor.This is on DVD-The 2006 Academy Award Short Films, released by Magnolia and this and the entire disc are well worth watching. Recommended.

terrellholmes I attended a screening of the Oscar-nominated shorts yesterday and if I had a vote in the Academy it would go to "Maestro". At the beginning I wasn't quite sure of what kind of world it took place in. On the surface it looked like a backstage peek at an impennate opera singer preparing for a show. But why was a mechanical arm doing all of the grooming, drink mixing, and other tasks? The interesting thing I noticed about "Maestro" was that as the camera circled around, the perspective changed at one second intervals. This technique recalls the motion of a second hand and hints strongly at the film's wonderful punch line.

Skeeter700 This short animated film shows a great performer preparing to take to the stage in the last few minutes before the curtain rises. With the help of a mechanical arm, a feathered "Maestro" is groomed and exercises his voice. "The Maestro" was directed by The Hungarian film maker Géza M. Tóth and it competed in over 40 international animation competitions and gained a nomination for an Academy Award. The Maestro is well-animated slowly builds for its five minute run up to one fantastic joke. The animation is solid and the technique of having the camera circle three-hundred-sixty degrees around the characters helps build the suspense towards its funny finale. The sound is well dubbed and matches the tone of the images being presented. Overall, "The Maestro" is a short of great quality.