Max Headroom: 20 Minutes into the Future

1985 "Bringing you the truth in a world gone Max."
7.1| 0h57m| en| More Info
Released: 04 April 1985 Released
Producted By: Chrysalis Films
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Synopsis

While trying to expose corruption and greed, television reporter Edison Carter discovers that his employer, Network 23, has created a new form of subliminal advertising (termed "blip-verts") that can be fatal to certain viewers.

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daisy2mae2 I looked up Max on IMDb to see if I could find any information about the powers that be putting it on DVD. This was one of my favorite shows (along with Moonlighting, Magnum PI, Thirty Something, and Murphy Brown). I agree that it was intelligent and worth taping or scheduling your time around and SHOULD be produced on DVD!!! Get to it!!For all those who never had the good fortune of being able to view this show, I would compare it to a cross between Robocop on a computer network and combined with the comedy of Jim Carey on steroids. Max, the main character of the show, exists as the personality and life form of the computer--it's not-so-artificial artificial intelligence.I don't remember much else about the show, which is one reason I would love to see it again, because I love to reminisce, but as the previous posting pointed out...they only seem to come up with shows that have just been running and, mostly, are of no interest to me. So, put it out, Powers That Be!
nathan jay I loved this film back in the 80s, and its story of CGI characters to replace real people for TV is easily a possibility now. This is my favourite film ever, infact I only found out today that the its less than an hour long - theres so much going on Id swear it was 90 mins plus.Anyone who is remotely into Sci Fi or computer graphics should see this, or anyone who just likes unusual films and fancies a break from the norm without being bored.If this was a Manga cartoon instead of a British film, it would be massive!
A-Ron-2 The original version of this film, which was titled 120 minutes into the Future (I believe) was by far one of the most impressive and subversive things I have seen on TV. The premise involves the idea that Blipverts, or high-speed advertisements, are allowing the TV stations to create more ad time, but are also at risk of causing the most indolent members of society to spontaneously combust.This is absolutely wonderful!The whole Max Headroom angle was never really exploited until this became a (too short lived) TV series shortly after. However, this movie is nothing short of being among the most impressive and visionary movies ever made, and by far one of the most interesting (and underrated) cyberpunk tales told.The low-budget enhances the bleakness of this dystopic future, and the utter pessimism about the future of mankind is palpable at every moment. Watching the TV zombies wander the streets in search of more TV, the dark rooms where the future of man (and media) is decided... the burnt-out buildings, the police-state siege mentality. I have rarely seen anything this ambitious attempted in the past.This movie warned us about the dangers of mass media, and managed to do it in a way that was not ironic and was highly entertaining. Run out and find this movie if you can (I have seen it on tape, and Sci-Fi channel runs it occasionally). Go... NOW!
RichardS Reporter Edison Carter discovers that an advertising medium developed by the TV network he works for is killing viewers. The network attempts to 'dispose' of him and replace him with a computer generated version. And so the story goes...This is a really good film, taking the bleak vision of Blade-Runner and injecting a little 20th century realism. Set in a world where TV networks rule and the population is made up of couch potatoes who rarely venture into the desolation outside their doors, Max Headroom is frighteningly plausible and potentially very downbeat.However, the story has enough lighter moments to balance the overall darkness of the film and together with a likeable and talented cast, this is a thoroughly enjoyable film that - like its content - was maybe a bit too ahead of its time. 10/10.