shu-fen Just by chance I watched the very last episode of M2 on TV yesterday evening. At the beginning, I cannot tell exactly whether it's a USA or UK production because the language is not specific. Then I found out it was filmed in Northern Ireland with American actors. Demystified.I need to track down the first few episodes, and I am also waiting for M3 as the local TV channel promised, then I can draw a fairer conclusion later. Solely on this episode, the plot is predictable and a little out-of-moded. What attracts me is that I wanted to see how the revenge would be done. When Anna (Sara) threatened to end the life of Duncan's boy, I thought, just like in most US TV series, she would stab the scissors into his neck, kick him from high and try to flee. When she let him off, I thought she would be running off. She did none of them, instead she stabbed her own neck and fell down in front of Duncan and Red. She did it out of despair, I suppose, when she was told her ex-judge father protected his male lover all through his life but not her.When hatred enters and harbours in a heart, if it is not released, it festers and grows stinkingly. The avenging angel (devil?) Anna finally loses almost everything but the hurt she did on Duncan. I don't see any salvation in this "Messiah", I need to dig out why it is titled as such. I hope M3 will come sooner and see how the "promise" is fulfilled. Now what I should do is to look for M1, it should be interesting to see how Michelle Forbes manage to learn sign language within six days.

Nick Gondolo This is the first Messiah I have seen, and I found it really excellent. You would be hard pushed to find something more gruesome but nonetheless as gripping as this.**Definite spoiler ahead**. I am a big devotee of British TV and I was pleased to see Neil from The Office and Vincent Regan, who I only know from Hard Men, in something else. It was great trying to guess who the killer was, but who would have thought that Thermoman's lovely little girlfriend could do all those things?It was mentioned at the laundry that the planning for all the murders was meticulous, but how was she strong enough to get Jenny Collier into one of those sacks and up on the track, and why was she so determined that Russ Collier should suffer so much? I mean he hadn't done anything to her. Also how had she figured out so exactly who the real murderers were in each case? Why was there no mention of a daughter in the original Heard case? I felt these points weren't quite explained enough. But maybe I'm just a bit dim. Nevertheless, a damned good scary tale!!

ProfessorX Last year, the first MESSIAH was shown on BBC 1. Adapted from the excellent novel by Boris Starling, it was a chilling, London-set tale of murder, religion, and gallons of blood. This year round, we get the sequel - VENGEANCE IS MINE. After a teasing set of trailers, shown after nearly every single programme after seven o'clock, turned me into an excitable bundle of anticipation, and after six months of waiting (it was postponed from August 2002, after the events in Soham), we get the best damn British thriller in years. Ken Stott returns as grumpy DSI Red Metcalfe, a man haunted by his own dark past, and trying to track down the killer of his brother Eric. The plot really starts moving when a man is found bound and buried alive on Wimbledon Common, in the same fashion as another man several years ago. Are we talking about a copycat killer? Is this revenge? As the bodycount rises, so does the tension, as Red and his team (including Neil Dudgeon and Frances Grey) race against time to find the next target before the killer does. In the first MESSIAH, the serial killer was bumping off the 12 disciples in the particulary gruesome ways that are depicted in the Bible; but this time, it is more a outright guessing game, a true murder mystery. Some of the deaths are extremely inventive and horrible (although not quite as grisly as last time, when we had flaying alive, beheading, and sawing in half). Stott, Dudgeon, Grey are terrific, and are well supported by Art Malik, Emily Joyce and Vincent Regan. The direction is such a high-point in this, because it is sutiably moody, castign huge shadows and cold blues against the London back-drop, and the waves of blood. At times the direction can be quite distant, but it is always tight, always focused, and never strays from the downright thrilling. This was shown in two parts, over a Saturday and Sunday, and I can tell you that the 24 hours between Part 1 and Part 2 was agonising, absolutely agonising. The first MESSIAH was unfairly compared to SE7EN (mainly because of it's religious content), but I actually think both the first one and this MESSIAH are miles better. Perhaps this is because I know London very well and I can relate to that, but I think that the acting, the direction, and the script are all so much better. Plus, this is a more traditional mystery: at least we actually get a chance of guessing who the killer is, instead of having to wait for some nobody to turn up, like in SE7EN. The mark of a good horror story is that it should stay with you. And this. As you lie in the dark, pushing yourself deeper into the matress, close your eyes. . .and you'll see men being buried alive, hearts cut out. . .rivers of blood. . . Essentially, this is a fairy-tale for adults; we all like to be terrified in the safety our armchairs, but it's a bloody good one. I hope they do a MESSIAH 3, because this truly was the highlight of the year (and it's only January). Lizzie Mickery's script is so brilliant, the characters and the plot so deep, and the deaths so imaginitive. This is fantastic.

cremonese64 Messiah 2 is the sequel to 2001's grisly Messiah, which concentrated on an elite CID investigation into bizarre and seemingly motiveless murders. Soon enough it became apparent that the murderer chose his victims as their names corresponds with the twelve apostles.Again, Messiah 2's killings have a biblical twist- the killer is targeting people who have literally got away with murder and thus have gained vengeance for wrongful convictions and unsolved murders. Yet, soon the killer branches out to specific targets, and a there could be a personal motive for this killer.Messiah 2 begins with a sequence involving Red and his estranged brother. Unfortunately, when they meet up, Eric is dying from a stab wound, and Red begins trying to solve this case in conjunction with the main murder inquiry. There are some brutal scenes in Messiah, including a man being buried alive, bloody murder scenes and a man having his heart cut out. All it did lack was a decapitation. There is also a child murder, and its understandable therefore why release date was early 2003 rather October 2002, following the child murders in Britain.Ken Stott returns as brooding, brilliant DCI Metcalfe, with Art Malik, Neil Dudgeon and Frances Grey making up his team, plus a plethora of new faces and british stars including Alums Armstrong who seems to be starring in everything these days, Vincent Regan and Shaun Dingwall (Touching Evil). Stott looks bored at times, yet is a magnificent character actor who really shines as the leading man. Malik is wasted in a small role, and Alun Armstrong excels as a destructive and tortured character who disappears about halfway through.Although a little slow burning at times, and there is a tendency to stay at murder scenes a little too often (Another criticism of the first film), Messiah 2 is a gritty thriller, which will keep you on the edge of your seats right to the end, and the acting quality on offer is enough to keep you watching. The ending is typical of most thrillers, yet is completely absurd, as the identity of the killer is quite obvious. The character stood out completely as irrelevant in the context of the film and may as well had an `Iam a serial killer' Tattoo on their forehead. I wont name names, but try and look for the `Cracker' Connection. Also, Frances Grey as a full blown DS in a serious crimes squad at what, 25? That's ridiculous! Overall, Messiah is implausible and a little boring at times, yet it is an involving and memorable thriller, a rarity from the politically challenged BBC.