Dr Jacques COULARDEAU Here Agatha Christie nearly becomes Gothic. A young couple comes back to England and buys a house on a fancy from the wife. And it so happens it is the house where she lived when very young before being sent to New Zealand where she spent her whole life. But it is also the house where her stepmother was assassinated just before she left. She is having strange recollections that are rather disturbing. So she decides to find out about her past in spite of the advice given to her by several people, including Miss Marple that the past should not be meddled with. And sure enough that will cost one more life and the capture of a criminal (once again at the cost of some staging). This story is special because these old Tudor houses are known to be built on strange layouts due to the practice in the past to have secret corridors and secret hiding places for religious difficult times that lasted up to the end of the 18th century, if not even later. But no matter how hard Agatha Christie hints at such a possibility in this Hillside house she manages to keep us away from the secret passage to some all the more secret dungeon with or without skeletons. But a body there is for sure, even if we do not see it.Dr Jacques COULARDEAU, University Paris 1 Pantheon Sorbonne, University Paris 8 Saint Denis, University Paris 12 Créteil, CEGID

TheLittleSongbird Sleeping Murder is one of my favourite Agatha Christie books, I will warn you though I find it very creepy. As an adaptation, this version is surprisingly faithful, much more faithful than the Geraldine McEwan adaptation; that started off well but was ruined by some unnecessary plot changes. This 1987 adaptation looks wonderful, with some beautiful photography and lovely scenery and costumes without being too fancy. A number of scenes gave me nightmares when I first saw it, especially the ending. The book had real nervous edge and left some really haunting imagery inside your head, and the adaptation did very well in that aspect. The script is good, the pace isn't that slow, the music was haunting and beautiful and the acting was solid. Joan Hickson as usual is terrific in the title role, and Geraldine Alexander, like Sophia Myles in the recent version, was entirely captivating as Gwenda. Frederick Treves despite the shaky Scottish accent is quite effective as Kennedy, but John Moulder-Brown is rather wooden as Giles. All in all, a very effective adaptation of an excellent book. 9/10 Bethany Cox

naughtyrubes I thoroughly enjoyed this movie. It showed excitement and surprise all at the same time, and would I watch it again? Yes. Lots of times. My recommendation for this movie is VERY HIGH. Really - watch it. You'll enjoy it. Sit down with your favourite biscuits and drink and get ready to watch the movie, best watched with other people because I always love someone to laugh, smile and look shocked and surprised and puzzled with during movies! I recommend this film until I am red in the face, and let me say that Miss Marple is a very sweet and clever young lady! I am so happy to be recommending this movie to many people out there and then when you have watched it tell all your friends about it.

tedg Spoilers herein.These Marple films are driving me crazy! The books are so clever, so experimental and adventurous. These film versions are so ignorant of how the books are put together it leaves me breathless. In this case, the idea is that the house (including the grounds) is itself a witness, a character. The competing realities in this mystery are all triggered by that space. There are films that use architecture as characters, and do it well. But not here. What a waste.Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.