GUENOT PHILIPPE What could I add more than the other users have already done? They told everything about this authentic gem from Spain, dark, bleak, violent, speaking of a brutal, borderline cop for whom the audience may although feel empathy, no matter the evil side of this character. The first sequences of the killing in the bar are astounding. I won't repeat the scheme, but this could have pleased to Olivier Marchal, William Friedkin or David Ayer. The brutal cop character reminds me the film SHIELD FOR MURDER, starring Edmond O'Brien, made by Howard Koch in the fifties. In the future, I will watch out for further films from this director

carbuff Why can't America make movies like this? This is another fine foreign mystery/thriller that, unlike American films, doesn't follow a simple formula and takes time to build the mood and develop characters.This is a much more effective method of building tension, rather than just going for the easy money shots constantly.Reviewers who can't follow the plot or who think there are a lot of unanswered questions, must not be very good at inference, since the entire movie ties up pretty much perfectly if you think about it, and I like movies that require a bit of thought. About the only criticism I have of this movie is a general one, and that is that this movie, like so many other very well-made films nowadays, is really immersed in the dark side of life. This is likely a reflection of our times, but every now and then, I would like to see a really well-made realistic but less morally ambiguous film, something tilted a bit more towards the light than the dark. Other than that, once you start watching this film, you just can't stop. It is really brilliant, compelling and original.

Pepedrabbit . One day, a drunken police officer callously guns down two bartenders who refuse to serve him any more alcohol because he was already drunk. He does this after showing them his badge. One of them manages to get away. No real explanation is given at that time why he goes around killing people who would not let him have more alcohol. Later on, it is explained that he might have some psychiatric problems, though nobody is sure why he is then allowed to continue on the force, particularly after it is alleged that, prior to this, other persons may have been killed or seriously wounded by him.The movies then plods on, slowly and confusingly while this crooked officer searches for the witness ostensibly with the aim of removing him. At this point, it is brilliant why this witness did not just go to the police and ID him. It is because the witness was himself involved in illegal activity. Why not continue on this predictable path is beyond me. For some strange reason, the movies veers into an unnecessarily complicated direction, multiple characters introduced and disposed of without explanation. Thereupon, it stumbles onto right-wing red meat territory. There are Arab terrorists bent on blowing up people on the streets to protest the upcoming G-20 summit. The connection is tenuous, at best. First of all, it is like Arabs have nothing better to do but go around blowing up people. Secondly, G-20 summits don't usually attract Arabs. It is the domain of young people fighting inequality. But no matter. The silliness continues to where this cop stumbles upon the bombing plot, and kills three of the terrorists. Movies have plot twists all the time. The best of them challenge you or leave you in amazement because you don't see them coming. This one is a gratuitous shot at an easy target. In the end we are left with this unsatisfying feeling that a murderous cop is a hero because he gunned down the would-be terrorists. This confused maelstrom of a movie won awards alright because it panders to a predictable constituency. Much like fast food makes money even though there is no real nutrition, just sweeteners.

ma-cortes There is no man more dangerous than a man with facial hair and a shotgun , this is a lesson American learned in the 1970s thanks to Charles Bronson and Enrique Urbizu clearly never forgot and as he demonstrates it in ¨No Peace For The Wicked¨ (No Habra Paz Para Los Malvados) . It deals with a burned-out cop named Santos Trinidad becomes involved a triple murder but there is a witness that manages to getaway . Meantime, Judge Chacon (the singer Helena Miguel in his second acting) helped by Comisario Leiva (Juanjo Artero) are investigating the murders, but what seems to be a case of killing spree , actually is something far more dangerous . Santos attempts to eliminate clues but in the process , he uncovers an Islamist cell scheming diabolic plans .The comeback of one of the most gripping Spanish film noir directors after an eight year absence . Urbizu is the director of No Peace For The Wicked (No Habra Paz Para Los Malvados), an upcoming 'tough cop with big gun' movie coming out of Spain . From start to finish action-packed , fast-paced ,thrills , emotion and suspense is continuous . It is one of the best noir film that have been realized in Spain, is a thriller that keeps you interested and expecting . José Coronado, Rodolfo Sancho, and Helena Miquel star in the sort of story we've seen many times before - a police inspector is part of a shootout that leaves three people dead and the suspect on the run, thereby casting suspicion on himself - but one that is always fun when executed with style and Urbizu certainly seems to have that. Jose Coronado is simply awesome , he steals the show as a veteran and violent police with dark secrets , furthermore a good support cast as Rodolfo Sancho, son of recently deceased Sancho Gracia and Pedro Mari Sanchez , an actor working from his childhood as well as Juanjo Artero of ¨Verano Azul¨. The motion picture was professionally directed by Enrique Urbizu . He is an expert on Thriller as proved in ¨Todo Por la Pasta¨, ¨Caja 507¨ and on comedy such as ¨Cuernos Mujer¨, ¨Como Ser Infeliz¨ and ¨Tu Novia esta Loca¨.No Rest for the Wicked gained various winners for the 2012 Goya Awards , as the 26th Annual Goya Awards , presented by the Academia De las Artes y Ciencias Cinematográficas De España (Spanish Academy of Cinematographic Arts and Sciences), is "Spain's main national film awards, considered by many in Spain, and internationally, to be the Spanish equivalent of the American Academy Awards ; it won : Director Enrique Urbizu ,Original Screenplay for Enrique Urbizu and Michel Gaztambide, and Adapted Screenplay . Rating : Good , a highly recommended picture , worthwhile seeing .