rlh974 This movie might have been enjoyable if the dialog was intelligible but between the marble mouthed delivery of most of the male cast and the intrusive background noise it was nearly impossible to follow what the characters were saying.I appreciate the chiaroscuro aspects of the photography but this film takes noir into the heart of darkness. A good part of the action and some critical scenes are shot under the light of the new moon.When there is no light at all I suppose there's no need for players, sets or crew except for the sound people and we've already dealt with them.

Paul D.Mani Another mob movie based in new york..very few have succeeded at it. This one bites more than it can chew, and gets choked in the middle and dies. The narration starts like it is the history of the gangs of NY-with the civil war,and ends in the 90s..and thats where the story begins. Seriously??!What are we supposed to expect...?! Never has a movie aspired to be so much and delivered so little. The movie is lost from the start - its got too many characters, too many settings,everybody has an angle on everything...it all adds up to nothing in the end. Five guys were hustlers from when they were 10, but now do not have access to a handgun?! Therefore Dennis got to steal a canoe to pay for one? As I said, it doesn't add up. The side stories make no sense - Frankie's sister(the elongated wedding was unncessary),then Helen who does a about face in a cab,the union scenes(where was that going?!),the hundreds of thousands of bars that they hang out in(I know they all gotta be cool like that)...feels like this movie wants to tell the entire new york irish mob story in less two hours - and it fails. Nothing happens until a predictable end(howz that for a story line?). Save your time, and watch one of the Godfather movies for the 456th time and you have your time spent meaningfully

JOROB32849 good story, great cast, good acting---a low budget sleeper---Baldwin good, Assante great as ever and Leo Rossi in a good supporting role---some of the best parts played by relative unknowns---and Jason Gedrick as a junkie???---who would have thought---but it works---made in 2001,sat on the shelf too long---just as good as Sean Penn's movie about the Westies---a poor man's "mean streets"--Chaz Palmentierri is great as the neighborhood cop, --- i think that they could have beefed up his part a little more, but his performance is solid as ever--a new york guy for a new york role---i think that the exteriors were shot right in hell's kitchen---good ending ties up the story--well done

bsquared212 one eyed king was wonderful. story, casting, genre, acting - all of it. Baldwin, palminteri, assante, Kirby, mihok, gedrick - all terrific. it's a definite recommend. hell's kitchen, the Irish in new york - couldn't be more real and appealing. i would love to see these guys working together more often. great energy, great chemistry. Baldwin has worked with gedrick before but those two with Kirby, chazz and assante -look out! very cool. director moresco has it going on too. you can tell this guy has a great film or two in him. congratulations on his recent success - million dollar baby. should kick some butt at the Oscars this year. Jim breuer does some fun work in this too. he's got a hell of a lot more going on here then just goat boy - that's for sure.