Paparazzi

2004 "One good shot deserves another."
Paparazzi
5.7| 1h24m| R| en| More Info
Released: 03 September 2004 Released
Producted By: 20th Century Fox
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

A rising Hollywood actor decides to take personal revenge against a group of four persistent photographers to make them pay for almost causing a personal tragedy involving his wife and son.

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shinsrevenge I felt so furious during the first 20 minutes. Not at the movie, but at what happened there. A movie star (Laramie) and his family become the targets of ruthless Paparazzi that do anything for a "good" story. Yet you can't deny the argument of Rex Harper, the leader of the Paparazzi group, when he explains his reasons and thinking to a random woman he met. He says that people don't approve his means, but are just fine with the reading and watching the results. They want the outcome, but nothing have to do with how it was achieved. That's a strong message and it has you thinking. Good job with that. Anyway, the group of "evil" Paparazzi causes the actor and his family to get into a car accident. His wife gets wounded and his child is in a coma. As fate or luck would have it, another accident causes one of the Paparazzi to get in mortal danger, his life depending on the helpfulness of Laramie. So far, so good. But for some reason they decided that the Paparazzi would threaten to destroy more of Laramie's life even before he was saved. Given the deviousness and slyness they had shown so far, this is highly unrealistic and unbelievable. Necessary for the plot, maybe. But it doesn't make any sense. Same goes for the second Paparazzi. While he is stopped by the police and tries to draw the driver license out of his jacket, he pulls out a gun instead. A gun that Laramie placed there so that the police would shoot the Paparazzi. Yeah right, because a gun feels just like a driver license. "Oh, that feels weird. I better get it out and check what it is. Right now!" Meanwhile an older detective tries to figure what's behind all the accidents, starting from the first one early in the movie. But it takes him an hour to even think about checking the traffic cams for proof of what's really happened. Because when there's a traffic accident in the middle of the city with unclear guild party (and one fatality), the traffic cams are apparently the last thing you'd check. Stupid. Sadly that describes big parts of movie. Well, it did have a good start and the end was kind of okay. All things considered it's about average.
NateWatchesCoolMovies Paparazzi is one of those ones that probably sounded pretty silly on paper, but one of the studio execs had a good sense of humour on a morning after getting laid and said "aw hell, green light this just for kicks." It doesn't hurt to have Mel Gibson as a producer either, who also makes the teensiest cameo. The concept is simple: action film star Bo Laramie (Cole Hauser) is harassed by a sleazy hyena pack of determined celebrity photographers, until they take it one step too far, resulting in tragedy. Bo then plays the art imitating life card, goes all vigilante on them and quite literally hunts each one down and kills them. A synopsis like that has to illicit a dark chuckle from anyone who reads it, and you'd think the resulting film would be oodles of fun, but they've somewhat played it safe. A concept this ridiculous should be over the top, reach for the stars insane, a hard R black comedy Death Wish set in Hollywood, if you will. What we get is something more on the glossy side, the filmmakers dipping their toe into the pond of potential, yet never saying 'fuck it' and diving right in. The paparazzos are played to the heights of hilarity by a solid scumbag troupe: Tom Sizemore is so perfect as their a-hole ringleader, just a dime piece of a casting choice. Daniel Baldwin looks seriously haggard, while Tom Hollander and Kevin 'Wainegro' Gage round out this quartet. Dennis Farina is fun as a sharp, shrewd Detective who gets wise to Bo's act as well. It's all serviceable, and yet I wish it went that extra mile to give us something downright shocking and memorable. Perhaps they should have reworked the script, brought in a wild card director and gone the indie route. Oh well.
kai ringler This movie shows the ugly side of being famous if you will. Paparazzi have always been into the lives of the rich and famous, just look at all those "rag" magazines,, the tabloids. anyways, the movie rocks, plain and simple, great story, very good acting i thought. Cole Hauser was pretty darn good, but the best performance hands down goes to Tom Sizemore, as the sleezy lead photographer. Dennis Farina plays a wiley cop on the trail of Bo, and the Paparazzi, William Baldwin is also in this movie and does a fairly decent job in here as well, i love how the story was set up, and then you had certain twists in the movie, this is basically a story of what would you do if you're family was in danger, or harmed in anyway.. All in all i really can't think of anything terribly awful in this movie at all, i loved the photography and the camera angles as well,, thumbs up for me on this one.
Brandt Sponseller It's surprising that no one has made this film before now, because it's not only a great idea, I'd bet it's a fantasy that many huge stars have had. Hell, it's a fantasy I have as an everyday schlub when people bug me--or even when I'm in crowds and people are pushy.The odd thing, with the talent and money involved, is that Paparazzi has the feel of a made-for-television film. And one look at director Paul Abascal's resume gives us a likely reason--this is his only feature film as helmer so far, although he has close to twenty television credits on his resume, plus an impressive list of titles behind him as a Hollywood hairstylist (which causes me to try to remember the hairstyles in Paparazzi . . . but I just don't tend to pay that much attention to them, unless they're something pleasantly weird like Diva Zappa's hair as "The Drill Girl" in Children of the Corn 5: Fields of Terror (1998)).But as a made-for-television film, Paparazzi is excellent, and as a major release, it's very good. While the story may be a fairly pedestrian tale of revenge--albeit a touch more clever in the end--what makes Paparazzi excel is the performances. Cole Hauser is perfect as the slightly bewildered "normal guy" suddenly catapulted to stardom. Few people can do sleazeball better than Tom Sizemore and Daniel Baldwin; they're at their best here. And by this point, Dennis Farina is such a master of playing both a cop and a thug that I expect to hear on the news that he's arrested himself.