Pavement

2002 "The only victim who wants to die is the killer."
Pavement
5.4| 1h31m| R| en| More Info
Released: 13 December 2002 Released
Producted By: Film Afrika Worldwide
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Budget: 0
Revenue: 0
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Synopsis

Samuel Browne is a tracker in Alaska. When his sister meets a grisly death in San Francisco, he goes there to hunt her killer. As more murders occur, police investigator Buckley Clarke reluctantly joins forces with Sam. The brass are convinced this is a serial killer choosing victims at random, but Sam and Buckley discover a pattern involving health personnel who work in neonatal intensive care. Doctors aren't supposed to play god, but someone's decision years before has driven a killer over the brink. Can they find him?

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sol ***MAJOR SPOILERS*** Not that believable of a detective movie involving an Alaskan tracker of wolves and Kodiak bears using his expertise in the wild to track down a serial killer in San Francisco.Were given a hint to what were in store for in the very first moments of the movie with Dr. Orenbach,Andrew Brendt, refusing to abort a new born baby because he has "Conroddy Syndrome". Were told by Dr Orenbach's assistant Dr Green, Gerald Randolf,that a child with that illness never goes full term. How wrong Dr. Green turned out to be!The film starts out with a brutal murder in San Francisco that takes the life of Jenny Brown, Lynita Crofford, a nurse in one of the city's municipal hospitals. The word of Jenny's murder gets to her brother Sam, Robert Patrick, up in the wilds of Alaska and he shoots down to SF to help in finding his sister's killer. It's then that things get a bit entangled with the SFPD not wanting this outsider to get involved in the biggest murder case in it's history since the Zodiac Killer! Uncovering not only clues about the killer that the police missed Sam, ruggedly handsome devil that he is, also becomes very romantically involved with the top cop on the case Det. Buckley Clarke, Lauren Holly. Det. Clarke is not only turned on by Sam's ruggedly good looks and pioneering 19th century lifestyle, he doesn't believe in using modern bathroom facilities, but also his unique ability in digging up clues about the killer. It's that uncanny tracking ability-with a walking stick- on Sam's part that Det. Clarke, against the wishes of her superiors, in no time at all let's him take over, off the record, the entire investigation!As it turns out the killer had a deep grudge against those in the medical profession who were responsible from bringing him into the world. Were somehow made to feel that the doctor who in accordance to his upholding the Hippocratic Oath, as well as the child's mother's wishes, in his deciding to let the child, regardless of the condition that it finds itself in, to be born is some kind of crazed mad scientist or religious fanatic! Where in reality he was only doing what he was sworn to do as a man of medicine!Sam's ability to track the killer down leads to a brick wall as his trail seems to come to a sudden end every time he and his partner and now lover Det. Clarke get out of the dark woods, where the killer always makes his escape, and into civilization which for some reason it suddenly ends at a bus stop or shelter! Even though it should be obvious to someone like Sam who's especially good in tracking down fugitives, or wild animals, what the significance of the bus stop is it takes almost the entire movie for him to find that out! And it's not Sam but Det. Clarke, being more in touch with big city life, who ends up uncovering that great mystery!Once the cat, or serial killer, is out of the bag, or intensive care, the movie starts to get going into full toddle. The frail killer who's supposed to be a total invalid ends up taking on an entire unite of the SFPD with a squad of tough as nails SWAT personnel thrown in and ends up making mince meat out of them! So much in him being, according to Dr. Green, not fit or healthy enough to be allowed to be born!What the killer's real problems were turned out to be mental not physical which took years to manifest themselves and could not have been discovered at the time of his birth. This all made the assumption that his suffering from "Conroddy Syndrome", whatever that is, which was supposed to prevent from living past infancy, according to Dr.Green, turned out to be totally unfounded!
xredgarnetx The oddly named PAVEMENT has a lot going for it: a bizarre serial killer is on the loose, which brings together an attractive female detective (Holly) and an Alaskan tracker (Patrick) hot on his or her trail. Patrick and Holly play very nicely off each other. The serial killer is certainly a piece of work, but you will have to see the film to understand why. The film was shot in South Africa and is a foreign production, so as a result it doesn't always work as well as it should. The music also leaves something to be desired. The incredibly suspenseful ending makes things worthwhile, however. Some blood, a touch of gore, but otherwise nothing we haven't seen in a million TV movies. A love scene between Holly and Patrick is nicely played, but the scene is mooted by the fact that they keep most of their clothes on! Say what? Holly is meant to be seen naked, while she's still got something worth seeing.
Jay Harris Pavement---starts off quite disturbingly as a premature baby is being born, Now whats going to happen??NEXT we meet ROBERT PATRICK a so-so actor whose main claim to fame was as alien life form killer. This time he is a tracker of animals in Alaska. he is informed that his sister has been killed, & off he goes. With the help of a Female police officer they solve the case. Oh me, Oh my, we have seen this film before many time in many guises. Pavement is no worse of better than others in this genre.Rating **1/2 73 points/100 IMDB 6
George Parker "Pavement" is a very ordinary serial killer flick which sticks Holly out in front as a homicide investigator who teams up with Patrick as an Alaskan wilderness tracker (yeah, right) and together they set out to solve a killing spree with Capetown standing in for San Francisco. The film is full of nonsequiturs and plot holes, does nothing to distinguish itself, and fails to beg an emotional investment leaving the viewer little more than a detached voyeur. In addition the whole tracking thing is silly, the brief sex scene is hokey, and the production is slapped together with a scene here and a scene there cropped tightly so as to not reveal the Capetown environs. In spite of all that, the film does gather momentum, delivers some action and a wisp of suspense, and should make for a nominal no-brainer couch potato watch for those into murder mysteries. (C)