NateWatchesCoolMovies Perrier's Bounty tries hard to be as pithy and wittily profound as In Bruges, but doesn't quite manage the task. To be fair, Bruges is a masterpiece and a Goliath of a script to aspire too, but this one has its own brand of scrappy crime fun, full of enough beans to keep the viewer jumping for its slight running time. Few films can boast narration provided by the Grim Reaper, and fewer still can say that said Reaper is voiced by Gabriel Byrne. But indeed, Byrne beckons us into this violent fable with his patented tone, both baleful and quaint. The fable in question concerns Michael McCrea (Cillian Murphy) an irresponsible young Irish lad who is seriously bereft of both luck and common sense. He lives in a small town in northern Ireland and owes a hefty loan to local crime lord Darren Perrier (Brendan Gleeson). Because of how tiny the town is, it's pretty easy for Perrier's goons to find and engage him in a road runner goose chase all about the area, forcing him to scoop up his on and off girlfriend (Jodie Whittaker), and head for the hills. He's also joined by his uber eccentric father (Jim Broadbent) who believes that the Grim Reaper has visited him at night and given him the alarming prognosis that he will die the next time he falls asleep. Broadbent is a solid gold asset to any film he's in, and practically spews perfectly timed comic banter non stop. Michael thinks he has a way out of trouble with local petty thief The Mutt (Liam Cunningham, aka Ser Davos Seaworth, also a comedic treasure here), which turns out to be another notch in the belt of bad judgment. Meanwhile, Perrier's crew reels after one of their slain thugs (at Michael's hand) turns out to have been involved in a love affair with another, who now has the wrath of vengeance in his eyes. There's a scene where Gleeson comforts the bereaved hoodlum and seems deeply wounded at the couple's reluctance to tell him of their love. Gleeson assures them he has no issue with homosexuality and wishes they would have shared with him. In the context of hardened criminals out for blood, this kind of exchange is priceless and brings rigid archetypes right down to earth, for maximum hilarity and well earned pathos. The film meanders a bit, but never out ran my attention span, following through with it's story in ways both welcomingly bloody and predictably quirky. It doesn't add up to anything life altering when all is said and done, but damn if the things which are said and are done along the way aren't just pure genre entertainment, inducing chuckles, thrills and nostalgia for other films withing the niche. In the troupe of writers who look up to Guy Ritchie, Quentin Tarantino and Martin McDonough, this scribe is on to something. Keep an eye out for Lord Varys, Roose Bolton and a young Domhall Gleeson too.

carbuff I really liked this, but it is a black comedy with a lot of F-bombs and some serious violence, so it will not appeal to everybody. It's like a tamer "Lock, Stock and Two Smoking Barrels". The performances were top notch and it will hold your attention all the way through. The storyline adds a few new twists to this type of film and the characters were interesting. You do have to enjoy black comedy, because the person I watched this with didn't get it at all and didn't care for the movie. But dammit, this is my review. Overall, if you liked "Lock, Stock and Two Smoking Barrels", you will probably like this too--not quite the same punch, but not quite the extreme violence either.

MBunge This is an urban Irish crime-comedy, so between the slang and the sort of accents where Michael is pronounced MOY-cul, I'm sure I missed some of the subtleties of Perrier's Bounty. I think I got the gist of it, though, and what I understood was pretty good. I'm not sure if the cavalcade of colorful characters who sprint through this tight but sparse little story are reflective of true Irish self-image or if they're playing to the prejudices of cinema tourists. Either way, they're a fun group with which to spend a fast hour and a half.Michael (Cillian Murphy) is a low-level denizen of Ireland's criminal underworld, which isn't so much under anything as sort of off to the side and behind the local pub. I always love how British films treat crime as though it was just another vocation. American thieves and killers are always cast as outlaws. With the Brits, it's like some people simply grow up to be gangsters the way others grow up to be mechanics or butchers or meter maids. It gives their crime stories a refreshing workaday sensibility.Anyway, Michael owes a thousand Euro to his local crime boss, Perrier (Brendan Gleeson). He doesn't have it and faces the prospect of two broken bones if he can't come up with it in a few hours. Michael's also got to deal with the girl he clearly loves (Jodie Whittaker) getting strung along by her douchebag boyfriend. Then his estranged "Da", that's "Dad" to us Yanks, shows up in what appears to be one of Don Johnson's Miami Vice outfits after it's been dipped in ink and proclaims that he's dying. As if that's not enough, when Perrier's thugs come to collect, one of them winds up dead and that means Michael is facing a lot worse that a couple of fractures. With a 10,000 Euro bounty on one side, his melancholy but surprisingly violent father on another, his unspoken love's heartbreak on a third side and an unresolved conflict with his mother on a fourth, Michael is boxed in and needs a hell of a lot of Irish luck to get out alive.About the only complaint I have with this movie is that the character of Perrier, though ably brought to life by Brendan Gleeson, never lives up to his advance billing. He's repeatedly referred to and built up in the viewer's mind. Then as soon as he shows up on screen, the character is sidetracked into this homosexual tolerance digression that's amusing at first but just becomes puzzling as it goes on and on. I can appreciate the dramatic logic of leading the audience's expectations in one direction and then going a different way, but the character of Perrier is left stumbling out of the gate and never finds his footing. This story needed a great comic but still threatening villain and Perrier's personality and agenda never congeal enough to make him that. There are too many times when Perrier is put in service to the Almighty Plot Hammer to make him a real enough antagonist for Michael.As for everything else, it's a delight. Jim Broadbent is particularly good as an irresolute old dude forced into action by his looming mortality and there's a pleasant depth to the relationship between Michael and his father. You can feel the layers of history between them in their dialog and you can see in their behavior how the two are similar and how they're separate. There are also quite a few funny lines, though frequently a bit hard to decipher, honestly humorous situations and even some gratuitous nudity. And while this isn't an intricate plot, there are more than enough times when it heads in an unexpected direction to keep you glued to what's going on.Perrier's Bounty is a clever and energetic piece of entertainment. If I could have figured out everything that was said, I probably would have liked it even more.

witster18 Rented this on a recommendation from the video store owner, who like myself, is into just about every genre. We certainly don't shy away from foreign films, and this gangster/father-son story looked to be right up my alley.Like I mentioned in the title - there is quite a bit of humor here that can be hard to pick up because of its' dry nature, and because of the thick accents. It can really make the difference between this being a completely average film, and this being a truly enjoyable, albeit lesser-known, humorous, and darkly adventurous tale.The cast is strong and the story moves at a brisk pace. It's in the storyline vein of Tarantino or Ritchie, but lacks a bit of the panache of those directors' work.Perrier's Bounty has good performances throughout, and there is little doubt that those fans of the afore mentioned directors will find this to be an exciting film. It's rated R for brief nudity, drug use, and violence.The only stand-out negative would be the music. The music selections were great, but the volume of the music was WAY too loud compared to the dialog and the rest of the movie. Maybe the music director was a bit too proud of his/her selections. I had to turn the TV down every time a song came on, and then turn it back up when the dialog resumed. The only other negative would be a slightly rushed and under-developed love story that could have really put this over-the-top.Recommended. THose who liked pulp fiction and lock stock will find this to be a good(not great) film along the same lines. LIsten carefully as many of the hilarious lines can pass you by. The strongest characteristic of this film is the relationship between Cillian Murphy and the actor(who's name escapes me as I'm writing this) who plays Cillian's father. Also, having two fantastic actors playing in the two lead Gangster roles helps immensely.71/100You'll like it if you liked: Layer Cake, State of Grace, or Harry Brown.