JohnHowardReid Copyright 23 August 1937 by Republic Pictures Corp. No recorded New York opening. U.S. release: 23 August 1937. U.K. release through British Lion. Australian release through British Empire Films: 18 May 1939. 6 reels. 60 minutes.SYNOPSIS: The movie opens with a sequence showing big city crooks bringing modern cattle rustling techniques to the prairies. In a scene that must have seemed then like a sophisticated James Bond caper, we see rustlers operating a mobile slaughter house. A plane spots the herd and radios its location to trucks hauling men and horses. Riders quickly round up the cattle and butchers clout them over the head as they come through a chute. They remove their hides, quarter them and load the beef aboard refrigerated trucks for shipping to a packing house. Then, it's a quick fadeout before Sheriff Matt Doniphon (William Farnum) and Gene Autry, his first deputy, come to the scene. The slick operation has brought mounting headaches to the sheriff. The raids, combined with a rancher's killing, have brought a storm of protests. Headlines in the Prairie County Courier blare: "Rustlers Strike Again. Another Herd Vanishes Overnight." "Reign of Terror Sweeps Prairie County." "Sheriff Doniphon No Match for Modern Rustlers." Newspaper editor Helen Morgan (Ann Rutherford) thinks the sheriff's old-time methods are outmoded. She is campaigning to have him ousted. COMMENT: Kane's 21st film as a director, but he was still young enough here to experiment a bit with the camera, what with whip pans, running inserts, diagonal angles, dollying-back shots, even a combination whip pan and running insert. True a lot of his direction is expectedly routine and some of it is even a bit rough around the edges, but overall it has a vigor lacking in his later more polished (if still thoroughly routine) efforts.Fortunately the accent is firmly on action in this Public Cowboy, though Gene does get to sing four or five songs, including happily "The Old Buckaroo". The budget is high with lots of extras, plus location shooting. Our only complaint is that the long-anticipated big action climax starts off big enough but ends rather tamely.Autry is as personable and ingratiating as ever, whilst Burnette provides amusing support. Miss Rutherford is much more appealing here than in her childish impressions over at M-G-M's Andy Hardy stables. Silent star William Farnum has a meaty role. Arthur Loft is okay as the villain, James C. Morton equally acceptable as an additional comedy relief.

dougdoepke Good imaginative mix of music, action, comedy, and man vs. machine. Gene's trying to stop a gang of cattle rustlers. Trouble is they're using modern technology like airplanes (spotters) and refrigerated trucks (hauling carcasses) to elude capture. Old Sheriff Doniphon and younger deputy Autry are not having much success, so ranchers call in a high-falutin' motorized detective company (think Pinkertons). So how's this all going to work out—will the new win out over the old. There's a little more story depth here than usual.Catch ace director, old Joe Kane using an off-angle camera shot to heighten effect of careening cars. Good touch even if on the arty side. Then there's cutie Ann Rutherford showing why she had such a durable Hollywood career. Heck, I even got laughs out of Frog and buddy donning a cow hide, especially when the horny and apparently near-sighted bull chases them. Okay, these are basically kid's shows, not to be taken seriously. So I have no problem with all the goofy anachronisms as long as they add to entertainment, which they do. On the matinée scale (not to be confused with adult westerns) I give this Autry entry a solid 8.

classicsoncall With many of Gene Autry's pictures taking place in the 'modern' era, it's only fitting that modern methods be used to tell the story. Consequently, cattle rustlers resort to spotter planes, short wave radio and refrigerated trucks not only to steal cattle, but butcher them and load the meat out before anyone can figure out how it's being done. With the times passing him by, old time sheriff Matt Doniphon (William Farnum) is approached to resign in favor of the Quackenbush Detective Agency, using the latest in scientific criminology techniques to put an end to cattle rustling in Prairie County.Interestingly, Gene himself finds himself on the side of the old timers in this one, which is probably not the way you want to present your leading man, but he manages to make it work. With a play list of a half dozen tunes or so, "Public Cowboy No. 1" demonstrates that experience and loyalty can sometimes trump innovation.The one to watch in this picture is Gene's sidekick Smiley Burnette. His character, Frog Millhouse goes for more slapstick than usual, with an unusual opening scene where he's riding on his horse backwards with a goofy mask on the back of his head. It's distracting enough by itself, and you're left wondering quite a while what's up with that until Gene finishes his first song, 'Wanderers of the Wasteland'. Later on, Smiley dangles from a meat hook, trapped in the back of a meat packing truck, and takes a swipe at Oriental Detective Charlie Chan with his rendition of 'The Defective Detective From Brooklyn'. One thing about that meat hook scene - after Smiley falls off the truck, there's no longer a hole in the back of his jacket! There shouldn't be any doubt about the picture's eventual outcome. Gene and his cowboy posse track down villain Shannon (Arthur Loft) and his bad guy bunch, and manages to win over the pretty editor of the Prairie Junction Courier (Ann Rutherford). For their part, the methods of the Quackenbush Agency turn out to be all wet, and you have to hand it to Smiley and pal Stubby (Frankie Marvin). As a pair of would be cattle rustling detectives, it turns out they did their best work under cow-ver.

thefensk This is a pretty typical early Gene Autry Western. Cowpokes and cattle and horses and cars/trucks/airplanes ... yeehaw.Anyway, the most unusual scene in this movie, very subtle indeed, is the opening sequence. Gene, ridin' and singin' along, the titles rolling by. Check out behind him and see if you see anything odd.What's that? Looks like a dummy or something. No, it's Smiley Burnette, riding backwards with a forward facing mask on the back of his head. Even funnier, once the titles and song are finished, Gene and another guy have a long conversation before they even mention the bizarre Smiley and his "disguise" ...His explanation: It was a disguise so that he could keep an eye out so no one could sneak up on them from behind. Ah, Smiley. Ah, humanity.