gradyharp Writer/director John Boorman set a high standard for his war memoirs with his beautifully scripted and acted HOPE & GLORY in 1987. That original bears little resemblance to this off center amateurish sequel QUEEN & COUNTRY. We wonder where the wonder went.In the hilarious highlight of HOPE AND GLORY 9-year-old Bill Rohan rejoices in the destruction of his school by an errant Luftwaffe bomb. QUEEN & COUNTRY picks up the story nearly a decade later as Bill - Boorman's alter-ego - (Callum Turner) begins basic training in the early Fifties, during the Korean War. Bill is joined by a trouble-making army mate, Percy (Caleb Landry Jones). They never get near Korea, but engage in a constant battle of wits with the Catch-22-worthy, Sgt. Major Bradley (David Thewlis). Richard E. Grant is their superior, the very, very, infinitely put-upon, aptly-named Major Cross. The boys begin noticing girls (Aimee-Ffion Edwards, Vanessa Kirby – Bill's sister - and Tamsin Egerton) but that does little to help this thin plot.Boorman is responsible for it all and though it has a few nice moments, it is a cake that falls.

bmakins Oh Dear, this is a stinker! Only 2 couples in at the Curzon, Victoria last night. The rest of the world must have known something we didn't. The other couple lasted 30 minutes.......we gave it another 15 or so before deciding it was beyond redemption and that we had better things to do with the next hour. We presume it ran on to an empty house. Dreadful, clunky script and dialogue, cut-out cartoon characters playing simple stereotype roles, wooden, stilted acting, very weird accents (Caleb Landry Jones apparently occupying a class and region of his own devising). Sometimes I thought we had stumbled into an episode of Porridge or maybe Dad's Army. Caleb seemed to be channeling Oliver Reed at his overacting worst, combined with Norman Wisdom or maybe Lee Evans. Sorry, but this was shameful and shouldn't have been allowed to escape onto the screen. Was this a case of Emperor's New Clothes? Was no one prepared to stand up to Boorman at any stage and say "enough"? Was this posted in as a contractual obligation? Yes, I respect the career, but this was a sad sign off and not worthy. This is one that the cast, pretty much without exception, will wish they could deny being involved with and will look at from behind their hands when its inevitable Christmas TV showing comes round in a year or 2. 1 star if I'm generous.

lachouettebenevent Queen and Country is set after the end of 2nd World War and in the time of compulsory military service. In short, not a lot happens....disappointingly so, especially if you enjoyed John Boorman's autobiographical account of his London childhood during the war. Having moved to Pharoah's Island on the Thames near Shepperton, the film leaps forward to the mid 1950's with Bill Rohan leaving his idyllic family home to being called up for military service. Bookish and sensitive, he is an engaging young man and is beautifully played by Callum Turner. Ever on the fringe of being sent to Korea, Rohan is expected to train new recruits how to type. He falls in love, is thwarted in love, proves to be a loyal friend to the bizarrely-accented Percy (Texas-born actor Caleb Landry Jones - that explains that then!) then finally falls in love with the right girl and presumably goes on to become a famous film director......

lizarkeo Watching "Queen and Country" was for me the equivalent of watching a proper and deserved sequel to "Aliens" (1986), written and directed nearly 30 years later by its creator, James Cameron. And even with a completely different cast, you realize that the beloved main characters from the original classic are essentially the same. Only 10 years more mature. When John Boorman directed "Hope and Glory" (released just a year after "Aliens"), I, at age 16, decided it was and would always be one of my favorite movies. And when in 2014 I knew that, 27 years later, he would release a sequel, I WAS IN HEAVEN. And after watching twice - at the 2014 edition of the Mostra International de Cinema de São Paulo - I can say with relief that all the effort Mr. Boorman had to complete this film was not in vain, quite the contrary. And he has said - at age 81 - that this was his last film. A pity. Because the Rowan family deserves at least a trilogy. Main points of my review: Callum Turner convinces both as the adult version of the main character from the first film, Bill Rowan (the Director in its infancy) and also of his original actor, Sebastian Rice-Edwards, one of those rare cases of a gifted actor who had a role only in life, and made ​​him so special. Turner may not have been a great boat handler as convincing as Edwards (heh), but otherwise, he is Billy Rowan. And not an impersonator. IMHO, Caleb Landry Jones (Percy, Billy's best friend in the Army) was one of the best young actors in the amazing cast of "X-Men First Class" (hence my disappointment to learn that his character was killed in "X- Men, Days of Future Past"). In this movie, he alternates between "too much" and "awesome much" (as the Heath Ledger's Joker. Yes I caught thinking myself several times how he would make a great Joker). Maybe he was driven to exaggeration by the director, maybe the actual friend was "just like that". BTW, I'd love to see him in a Terry Gilliam film since Terry understands "crazy" (in a good way). Interestingly, he's a Texan actor playing British characters very well. Tamsin Egerton is really the face of royalty and tragic beauty. She also played Guienevere in a TV series ("Camelot"). When her eyes smile, momentarily leaving behind the perennial state of sadness, you're also quite fond of her. At 26, she has the world ahead to conquer for sure. With the exception of David Hayman who repeats the role of Billy's father, the rest of the protagonist's family has renewed the cast. The mother and older sister were replaced by another actresses (again, the actors may change but they are essentially the same characters). My biggest disappointment was with Billy's grandfather. Ian Bannen (who died in 1999) was a FORCE OF NATURE, stealing nearly every scene in which he appeared. But in the second session, I began to be content with what I had, maybe the director has opted for someone more like his original grandfather. However, the film does not explain the disappearance of the sister of Billy, Sue (or I wasn't paying enough attention). The military characters are all treated with respect and consideration (for a change, they are not stereotypes, but actual human beings). Fortunately, the film picks up, with decency and tenderness, forbidden romance between Billy's mother and Mac (the father's best friend), one of the best things from the first movie. Also, fortunately, it shows something that was only suggested in "Hope and Glory": the love of cinema, from the characters mentioning classic movies and directors and the connection of filmmaking with the idyllic river. And fortunately again, the river also reappears: after all, is special as the other members of the Rowan family. Music: as in "The Private Life of Sherlock Holmes" by Billy Wilder, the theme song evokes the tragic main lady. Here, the theme of Ophelia. On the Wilder's film, Gabrielle. And I only realized, of course, the second time I watched. Editing: the film manages to give us time jumps at the right pace, you realize the plot moving and the characters maturing. And does not care to leave it all explained to the viewer (like the scene in the hospital where - SPOILERS - Billy sees his first great passion for the last time). Despite wishing for a sequel - mostly to keep track of what happened (SPOILERS again) between Percy and Dawn - "Queen and Country" is a worthy ending for all these wonderful, old and new, characters. Thank you, Mr. Boorman.