Real Life

1979 "An American comedy."
Real Life
7| 1h39m| PG| en| More Info
Released: 02 March 1979 Released
Producted By: Paramount
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

A pushy, narcissistic filmmaker persuades a Phoenix family to let him and his crew film their everyday lives, in the manner of the ground-breaking PBS series "An American Family".

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Mr-Fusion Albert Brooks' REAL LIFE maintains an eerie prescience, but the man simply took a PBS experiment from the '70s and smashed it into Hollywood artifice to profound comedic effect. His character's film experiment (you guessed it, to document real life as movie) seems novel, but the family's miserable and it only goes downhill from there. It's a well-chosen cast, full of funny personalities - Grodin is a highlight here and can't stop making contact with the camera - and then there's Brooks' used car salesman filmmaker, virtually devolving matters into absurdity by his own hand. And he's on fire here, playing a fictionalized dickish version of himself (and pulling no punches doing it).The man's a genius, if for no other reason than for introducing one of the funniest props in movie history: the Ettinauer 226XL! Very good stuff.8/10
Michael Neumann Albert Brooks, earlier in his career, may not have been the most appealing person in show business, but his screen persona was then certainly one of the funniest: insecure, obsessive, vain, and obnoxious enough to make his low-key, self-deprecating satires a definite acquired taste. In this mock cinema verité parody of a then topical PBS reality series he attempts to document on camera one year in the life of the second-most typical family in America (the runner-up was preferred in order to avoid a winter in Green Bay, Wisconsin). But the scientific enquiry meets with several unforeseen obstacles, not the least of which is a complete breakdown of the actuality Brooks wants so desperately to capture. Charles Grodin's typically deadpan performance sets the proper comic mood, and the scenario includes plenty of cinema in-jokes sure to raise a chuckle from any film student (it might have been titled 'Reel Life'). One highlight is the slow-motion family frolic meant to show highbrow French critics what the word 'montage' is all about.
MartinHafer Albert Brooks tries so hard in this fake documentary about American family life that you find yourself willing to wade through the movie's many slow moments and gags that just don't succeed. Plus, the movie can be quite funny from time to time. But, in general, I look at this like a fake documentary that was a noble experiment that ultimately failed--but is still worth seeing. After all, if it hadn't been for films like this, maybe they never would have made films like BEST IN SHOW as well as AND GOD SPOKE.Although the purpose of this documentary is to show American family life in an unobtrusive manner, ultimately, the family becomes like a lot of modern "reality TV" families and the action becomes more and more suggested by the producer, Brooks. And, ultimately, the filming takes on a dramatic impact on the family.Funny, insightful but far from perfect.
kstuart-3 "Only six of these were ever made. Only five ever worked. We have four of those." IMHO this is the best movie Brooks ever made. He plays an egocentric, inept film director who turns a simple movie into a botched science experiment. The high-tech gadgetry is ultra low-tech these days. It's a gem of a movie. If you haven't seen it, it is well-worth renting -- or buying.