ccthemovieman-1 This early Bugs (you always tell because his head is shaped more oblong and his ears are longer) has him in tuxedo and on stage ready to play Lizst's Second Hungarian Rhapsody on the piano.After he warms up with some knuckle-crunching, he gets set to play but some idiot makes a loud coughing noise and stops him. After the second time, Bugs takes out a gun and shoots him. That's funny - something we wouldn't advise or condone but think about doing. Anyway, he then performs, hams it up a bit, and then bothered by a little mouse who pops out of the piano right above the keys. The by-play between Bugs and the mouse is very reminiscent of some Tom and Jerry cartoons, most notably "Cat Concerto." The latter might have been considered a better work of art, but I laughed at more things in here as the mouse made the music change to jazz, then chopsticks, then taps, etc. There is more humor in this one and it's more fun to watch, especially with the fantastic artwork.What I liked best about this animated short wasn't the solid humor or the music but the colors. This was a nicely drawn 'toon. The bright golden hued drapes and the dark piano, tuxedo, green floor, reflections on the piano, etc., all made for some nice visuals.The 'toon got better and better as it went on with the last few minutes extremely creative and colorful.

movieman_kev I could attempt to review like a certain Nutball! of Movies!! And use the same exact "review"!!! Cutting...and pasting!!! said exclamation heavy!!! review on every single Looney Tunes Short!!! But that's not my style!!!... OK sorry about that but it just really peeves me. Anyways on to the review proper.Bugs is trying to play a classical piece for the audience, but is constantly troubled by a mouse in the piano. This cartoon is funny when taken on it's own, but very similar to "Cat Concerto" a Tom & Jerry short made around the same time with the same storyline. While this short is great, that one is utter brilliance. And this one sadly pales in comparison. This animated short can be seen on Disc 4 of the Looney Tunes Golden Collection Volume 2 and also features an optional commentary by Daniel Goldmark.My Grade: B+

rbverhoef Bugs Bunny is a musician playing Franz Liszt's 'Hungarian Rhapsody No. 2' for apparently a large audience. First Bugs has some problems with a coughing guy in the audience, he knows how to solve that, then with a mouse who plays parts of the rhapsody.The way this cartoon makes fun of the preparation of a musician, the way Bugs solves the problem with the noisy audience, the way the mouse is used are hilarious. When the piano slowly changes into other things (typewriters) and the keys begin to move it gets even funnier. The music put together with the animation is a good reason to see this cartoon, the great gags make sure you will like it even more!

Alice Liddel A ghoulish mixture of Liszt, murder, violence and carrots, 'Rhapsody Rabbit' is an exuberantly inventive Bugs Bunny cartoon which manages to explode the boundaries of its single setting. Bugs is a famed pianist, the kind of fastidious virtuoso you still find today, but worshipped in the 40s because arrogant eccentricity somehow signalled class. Having removed his many gloves, Bugs, a proto-Glenn Gould seats himself down in near-religious preparation, only to be interrupted by two loud coughs. He shoots the culpable party.The film is full of gloriously unpredictable moments like this, helping it transcend the immediate object of satire, which has dated, now that Hollywood has given up as unprofitable the attempt to educate audiences in high culture. So Bugs interrupts his playing to chomp on a carrot, or play with his feet. One lovely sequence has him gathering all the keys and throwing them back in perfect rhythm. Like Fischinger's 'Allegretto', 'Rhapsody' is animated music, full of a strange, mercurial, yet elegant fluidity.The centrepiece is a Tom-and-Jerry-like battle between Bugs and a small mouse who tries to undermine Bugs' pretensions, changing the solemn rhapsody for swing at one point. Despite the violence and disruption, conflict, as so often in music, leads not to chaos, but harmonic rapture. Freleng is no Tex Avery - his use of colour and camerawork is restrained - but the relative plausibility of his composition have a pleasure all of their own.