Rio Bravo

1959 "They fought back to back... No quarter given... No quarter asked... No way in... No way out... of Rio Bravo!"
8| 2h21m| NR| en| More Info
Released: 18 March 1959 Released
Producted By: Warner Bros. Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

The sheriff of a small town in southwest Texas must keep custody of a murderer whose brother, a powerful rancher, is trying to help him escape. After a friend is killed trying to muster support for him, he and his deputies must find a way to hold out against the rancher's hired guns until the marshal arrives. In the meantime, matters are complicated by the presence of a young gunslinger - and a mysterious beauty who just came in on the last stagecoach.

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wildreviews Watching films such as this you can't help but think just how far the quality of films have fallen from what they once were. Despite having a very simple premise, (A Sheriff, a drunk and cripple defending a town against a bunch of bad guys) this movie is incredibly well put together. The story is simple but clever with a classic twist. The characters are colorful and multifaceted, they are almost your typical heroes but with some unique flaws that give them a more realistic edge. The acting is on point, with John Wayne and Dean Martin at their best. The pace of the movie is superb with a great build up to the final all out gun battle climax. This is all wrapped up with a beautiful movie score. I recommend anyone who enjoys it to check out the series "Godless" to see a modern day equivalent with realistic female characters. There are many elements in it that remind me of this movie.
guyinnanaimo This western was SO disappointing! John Wayne was rather tame in this one, and seemed bored by it all; Brennan was OK; Dean Martin was NOT good; Ricky Nelson was forgettable. Dickinson was the best of the lot, and that ain't saying much. It just seemed it was filmed on a poor set ~ lifeless all the way around. I think it may have been a 6 or so in its day, but this oater doesn't hold up to some of the good western that came out in the late 50's/early 60's. The '4' I give it now is GENEROUS!
vincentlynch-moonoi The number of Westerns that Hollywood has made is mind boggling. I hate to think how many there have been. And, Westerns have suffered because of that. Just about everything you could do in a Western has been done over and over again, of course with variations, but I guess you could say that there's nothing new under the desert sun.So, to be considered one of the very best Westerns ever made is quite a compliment. But what is it that makes this Western truly special. There's nothing new here. Just about every thing in this film had been done in some other Western. But here, all those various elements come together in one film. The sheriff in trouble; nothing new. A boozy cowboy; nothing new. A hot shot young gunfighter' nothing new. A Gabby Hayes like sidekick; certainly nothing new. A seemingly floozy woman gambler; nothing new. A bully who thinks he can control everything and everyone; nothing new. A bully; nothing new. A shootout; nothing new. Ac crusader; nothing new there. And, most importantly, the camaraderie; nothing new there, either. Most Westerns are lucky to have a few such elements, but in "Rio Bravo", all those elements and many others come together perfectly.The opening scenes of the film are considered by many to be brilliant. NO DIALOG as the drunk (Dean Martin) walks into a saloon, and is seemingly offered a drink by the bully (Claude Akins), who throws a coin into a spittoon. The drunk is beginning to reach into the spittoon when it is kicked away by a towering man (John Wayne). The drunk reacts by clobbering the sheriff with a piece of firewood. The bully laughs, and is in turn attacked by the drunk. The drunk is beaten. A bystander steps in and is hot to death. The bleeding sheriff follows the bully to another saloon. Nearly 4 minutes later, finally some dialog. But that opening sequence sets the stage (so to speak) for all that is to come.A second brilliant set of scenes takes place again in a saloon after Ward Bond's character is shot to death. The assassin apparently runs into the saloon, but then disappears. Dude (Dean) wants to go in the front door for a change, so Change (Wayne) goes in the back. But no bad guy. Dude orders a drink, and then just a few drops of blood drips down from the loft above into a mug of beer. Absolutely fantastic scene.When it comes right down to it, the pivotal character in this film is Dude, played by Dean Martin. Almost everything in the film revolves around the drunk's redemption. Even Wayne once noted it. Dean's character here, however, isn't just a drunk. He coming off of a drunk and having withdrawal symptoms. A commendable performance, and an indication of what Dean was capable of...when he summoned up his ambition to really act.Another strength here is a strong supporting cast. Ricky Nelson does quite well in a very laid-back role as a sharpshooter. Angie Dickinson -- never one of my favorites -- does nicely here as slightly disreputable woman who ends up with...well, you know. And, by the way, John Wayne was often rather clumsy in romantic scenes, but here he plays well off of Angie Dickinson. And of course, special commendation to Walter Brennan -- always great -- for one of his very best film performances. And there's also Ward Bond, a character actor that I have always felt was highly underrated. For comic relief there's Pedro Gonzalez-Gonzalez as the hotel keeper. Gonzalez-Gonzalez made an interesting splash in show business about this time -- first noticed for a visit to Groucho Marx's "You Bet Your Life".Some have made much about the "singing segment". As illogical as it is, it works. Dean's performance of "My Rifle, My Pony, And Me" is one of Dean's finest vocal performances. And, it advances the story.Of course, there's got to be real shootout, and the shoot out in "Rio Bravo" is a humdinger and rather unique. Dude is kidnapped after a foiled jailbreak, add in dynamite at an old warehouse, mix in Wayne, Deal, and Nelson, and you've the recipe for an explosive...yet fun...conclusion. And then there's the concluding scene..,implying that Wayne and Feathers are having sex...but it's done in a clever and humorous way.A perfect picture? Well, no, but then again how many films are...probably none. I can't find anything here to criticize, but lots to praise.Well, actually I do have one criticism, but it's not about the film. It's about the Blu-Ray disc from Warner Brothers. It's not up to what we have come to expect from Blu-Ray. That's not to say it's a bad print, but it's also not top-notch.
Ross622 Perhaps Howard Hawks' most acclaimed film Rio Bravo is not really that bad of a western movie but there was only just one problem that I had while watching this movie and that was the overrated performance by Angie Dickinson. Otherwise it was a good movie, and what a decent cast for a western movie which includes some of his Red River stars John Wayne and Walter Brennan, who end up teaming with Dean Martin, Ricky Nelson and the man who ends up in most of Wayne's films Ward Bond. The movie goes on a par with western movie greats such as High Noon, Unforgiven, The Man Who Shot Liberty Valance, The Big Country, Pale Rider, She Wore a Yellow Ribbon, Winchester 73, The Naked Spur, The Cowboys, The Sons of Katie Elder, True Grit, The Shootist, and as I mentioned earlier Red River. Director Howard Hawks made this movie what it really is but it is not a great movie it is a good movie and a near masterpiece.