Running Scared

2006 "Every bullet leaves a trail."
7.3| 2h2m| R| en| More Info
Released: 24 February 2006 Released
Producted By: New Line Cinema
Country: United States of America
Budget: 0
Revenue: 0
Official Website: https://www.warnerbros.com/running-scared
Synopsis

A low-ranking thug is entrusted by his boss to dispose of a gun that killed corrupt cops, but things spiral out of control when the gun ends up in wrong hands.

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o-31546 This Paul Walker movie is filled with bomblastic action, energy and an above average plot. It's characters and cast are good and the two small kids do good acting. The story arcs and Vera Farmiga's characters' journeys are good. It's good to see Paul Walker play against type.I love everything about this movie. the directing, the style, the music, the tone, the creepiness, the suspense, the story. Paul walker did an awesome job in the lead role. so many interesting supporting characters with their own unique back-story. so many different things happening at the same time.The ending was good and Paul Walkers acting was really good!! That's for the five stars!! The rest of this Movie is plain weird and I wouldn't give it a rating! ---From Yidioo
Leofwine_draca RUNNING SCARED is a pretty interesting movie. It has its share of flaws, but it does offer something new, and is a lot different to the usual cops 'n' bad guys thriller that I was expecting. In many ways it's like a modern-day fairy tale, with lots of references to the classic stories of old (such as Hansel and Gretel) and a couple of characters facing bizarre and violent adventures during a single night.First off, the good stuff: the cast is pretty hot, particularly Paul Walker, who gives a MUCH better performance than he does in the films he's best known for, the Fast and the Furious series. Similarly, Vera Farmiga can be guaranteed to deliver some strong acting, and the cast of various goons and bad guys are well picked. In addition, the film has a real Tarantino vibe to it; the direction is edgy and the violence explicit. The script isn't bad. Some of the direction is a little over the top and distracting in places, but for the most part it works.The flaws are that it meanders slightly in places, and it also goes on for a little bit too long. The whole paedophile sub-plot, while being suspenseful, seems to belong in a different film altogether and really extends the running time. The ending is also rather predictable. But for the most part, this edgy and intriguing, and offers something different to the usual clichés we've come to expect from this genre.
moparmagnum-ra When you watch this overlooked film, you might find it is wrought with a oft-manic Paul Walker who's trying to dispense with his adolescent roles. Kramer combines a Tony Scott and Paul Verhoeven with a touch of David Cronenberg aesthetic and it works effectively. Cameron Bright plays (again) a pivotal role as a catalyst for propelling the narrative forward. What's great, is how Kramer does not try to dilute the more explicit elements while also not turning it into a unapologetic documentary of war torn Liberia. Great performances by all, particularly Farminga who is opposite of her part in Scorsese's The Departed.The only flaw: Walker's overly dramatic. Trying too hard to carve out his own niche like DeNiro, or Hanks. Anyone can emote frantic and manic with abundant enthusiasm, but if Walker can internalize as much as spout poetic slurs and epithets, he wouldn't just have the Fast franchise on his resume.
aj-to It is significant that this movie gets such high ratings. It gives me little hope for humanity, as it signals to me the general 'rate' of people nowadays. How can you indulge so much unworthiness, inhumanity and degradation? Why is it that insisting on elevation and not depravation only meets with loathing and mockery today? For instance, is there no one who gets troubled by the increasing usage in movies of babies amidst violent situations involving screaming and other utterances? These kids have no conscience of the theatrical setting; they themselves aren't actors and will take the violence for real. Why is the monitoring of animals and not of small children normative? No doubt Running Scared is a skillfully made product and it gives your nerves the expected blow. But I get so tired and sick of all the negativeness, aggression, swearing and other subhuman behavior in our modern films. Do you still think this won't have any effect on our growing youths? Don't you see we're judging ourselves this way, bringing affliction to humanity by constantly consuming filth and gloom? I'd like to make an appeal to the movie industry for taking its responsibility in educating people, instead of merely making money out of life's darknesses. Methinks we weren't born to drag each other into the pools of obscurity, but to inspire one another in reaching for the stars.