maggotbaby13 The only reason I watched the movie was because it stars Norman Reedus, and I love him on The Walking Dead and in The Boondock Saints movies. "Sky" moved a little too slow for me, and the parts that got me where when Diego (Reedus) tells Romy (Diane Kruger) that he's dying from radiation poisoning and when he tells her to tell their son he was always wanted by his father before Diego dies. If you enjoy slow moving Indy films, this one is for you.

Louise A Smalldon As a massive Norman Reedus fan I was stoked to watch this film. Have to say that I really enjoyed the story line and it made me sympathize with the main characters. I thought it would be hard to split Daryl and Diego however Norman Reedus made the viewer believe Diego's story line. Of course at the end i did blubber like a baby. But all in all the film was enjoyable; however I don't think I will watch this again, it was too heart rendering at the end. I would recommend this to others.

climbyourarms Daryl fans everywhere, be prepared to hate me. We can officially say, Norman Reedus has lost his identity and has personified Daryl Dixon. DD has taken over, they are now inseparable. I will give this film credit for its artistic quality and beautiful setting, but the plot was boring and characters were way too cliché and predictable. First and most importantly, Daryl... I mean Diego, is a scruffy d-bag loner who lives in the high desert, never seems to shower and uses a gun, only he's not a good shot. He might have just walked off the TWD set, hopped on a plane and shot this movie, he even kept his greasy emo hair and used the same wardrobe. His character is DD the whole way. I was surprised that his brother in this movie wasn't named Mel, or something close. The plot "gave away the farm" too soon. Romi found out that her husband wasn't dead 1/3 of the way into the film, right when I was beginning to really feel the terror and bleakness of life on the run. Daryl/Diego could have still swooped in and they could have had their little fling all while hiding out, would have done wonders for the plot and would have affected little else. Afterward, I lost all sympathy for her, nor did I think her character empowered women to be free, rather the opposite. She was just bumbling around trying to find a bad boy to nail her. Mission accomplished.The medicine woman... a sweet old native American lady that names Romi "Sky" and tells her that she is going to produce baby Dixon, despite losing several babies in the past. She was so stereotypical, it almost seemed like a slap in the face to Native Americans everywhere. At least they didn't make her a drunk. The only compelling, unique acting was that of Lena Dunham. And I can't believe I'm saying it, because I can't stand her. She played the role of trailer trash so well, you would think they pulled some lady out of lot 7 in the same park and told her to play this role, it was that good. Anyway, whatever. I had to leave a review because this movie was so ridiculous, when The BIG ending happened, (I won't spoil it, even though I know you won't care) I was laughing, not crying like intended.Either way, Daryl fans, enjoy some more Daryl, I mean Diego!

Em Sojourner I lived in 29 Palms. The only people allowed to make movies set in the Mojave should be people who live or have lived there. Perhaps the most grating (and insulting) error was "Grandma Sioux", not the character or the actress, but the fact that the Native Americans of that area are Chemehuevi. They have been there for centuries. They don't speak Sioux - mapiya is a Sioux word. I've found that too many whites - especially Europeans enamored of the romantic "Indian" behave as though all tribes are the same. It was also inaccurate to picture the Anglos as desert rats with no teeth or all kind-hearted souls. This movie was one of the worst examples of sentimental stereotyping that I've ever seen - made Dances with Wolves look hard-core. There were also errors in geography and location. Finally, at no point in the credits do the film-makers thank the Mojave itself or talk about the current threats that corporate solar power installations pose to the wildlife and sacred sites in the desert. Sheer exploitation. Honte a toi.