Stealing Heaven

1989 "Forgive us father for we have loved."
Stealing Heaven
6.4| 1h48m| R| en| More Info
Released: 28 April 1989 Released
Producted By: Jadran Film
Country: Yugoslavia
Budget: 0
Revenue: 0
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Synopsis

Abelard, a famous teacher of philosophy at the cathedral school of Notre Dame, falls in love with one of his students, Héloïse d'Argenteuil. A sixteen-year old girl raised in a convent, Héloïse has an intellectual curiosity and rebels against the status of women in 12th century Europe. When others begin to suspect their relationship, Heloise's uncle Fulbert and the bishop of Paris work together to put a stop to it. Héloïse becomes pregnant with Abelard's child, and they are married in secret. Abelard struggles for acting against the will of God, yet is unable to escape his love for Heloise.

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Reviews

alabamldy I loved the movie, the story was great, the set designs were wonderful and very well done (I'm a history buff and want to say someone really did their research on the set designs, the way the actors were dressed and the use of language in the film (they didn't use any 20th century words). I felt I was back in the middle ages while watching the film. I thought the actors did a great job, the film could not have been improved on at all, this is a keeper, I plan to watch it over and over again. Anyone who loves history like I do will enjoy it. I really enjoy historical films and this is one of the best I've seen in a long time. If you are looking for a great historical film, this is it.
msporter I find myself in total agreement with BlackMonk. This is the ultimate philosophical love story. It attempts to answer the age-old question: What is the purpose of life? Is it to serve God, as Abelard thought, or to pursue happiness on Earth, as Heloise believed?The film makers do a brilliant job of setting up the dramatic conflict between these two views of life. The writing, dialogue, direction, and acting are all first rate. This is one of the greatest movies ever made, and one of history's greatest love stories! Kim Thompson should have received an Academy Award nomination for her portrayal of Heloise. She was Heloise.It amazes me that one little film gimmick, a feather, could be used so brilliantly to help answer one of life's eternal questions. Make sure you pay close attention to the opening scene, one of the greatest scenes in movie history.Enthralling!
BlackMonk An historically-based film focusing on the romance between Abelard and Heloise which highlights two philosophical outlooks on life.Abelard, though a first-class thinker, accepted the premise of the Church--that one's life belongs to God, that sex is evil, that happiness on earth isn't possible. But yet he acted against that premise--he fell in love with a woman of reason: Heloise. Abelard's implicit premise, the one he subconsciously held, was in fact pro-life and pro-earth. He loved Heloise because she reflected the things he valued most deeply: Intelligence, beauty, and happiness. But since those things are not valued but are in fact derided by the Church, Abelard believed that his feelings for Heloise were wrong, were worthy of guilt.Heloise, on the other hand, never accepted the anti-life, anti-pleasure, anti-earth philosophy of the Church. She scoffed at religion, challenged its teachers, and refused to accept things on faith. She held reason, beauty and happiness in high esteem. She saw in Abelard a reflection of her highest values, and, consequently, she acted to gain those values. She never felt guilty about her love for Abelard. She never apologized. She never wavered. The movie is wonderful because it demonstrates two contrasting philosophical views on life. But since the predominant view in Abelard's and Heloise's time was based on faith, mysticism and obedience to authority, unfortunately life, happiness and love were casualties. Watch this film with your lover and say a word of thanks to REASON, FREEDOM, and SCIENCE that you two don't live in the atmosphere that those two did.
Lanwench Guiltily enjoyable, in a quasi-historical, smutty kind of way. The soundtrack was pretty heavy-handed, and the dialogue didn't inspire, but it's a steamy, pretty piece of fluff. [A waste of Denholm Elliot's talent, though.] It has a "made for late-night premium cable" feel.